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Development and preservation in Dublin

From Wikipedia, the free encyclopedia

Aerial view of Dublin's south city centre, looking northwards towards Trinity College

Dublin is one of the oldest capital cities in Europe – dating back over a thousand years. Over the centuries and particularly in the 18th century or Georgian era, it acquired a distinctive style of architecture. Since the 1960s, Dublin has been extensively re-developed, sometimes resulting in the replacement of earlier buildings. Some of this has been controversial with preservationists regarding the development as unwelcome.

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  • Wide Street Commission Map Conservation Project
  • DUBLIN IRELAND SPRAYED WITH TOXIC CHEMTRAILS / GEO-ENGINEERING
  • Patrick Honohan, Governor of the Central Bank of Ireland speaks to UCD Economics Society

Transcription

The Wide Street Commission Map Conservation project is an initiative of Dublin City Library and Archive, which has been part-funded by the Heritage Council of Ireland under the Heritage Management Grant Scheme 2011. The Wide Street Commission was set up by an Act of Parliament in 1757 to reduce city-centre congestion, and to widen and develop the thoroughfares of Dublin. In order to facilitate developments, the Commission had the authority to acquire property by compulsory purchase, to demolish buildings to make way for new streets, and to impose design standards on new buildings. The work of the Wide Street Commission had a lasting impact on the fabric of Dublin City and some important developments included the creation of Westmoreland Street, the building of Carlisle Bridge -now O'Connell bridge- and the development of much of the Quays, Liberties, Dame Street, Baggot Street and the area around the Custom House. The records of the Wide Street Commission have been preserved at Dublin City Library and Archive, and include almost 900 manuscript maps, which trace the development of Dublin city and its environs from 1757 to the mid nineteenth century. Unfortunately approximately 40% of the Wide Street Commission maps were damaged due to how they were handled and stored before being deposited at Dublin City Library and Archive. The extent of damage varies from item to item. However in general, maps had been tightly rolled, and had heavy surface dirt. Some maps suffered from tears and creasing, and even had areas of loss. All damaged maps are closed from public inspection, as handling of fragile maps can cause further deterioration. In order to make these historically important records available to the public, Dublin City Library and Archives has an ongoing project to conserve a number of maps every year. In 2011 with the support of the heritage council, we have been able to conserve 30 maps. Conservation involves time-consuming and highly skilled work. Liz D’Arcy of Paperworks Studio for Paper Conservation was engaged to assess the damage to each map and to carry out the conservation work. Liz is a qualified conservator and an accredited member of the Institute of Conservation of Historic and Artistic Works in Ireland. The treatment of each map was underpinned by two important conservation principals - the principal of “minimal intervention” and the principal of reversibility. This means that all conservation work should be full reversible and that minimum changes are made to the document itself. This ensures that a document retains its original character. Because the maps had been stored rolled, many of them had become brittle and were curling on their own. The first step in the conservation work was to gently unroll each map. To prevent the maps from breaking as they were flattened, Liz used a dahlia spray to humidify and relax the paper. The dahlia spray is filled with water and is then pumped up to pressurise it. It sprays an extremely fine mist, which relaxes paper without actually getting it wet. The next step was to remove dirt from the maps. Liz began cleaning by gently brushing the surface of the map with a soft brush to remove loose dirt and dust. A chemical sponge was then used to remove the heavier dirt. A chemical sponge is always used dry and it is very safe to use on vulnerable documents. It works by using the open cells of the sponge to absorb -actually lifting dust, dirt, soot, and lint into the sponge from the map. This image shows the verso of a partially cleaned map of Cork Hill and Dame Street. The amount of dirt, which has been removed, is considerable. Likewise, contrasting the cleaned section of this map of Rotunda Lying in Hospital with the untreated version, highlights how effective the chemi-sponge is at removing dirt. Before being transferred to Dublin City Library and Archives, some repairs were carried out on the maps using materials harmful to paper, such as commercial tapes and adhesives that stain. Liz carefully removed any pressure sensitive tape or adhesive discolouration evident on the maps. The next step was to reduce acidity and soluble discoloration in the maps. For each map Liz firstly tested pigments for solubility. A tiny drop of water was brushed onto the pigment and then swabbed with a cotton bud to see if any pigment lifted off. The map was then treated with a calcium hydroxide solution. The solution was either brushed on the verso of the map, or if pigments were stable, the map was immersed in the solution. This step is to prevent the chemical deterioration of the paper on which the maps are drawn. Chemical deterioration could cause the documents to become brown, brittle, discoloured. The next task undertaken by Liz was to repair tears, damages to edges, and areas of loss in the maps. Tears need to be repaired, not only to improve the appearance of a torn document, but also to prevent a tear from lengthening, to keep fragments from separating, and to make a document safer to handle. The damaged areas were repaired using Japanese tissue paper. Japanese tissue is a hand-made paper, which does not discolor or become brittle over time. It has long, strong, flexible fibers that produce a lasting repair. Wheat paste starch was the adhesive used with Japanese tissue for paper mending. It is strong, easy to reverse, and is chemically stable. It is purchased as a highly refined powder and mixed in a sauce cooker to make paste. Once mixed into paste, it is stored in a cool, dry place. It is then applied to documents using a soft brush. Liz began by mending the largest tears in a map first. For each repair, Liz selected a piece of Japanese tissue that closely matched the colour and thickness of the map being mended A tweezer was used to gently apply the Japanese paper to tears and areas of loss on the maps. Some fragile maps were strengthened by lining the entire map with Japanese tissue paper. For example this 1794 map of Fitzwilliam Street which had significant loss at its corners was fully lined with tissue paper. The Japanese paper was then carefully trimmed to size to match the original proportions of the map The final step in conservation was to press each map under weights to reduce and remove creasing. The success of the conservation process can be observed by contrasting the before and after images of a number of the maps. This 1807 Map of Kevin's Port had several bad tears. The map edges were curling and frayed. It has now been fully repaired, and the boundary of Nettelon's Holdings at Kevin's port and the names of cottage occupiers on Cuffe Street can be viewed. This 1841 map of Trinity College and Nassau Street was in two separate pieces, and also suffered adhesive discoloration and tears due to previous attempts to repair the map. The map fragments have now been sensitively rejoined and all tears and frayed edges carefully mended and cleaned. This map showing the Four Courts area of Dublin was dirty, torn, and very fragile. Adhesive stains were also clearly visible. It has now been fully conserved and lined with Japanese paper. The land purchased by the Commissioners of Public Works and the Honourable Society of Queen's Inns at Pill Lane near the Four Courts can now be viewed. This map showing the elevation of Westmoreland Street was extremely dirty and dull. It also suffered tearing and creasing, and was very brittle at the edges. Having been expertly cleaned and repaired, the different pigments used by the nineteenth century surveyor in drawing the map are now clearly visible. The conserved maps were transferred into archival quality mylar and acid-free folders. The maps are now stored in special map cabinets in our purpose-built strong room, which is air-conditioned and fire-proof at Dublin City Library and Archive. This stable environment ensures that the maps will not be vulnerable to any further chemical or physical deterioration. The newly conserved maps are available on request to researchers in the Dublin City Library and Archive reading room. The maps not only look beautiful but also contain a wealth of information about Dublin in the eighteenth and nineteenth century and its inhabitants. They will be an important resource for local historians, geographers, town planners, architects, and other researchers. Dublin City Library and Archives hopes to continue with this important project in 2012 by conserving additional maps.

Georgian Dublin

In 1932, Éamon de Valera's Fianna Fáil party won a majority at the general election. With greater finances available, major changes began to take place. A scheme of replacing tenements with decent housing for Dublin's poor began. Plans were proposed for the wholesale demolition of many buildings from the Georgian era, which had become tenements.

The Viceregal Lodge was proposed for demolition, to make way for a new residence for the new office of President of Ireland, an office created in the 1937 Constitution of Ireland. Merrion Square, with its large Georgian mansions, was proposed for demolition, to be replaced on its three sides by a national museum, national Roman Catholic cathedral and national art gallery. Though plans were made, few were put into effect and those not implemented were put on hold when in September 1939 World War II began. Dublin escaped the mass bombing of the war due to Ireland's neutrality, though some bombs were dropped by the German air-force and hit the North Strand, a working-class district.

By 1945, the planned replacement of Georgian Dublin were abandoned and the Viceregal Lodge (renamed in 1938 Áras an Uachtaráin) was restored as a presidential residence.

From the 1950s onwards, Georgian Dublin became imperilled by Irish Government development policies. On Mountjoy Square derelict sites proliferated. When a row of large Georgian houses in Kildare Place near Leinster House was demolished a Fianna Fáil minister, Kevin Boland celebrated, saying that they had stood for everything he opposed. He also condemned the leaders of the Irish Georgian Society, established to preserve Georgian buildings, some of whom came from aristocratic backgrounds, as "belted earls".

In the 1960s, the world's longest line of Georgian buildings was interrupted when the ESB was allowed to build a modern office block. By the 1980s, road-widening schemes by Dublin Corporation ran through some old areas of the inner city around Christ Church Cathedral. In 1979 Dublin Corporation developed an office block on an unearthed Viking site Wood Quay.

1980s – A change in policy

The Spire of Dublin, one of Dublin's newest monuments, is the world's largest sculpture

In the 1980s and 1990s, greater efforts were made to preserve Dublin's older buildings. Dublin Corporation's road-widening schemes were abandoned. Strict preservation rules were applied, keeping intact the remaining squares, though St Stephen's Green of the three southern squares had already lost much of its Georgian architecture.

The 1960s had seen one of the earliest battles to preserve Georgian Dublin, in what became known as the Battle of Hume Street whose corner opened onto St. Stephen's Green. There an ultimately successful attempt by a property developer to demolish a block of Georgian houses hit the national headlines, and became a cause célèbre as students, celebrities and future politicians battled to stop the demolition of the Georgian buildings. The original buildings were lost, and the developer built Georgian style buildings on the site.

By the 1990s Dublin Corporation became active in the preservation of the Georgian buildings; among the results was the restoration of City Hall to its eighteenth-century interior (removing Victorian and Edwardian additions and rebuilds), and the replacement of Nelson's Pillar (a monument on O'Connell Street which had dominated the skyline until being blown up in 1966 by republicans) by a new Spire of Dublin, the world's tallest sculpture, on the site of the old Pillar and which could be seen throughout the city.

Temple Bar

The change in attitude was reflected in the development of Temple Bar, one of the few parts of Dublin that survived the destruction of medieval streets by the developers of the Georgian era. It retained its original medieval street plan. As late as the mid 1980s, Temple Bar was seen as a poor, run down segment of the city, stretching in terms of length from the Old Houses of Parliament in College Green to Parliament Street, which faced City Hall, and which in terms of width stretched from Dame Street to the city quays. In the 1970s, Córas Iompair Éireann (CIÉ), the state transport company, bought up many of the buildings in this area, with a view to building a large modern central bus station on the site. This would replace the medieval streets and buildings (while the street pattern was medieval, most of the buildings were not, dating from the eighteenth or nineteenth century) by one large bus station with a shopping centre attached. However, delays in providing the financing led CIÉ to rent out the buildings at nominal rents. Most of the buildings were rented by artists, producing a sudden and unexpected appearance of a 'cultural quarter' that earned comparisons with Paris's Left Bank. Though CIÉ remained nominally committed to its planned redevelopment, the vibrancy of the Temple Bar area led to demands for its preservation. By the late 1980s, the bus station plans were abandoned and a master plan put in place to maintain the Temple Bar's position as Dublin's cultural heartland.

The result was that the medieval street plan survived, however rents rose sharply, forcing the artists elsewhere. They have been replaced by restaurants and bars which draw thousands of tourists. This has been criticised by some for over commercialisation and excessive alcohol consumption. Some of the more historic buildings in the area have been altered in this process, notably St. Michael and John's Roman Catholic Church, one of the city's oldest Catholic churches, which pre-dates the repeal of the Penal Laws and Catholic Emancipation. Its interior was developed to be replaced by a tourist-orientated "Viking adventure centre" which ran into financial problems.

Temple Bar was used as a set for some of the exterior scenes in the film Far and Away.

Between December 2002 and January 2003, the Spire of Dublin was erected on O'Connell Street. A 120 m tall tapered metal pole, it is the tallest structure of Dublin city centre, visible for miles. It was assembled from seven pieces with the largest crane available in Ireland. It replaced Nelson's Pillar which was blown up in 1966.

Archer's Garage incident

The Rebuilt Archer's Garage, Dublin

In June 1999, the art deco, grade 1 listed garage on Fenian Street was illegally demolished by contractors working for the O'Callaghan hotel group. Following some vocal opposition the developer Noel O'Callaghan reconstructed the Garage after he was ordered by Dublin City Council on threat of a €1,000,000 fine and/or imprisonment.

The reconstruction is not an accurate replication of the original.[citation needed]

See also

External links

This page was last edited on 23 March 2023, at 09:20
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