To install click the Add extension button. That's it.

The source code for the WIKI 2 extension is being checked by specialists of the Mozilla Foundation, Google, and Apple. You could also do it yourself at any point in time.

4,5
Kelly Slayton
Congratulations on this excellent venture… what a great idea!
Alexander Grigorievskiy
I use WIKI 2 every day and almost forgot how the original Wikipedia looks like.
Live Statistics
English Articles
Improved in 24 Hours
Added in 24 Hours
Languages
Recent
Show all languages
What we do. Every page goes through several hundred of perfecting techniques; in live mode. Quite the same Wikipedia. Just better.
.
Leo
Newton
Brights
Milds

Der Querschnitt

From Wikipedia, the free encyclopedia

Front page of the issue in Spring 1922

Der Querschnitt (lit.' the cross section') was an art magazine published by German art dealer Alfred Flechtheim between 1921 and 1936. The magazine was based in Berlin.[1]

According to Erika Esau, the magazine "represented the politically detached aspirations of the aesthetically attuned of the Western world. Lightheartedly snobbish, the magazine's inclusions of works by anyone who was anybody in the Weimar period and its unorthodox graphic and literary style qualifies it as an avant-garde publication."[2]

Der Querschnitt was seen as a German counterpart of the American magazine The Dial by some. In 1924, Ernest Hemingway published his poem "The Soul of Spain With McAlmon and Bird the Publishers" in Der Querschnitt where he directly attacked The Dial.

Hermann von Wedderkop served as an editor of the publication.[3] Its last editor was Edmund Franz von Gordon.[4]

YouTube Encyclopedic

  • 1/2
    Views:
    484
    477
  • VESTRA: Querschnitt – Export XAML – 3D-Viewer
  • Kathetensatz und Höhensatz verstehen || Klasse 8 ★ Wissen

Transcription

References

  1. ^ Peter Brooker (2013). Europe 1880 - 1940. Oxford University Press. p. 872. ISBN 978-0-19-965958-6.
  2. ^ Erika Esau, "The magazine of enduring value: Der Querschnitt (1921-1936) and the World of illustrated magazines", in The Oxford Critical and Cultural History of Modernist Magazines, vol. III, p. 870.
  3. ^ Brooker, Peter, et al. (eds.) (2013). The Oxford Critical and Cultural History of Modernist Magazines: Volume III, Europe 1880-1940 Part I, p. 869
  4. ^ Wilmont Haacke (1968). "The German Magazine. Its Origin and Development". Journalism & Mass Communication Quarterly. 45 (4): 711. doi:10.1177/107769906804500412.

Bibliography

  • Erika Esau, ″The magazine of enduring value: Der Querschnitt (1921-1936) and the World of  illustrated magazines″, in The Oxford Critical and Cultural History of Modernist Magazines, vol. III, 2013.
  • Malcolm Gee, ″Defining the modern art collector in the Weimar years″, in: Geschmacksgeschichte(n): öffentliches und privates Kunstsammeln in Deutschland, 1871- 1933, eds. U. Wolff-Thomsen, and S. Kuhrau, Kiel, Verlag Ludwig, 2011, 115–130.
  • Malcolm Gee, ″The 'cultured city': the art press in Berlin and Paris in the early twentieth century″, in Printed Matters: Printing, Publishing and Urban Culture in Europe in the modern period, eds. M. Gee and T. Kirk, Ashgate, 2002, 150–173.
  • Malcolm Gee, ‘The Berlin Art World, 1918-1933’ in: Malcolm Gee, Tim Kirk and Jill Steward (eds), The City in central Europe : culture and society from 1800 to the present, Ashgate, 1999.

External links

This page was last edited on 16 March 2023, at 23:51
Basis of this page is in Wikipedia. Text is available under the CC BY-SA 3.0 Unported License. Non-text media are available under their specified licenses. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc. WIKI 2 is an independent company and has no affiliation with Wikimedia Foundation.