To install click the Add extension button. That's it.

The source code for the WIKI 2 extension is being checked by specialists of the Mozilla Foundation, Google, and Apple. You could also do it yourself at any point in time.

Kelly Slayton
Congratulations on this excellent venture… what a great idea!
Alexander Grigorievskiy
I use WIKI 2 every day and almost forgot how the original Wikipedia looks like.
Live Statistics
English Articles
Improved in 24 Hours
Added in 24 Hours
Show all languages
What we do. Every page goes through several hundred of perfecting techniques; in live mode. Quite the same Wikipedia. Just better.

Deadline at Dawn

From Wikipedia, the free encyclopedia

Deadline at Dawn
Deadline at Dawn movie poster.JPG
Theatrical release poster
Directed byHarold Clurman
Screenplay byClifford Odets
Based onDeadline at Dawn
1944 novel
by Cornell Woolrich
Produced byAdrian Scott
StarringSusan Hayward
Paul Lukas
Bill Williams
CinematographyNicholas Musuraca
Edited byRoland Gross
Music byHanns Eisler
C. Bakaleinikoff
Distributed byRKO Pictures
Release dates
  • March 18, 1946 (1946-03-18)
  • April 3, 1946 (1946-04-03)
(United States)
Running time
83 minutes
CountryUnited States

Deadline at Dawn is a 1946 American film noir, the only film directed by stage director Harold Clurman. It was written by Clifford Odets and based on a novel of the same name by Cornell Woolrich (as William Irish). The RKO Pictures film release was the only cinematic collaboration between Clurman and his former Group Theatre associate, screenwriter Odets. The director of photography was RKO regular Nicholas Musuraca. The musical score was by German refugee composer Hanns Eisler.[1]


U.S. Navy sailor Alex Winkley (Bill Williams) wakes up from a night of drinking in New York City and finds he has a wad of cash. His memory is hazy, but he knows he got it from a woman he had visited earlier in the evening, Edna Bartelli (Lola Lane).

With the help of dance-hall girl June Goffe (Susan Hayward), he attempts to return the money, only to find out that the woman is dead. The sailor is not sure if he is the killer or not. Alex and June, along with a philosophical cabbie (Paul Lukas), stay up all night, attempting to solve the murder mystery before the sailor has to catch a bus to the naval base in Norfolk, Virginia, in the morning. Their deadline is at dawn.

During the film, the many false leads and red herrings involve a blind piano player named Sleepy Parsons (Marvin Miller) and a young couple.

Bartelli had been blackmailing men with whom she had had affairs, thus many suspects are possible. The woman's brother Val (Joseph Calleia) adds a touch of menace to the plot. The surprise ending resolves all issues, including the relationship between Alex and June.



Richard Fleischer says that Sid Rogell, head of RKO's B Picture unit, bullied Harold Clurman during production meetings, saying he would "kick the director right in the balls". He says Clurman accepted it without complaint.[2]

The dialogue contains Odets' trademark New York wisecracks. For example, while dancing at club early in the movie, the Hayward character likens the dance hall to a post office, filled with second-class matter. Edna Bartelli greets her ex-husband by saying, "Aren't you dead yet?"

There are many "slice of life" characterizations of big city people in small roles, such as a tired banana salesman, an angry building superintendent, a refugee with a skin condition who has a crush on June, and a wisecracking sidewalk pitchman.

Odets' Group Theatre colleague Roman Bohnen appears in a bit part, as a grief-stricken man with a dying cat.


Critical response

Film critic Dennis Schwartz somewhat liked the film, writing, "Broadway's Harold Clurman takes his only stab at film directing, after the breakup of his Group Theatre, in this odd psychological thriller noted for its flowery dialogue and muddled story line ... It's penned by playwright Clifford Odets from a story by Cornell Woolrich. Though enjoyable by virtue of its distorted mise-en-scène, affection for NYC characters and its misplaced chatter, this is not art but run-of-the-mill film noir. Set in Manhattan, yet Deadline used no location shots but was filmed entirely in the studio's back lots. Cinematographer Nick Musuraca does a fine job creating an atmospheric scene of NYC's downtrodden and unhappy souls roaming the dark streets."[3]

Home media

Warner Bros. released the film on DVD on July 13, 2010, in its Film Noir Classic Collection, Vol. 5.[4]


  1. ^ Deadline at Dawn at IMDb.
  2. ^ Fleischer, Richard (1993). Just Tell Me When to Cry. Carrol and Graf. p. 18.
  3. ^ Schwartz, Dennis Archived 2013-12-24 at the Wayback Machine. Ozus' World Movie Reviews, film review, November 11, 2004. Accessed: July 11, 2013.
  4. ^ Abrams, Simon. "Film Noir Classic Collection: Volume 5." July 20, 2010. Accessed 2011-11-19.

External links

This page was last edited on 13 November 2022, at 15:37
Basis of this page is in Wikipedia. Text is available under the CC BY-SA 3.0 Unported License. Non-text media are available under their specified licenses. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc. WIKI 2 is an independent company and has no affiliation with Wikimedia Foundation.