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David MacIntyre (composer)

From Wikipedia, the free encyclopedia

David MacIntyre
Background information
Birth nameDavid Keith MacIntyre
Born1952 (age 71–72)
Yorkton, Saskatchewan, Canada
Occupation(s)Composer, professor

David MacIntyre (born 1952) is a Canadian composer of opera,[1] music theatre, choral,[2] orchestral and chamber music, and site-specific works in dance and theatre, based in Vancouver. He is a professor of Music Composition at Simon Fraser University in Vancouver. His music has been performed in more than thirty countries.

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Early life and education

MacIntyre was born in Yorkton, Saskatchewan; as a child, he studied brass instruments, theatre arts, voice and piano. In 1969, he attended the Banff School for Fine Arts. He attended the University of Saskatchewan (1970–72), where he studied composition with Murray Adaskin, voice with Dorothy Howard, and University of Victoria (73-75 B.Mus and 77-79 M.Mus), where he studied composition with Rudolf Komorous, conducting with George Corwin, voice with Selena James. In 1977, he wrote his first opera Humulus the Mute on a libretto by Jean Anouilh, translation by Michael Benedickt. Humulus the Mute was premiered in 1979 in a production conducted by George Corwin, directed by the composer and featuring Erika Kurth and Richard Margison.[9]

Career

In 1979, MacIntyre was invited to join the faculty at Simon Fraser University where he co-founded the Contemporary music program and where he taught courses in music composition and interdisciplinary collaboration in the School for the Contemporary Arts for thirty eight years until his retirement on September 1, 2017.[3]

In 1983 MacIntyre collaborated with choreographer Karen Jamieson to develop Sisyphus, which was named one of the ten best choreographic works of the twentieth century by Danse Canada Dance magazine.[4] In 1988, his music for Piazza for ten saxophones and twenty-four dancers created in collaboration with Montreal choreographer Jean Pierre Perreault received excellent notice from Anna Kisselgoff in the New York Times: "Certainly the score by David MacIntyre, a composer from Vancouver, British Columbia, worked to perfection in its fragmentary structure. Separate phrases (not always melodic) were often played by soloists but also by all 10 instrumentalists, creating rich overlapping textures.".[5] His 1994 opera The Architect, in collaboration with playwright Tom Cone, was the first opera to be commissioned by the Vancouver Opera.[6] That year he composed Ave Maria , which has become one of his most widely known and performed compositions.

In 2009 MacIntyre was commissioned to write a song, Hammer, for the 150th anniversary of British Columbia.[7] His 2012 opera cabaret Love in Public , a staged, four-singer setting of Elizabeth Barrett Browning's poetry collection Sonnets from the Portuguese,[8] was nominated for Outstanding Original Composition by Jesse Richardson Theatre Awards in 2012.

MacIntyre's musical drama Tom Pinkerton, The Ballad of Butterfly's Son (2008), created in collaboration with playwright Hiro Kanagawa, was shortlisted for Best Musical of 2012 by the Playwrights Guild of Canada.[9]

Style

MacIntyre is predominantly known as a composer for the theatre; he has written operas, music theatre works, instrumental theatre works, art songs, and choral works. His music emphasizes rhythm, lyricism and smooth orchestration.

Personal

In 1990, MacIntyre met dancer Catherine Josephine Lubinsky and they married in 1992.[10]

Selected works

  • Humulus the Mute (1977)
  • "Sisyphus" (1983)
  • "Piazza" (1988, with Jean Pierre Perreault)
  • "The Architect" (1994, with Tom Cone)[11]
  • "Ave Maria" (1994)
  • "Love in Public" (2004)
  • "Alleluia" (2011)
  • Late Canadian Carols (2016)

References

  1. ^ Studies in Dance History. Vol. 5, Issue 2. Society of Dance History Scholars; 1994. p. 95.
  2. ^ "Director's interests are broad as the world and deep as the soul". By R.M. CAMPBELL, SEATTLE POST-INTELLIGENCER, March 3, 2005
  3. ^ "Music at Simon Fraser University". The Canadian Encyclopedia.
  4. ^ "Myth in Motion (unsolicited) ". Dance Current, By Alana Gerecke, March 2007
  5. ^ Kisselgoff, Anna (July 1988). "Review/Dance; 'Piazza,' Grim Visions in a Garden". The New York Times.
  6. ^ Alexander Hopkins McDannald. The Americana Annual: An Encyclopedia of Current Events. Americana corporation; 1995. ISBN 978-0-7172-0226-3. p. 168.
  7. ^ "Surveying the history of B.C. in five songs". FIONA MORROW, VANCOUVER, The Globe and Mail, January 17, 2009
  8. ^ "Love in Public mostly succeeds in setting Elizabeth Barrett Browning’s love sonnets to music". Georgia Straight, by Janet Smith on April 20, 2012
  9. ^ Frances Kai-Hwa Wang, "What Happened to Cio-Cio-San's Son after 'Madama Butterfly'?". NBC News, Feb. 1, 2016.
  10. ^ "David K. MacIntyre: Biography | Canadian Music Centre | Centre de Musique Canadienne". Musiccentre.ca. Retrieved September 5, 2013.
  11. ^ Trade & Culture. Vol. 2. Trade & Culture, Incorporated; 1994. p. 83.

5. "Grim Visions in a Garden" by Anna Kisselgoff, New York Times, July 1, 1988

External links

This page was last edited on 3 January 2024, at 22:46
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