A Corelli clash in a cadence on A
The Corelli cadence, or Corelli clash, named for its association with the violin music of the Corelli school, is a cadence characterized by a major and/or minor second clash between the tonic and the leading-tone or the tonic and supertonic. The cadence is found as early as 1634 in Steffano Landi's Il Sant'Alessio[1] whereas Corelli was born in 1653. It has been described as cliché.[2]
This is created by the voice leading concerns of modal music, specifically the use of anticipation during cadences.[3] The English cadence is another "clash cadence".
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Corelli: Concerto Grosso in F Major Opus 6 No. 2, the original and best. Voices of Music 4K UHD
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Ornamentation in the violin sonatas of Arcangelo Corelli; Augusta McKay Lodge | Voices of Music
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See also
References
- ^ a b Apel, Willi and Binkley, Thomas (1990). Italian Violin Music of the Seventeenth Century, p.56. ISBN 0-253-30683-3.
- ^ Julie Anne Sadie, ed (1998). Companion to Baroque Music, p.61. ISBN 0-520-21414-5.
- ^ Latham, Alison, ed. (2002). The Oxford Companion to Music, p.192. ISBN 0-19-866212-2.
This page was last edited on 9 February 2022, at 12:55