To install click the Add extension button. That's it.
The source code for the WIKI 2 extension is being checked by specialists of the Mozilla Foundation, Google, and Apple. You could also do it yourself at any point in time.
How to transfigure the Wikipedia
Would you like Wikipedia to always look as professional and up-to-date? We have created a browser extension. It will enhance any encyclopedic page you visit with the magic of the WIKI 2 technology.
Try it — you can delete it anytime.
Install in 5 seconds
Yep, but later
4,5
Kelly Slayton
Congratulations on this excellent venture… what a great idea!
Alexander Grigorievskiy
I use WIKI 2 every day and almost forgot how the original Wikipedia looks like.
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What we do. Every page goes through several hundred of perfecting techniques; in live mode. Quite the same Wikipedia. Just better.
In his review on AllMusic, Michael G. Nastos states "A follow-up to their previous excellent CD Horn To Horn has the two veteran tenor saxophonists with the same drummer, Kenny Washington, joined by pianist Stan Hope and bassist Ray Drummond. They swing and stroll through another seven standards, Edwards with his lithe, breezy, matter-of-fact tone, Person displaying the bluesy, street smart literate, fluid approach that always holds him in good stead. ... The beautiful thing is that while Edwards continually refines, picking notes even more carefully, and Person digs deeper into his blue gutbucket, there's no stepping on toes. ... There's a bit of flailing, but the respectful attitude of these two present-day jazz giants is clear and admirable. This CD is easily as good as the first collaboration".[5] In JazzTimes Jack Sohmer wrote "this 1996 Rudy Van Gelder-engineered studio date can easily rank alongside the best recordings of the two tenor teams of the past. Although not as technically daunting as the Griff 'n' Jaws combo, certainly the fluency that Edwards and Person demonstrate on blues, ballads, and medium swing grooves places them on a par with the Jug & Sonny tandem. ... This recording succeeds especially because it is a conversation, not a shouting match, between two musicians who are secure enough in their abilities and reputations not to have to cut each other down at every turn".[7]