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Christian Tetzlaff

From Wikipedia, the free encyclopedia

Christian Tetzlaff
Born (1966-04-29) 29 April 1966 (age 54)
Hamburg, Germany

Christian Tetzlaff (born 29 April 1966) is a German violinist.


Tetzlaff was born in Hamburg. His parents were amateur musicians and met in a church choir.[1] He began playing the violin and piano at the age of 6, and made his concert debut at 14 years old. He studied with Uwe-Martin Haiberg at the Musikhochschule Lübeck and later with Walter Levin at the University of Cincinnati – College-Conservatory of Music.

His breakthrough as a soloist came in 1988, at the age of 22, when he performed Schoenberg's Violin Concerto in critically acclaimed concerts with the Cleveland Orchestra and the Munich Philharmonic.[1] The following year he made his solo recital debut in New York.[2] He has continued to play as a soloist with major orchestras on stage and in recordings, including Beethoven's works for violin and orchestra performed with the Tonhalle Orchester Zürich under David Zinman. He returned to New York in 2011 for a recital with Antje Weithaas at Zankel Hall.[3] He joined his sister Tanja [de] (cello) and Leif Ove Andsnes (piano) in winning the 2012 Gramophone Award for best chamber recording (playing Schumann's piano trios).[4] His recording of Schumann's violin sonatas with Lars Vogt (piano) was named Gramophone's recording of the month for January 2014.[5] Other critically acclaimed recordings include his 2007 release of Bach's sonatas and partitas for solo violin,[6] and his 2012 release of three Mozart violin sonatas with Lars Vogt.[7] His discography includes a number of modern works such as the violin concertos of György Ligeti and Stuart MacRae.[8]

In 2011 he signed a long-term recording contract with Ondine.[9]

He is the Artist in Residence of the Dresden Philharmonic in 2018/2019 season, and he will be the Artist in Residence of the Seoul Philharmonic Orchestra in the year 2019.

Playing style

Tetzlaff plays a contemporary violin by Stefan-Peter Greiner which he has had since 2002, preferring it to his previous Stradivarius instrument. He uses a Peccatte bow, and Vision strings by Thomastik-Infeld in Vienna.[10] He eschews routinely playing the violin with the full, lyrical sound preferred by many of his contemporaries, telling The New Yorker: "The listener loses the ear for the most beautiful sounds if they've been used for arbitrary, non-important things".[1] This approach has occasionally left Tetzlaff open to criticism. The Guardian's critic Andrew Clements argued that his recording of the Schumann piano trios, mentioned above, lacked "any sense of involvement or affection for the music", and that his 2014 release of Shostakovich's violin concertos was sometimes devoid of "character".[1][11]

Tetzlaff suffers from neurodermatitis in his left hand, which can cause extreme pain when the hand's fingers are applied to the strings of a violin. Over the years he has managed the condition in a variety of ways, including by using cotton thimbles to cover his fingers, and more recently by increasing his blood circulation by exercising before performances.[1]

Selected recordings


  1. ^ a b c d e Eichler, Jeremy (27 August 2012). "String Theorist". The New Yorker.
  2. ^ VanClay, Mary (2000). Violin Virtuosos. Hal Leonard. p. 79. ISBN 1890490318.
  3. ^ "Violinists Wander Into Bartok, and Well Off the Beaten Path" by Zachary Woolfe, The New York Times, 2 May 2011
  4. ^ White, Michael (28 September 2012). "Roses, thorns and some surprise names at the Gramophone Awards". The Telegraph.
  5. ^ "Schumann: Sonatas for Violin and Piano". Presto Classical.
  6. ^ "Bach, J S: Sonatas & Partitas for solo violin, BWV1001-1006". Presto Classical.
  7. ^ "Mozart: Sonatas for Piano and Violin". Presto Classical.
  8. ^ Milsom, David. "Christian Tetzlaff (A–Z of String Players)". Naxos.
  9. ^ Cullingford, Martin. "Christian Tetzlaff signs to Ondine". Gramophone.
  10. ^ BBC television interview, 22 July 2005
  11. ^ Clements, Andrew (25 September 2014). "Shostakovich: Violin Concertos Nos 1 and 2 CD review – technically perfect". The Guardian.

External links

This page was last edited on 1 October 2020, at 16:28
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