To install click the Add extension button. That's it.

The source code for the WIKI 2 extension is being checked by specialists of the Mozilla Foundation, Google, and Apple. You could also do it yourself at any point in time.

4,5
Kelly Slayton
Congratulations on this excellent venture… what a great idea!
Alexander Grigorievskiy
I use WIKI 2 every day and almost forgot how the original Wikipedia looks like.
Live Statistics
English Articles
Improved in 24 Hours
Added in 24 Hours
Languages
Recent
Show all languages
What we do. Every page goes through several hundred of perfecting techniques; in live mode. Quite the same Wikipedia. Just better.
.
Leo
Newton
Brights
Milds

Christian Schwartz

From Wikipedia, the free encyclopedia

Christian Schwartz in 2008
Christian Schwartz in 2008

Christian Schwartz (born December 30, 1977 in Concord, New Hampshire, United States) is an American type designer. He has been awarded the German Design Award and the Prix Charles Peignot.

Life

A graduate of the Communication Design program at Carnegie Mellon University,[1] Schwartz first worked at MetaDesign Berlin, developing typefaces for Volkswagen and logos for various corporations. He then returned to the US and joined the design staff at Font Bureau.

Schwartz has worked independently in 2001, first forming Orange Italic with product designer Dino Sanchez and recently Schwartzco Inc. He has released commercial fonts with Village, FontFont, Emigre, House Industries and Font Bureau. Many of Schwartz’s typefaces have been proprietary designs for corporations such as Bosch and Deutsche Bahn, both with noted designer Erik Spiekermann, and EMI, for the marketing of George Harrison’s posthumous final album. Schwartz has also designed typefaces for many publications including the US edition of Esquire and the extensive Guardian Egyptian family, with Paul Barnes, for the redesign of The Guardian newspaper in 2005. With Barnes he set up the digital font company Commercial Type in 2007.[2][3][4]

Schwartz’s typefaces have been honored by the Smithsonian's Cooper-Hewitt National Design Museum,[citation needed] the New York Type Director's Club,[citation needed] and the International Society of Typographic Designers.[citation needed] His work with Barnes has been honored by D&AD and, as part of the Guardian redesign team, they were shortlisted for the Designer of the Year prize by the Design Museum in London.[citation needed] In 2006, Schwartz and Barnes were named two of the 40 most influential designers under 40 by Wallpaper* magazine.[citation needed]

Typefaces

Typefaces designed by Christian Schwartz include:

  • Amplitude, 2003
  • Atlas, 1993
  • FF Bau, 2002
  • Bosch, 2004 (with Erik Spiekermann)
  • Casa Latino!, 1999
  • Deutsche Bahn, 2005 (with Erik Spiekermann)
  • Eero, 2003 (after Eero Saarinen)
  • Elroy, 1993
  • Farnham, 2004
  • Flywheel, 1992
  • Fritz, 1997
  • Graphik, 2009 (with Berton Hasebe, Hrvoje Živčić, Ilya Ruderman)
  • Guardian Egyptian, 2004 (with Paul Barnes)
  • Hairspray, 1994
  • Harrison, 2002
  • Houston, 2003

References

  1. ^ "Typography of Christian Schwartz". Metropolis. March 1, 2004. Retrieved 4 August 2010.
  2. ^ Walters, John; Esterson, Simon. "Reputations: Commercial Type". Eye. Retrieved 15 April 2020.
  3. ^ Grant, Angelynn. "Features: Commercial Type". Communication Arts. Retrieved 15 April 2020.
  4. ^ Boulanger, Marie. "Christian Schwartz, Partner at Commercial Type: Interview March 1st, 2019". Medium. ECVNY. Retrieved 16 April 2020.

External links

This page was last edited on 21 December 2020, at 01:34
Basis of this page is in Wikipedia. Text is available under the CC BY-SA 3.0 Unported License. Non-text media are available under their specified licenses. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc. WIKI 2 is an independent company and has no affiliation with Wikimedia Foundation.