To install click the Add extension button. That's it.

The source code for the WIKI 2 extension is being checked by specialists of the Mozilla Foundation, Google, and Apple. You could also do it yourself at any point in time.

Kelly Slayton
Congratulations on this excellent venture… what a great idea!
Alexander Grigorievskiy
I use WIKI 2 every day and almost forgot how the original Wikipedia looks like.
Live Statistics
English Articles
Improved in 24 Hours
Added in 24 Hours
What we do. Every page goes through several hundred of perfecting techniques; in live mode. Quite the same Wikipedia. Just better.

Chicago literature

From Wikipedia, the free encyclopedia

State Street around the turn of the 20th century, the period of one of the major waves of Chicago literature.
State Street around the turn of the 20th century, the period of one of the major waves of Chicago literature.

Chicago literature is writing, primarily by writers born or living in Chicago, that reflects the culture of the city.

Themes and movements

James Atlas, in his biography of Chicago writer Saul Bellow, suggests that "the city's reputation for nurturing literary and intellectual talent can be traced to the same geographical centrality that made it a great industrial power."[1] When Chicago was incorporated in 1837, it was a frontier outpost with about 4,000 people. The population rose rapidly to approximately 100,000 in 1860. By 1890, the city had over 1 million people.[2] Chicago's dynamic growth, as well as the manufacturing, economics, and politics that fueled this growth, can be seen in the works of writers like Carl Sandburg, Theodore Dreiser, Sherwood Anderson, Hamlin Garland, Frank Norris, Upton Sinclair, Willa Cather, and Edna Ferber.[3]

Due to these rapid changes, Chicago writers of the late nineteenth and early twentieth centuries faced the challenge of how to depict this potentially disorienting new urban reality. Narrative fiction of that time, much of it in the style of "high-flown romance" and "genteel realism", needed a new approach to describe Chicago's social, political, and economic conditions.[4] Chicagoans worked hard to create a literary tradition that would stand the test of time,[5] and create a "city of feeling" out of concrete, steel, vast lake, and open prairie.[6] Among the new techniques and styles embraced by Chicago writers were "naturalism," "imagism," and "free verse."[3] Themes often centered on an exciting but dirty urbanism, as well as the quaint but dark and sometimes stultifying small town.

Chicago's early twentieth-century writers and publishers were seen as producing innovative work that broke with the literary traditions of Europe and the Eastern United States. In 1920, the critic H.L. Mencken wrote in a London magazine, the Nation, that Chicago was the "Literary Capital of the United States."[7] Expressing the attitude that Chicago writers were creating a distinctive, new, and far from genteel literary idiom, he wrote, "Find a writer who is indubitably an American in every pulse-beat, snort, and adenoid, an American who has something new and peculiarly American to say and who says it in an unmistakable American way, and nine times out of ten you will find that he has some sort of connection with the gargantuan and inordinate abattoir by Lake Michigan."[8]

A magazine cover printed in black and red on an off-white background. A scroll and a winged horse adorn the title Poetry: A Magazine of Verse.
The first issue of Chicago-based Poetry magazine appeared in 1912.

While Chicago produced much realist and naturalist fiction,[9] its literary institutions also played a crucial role in promoting international modernism. The avant-garde Little Review (founded 1914 by Margaret Anderson) began in Chicago, though it later moved elsewhere. The Little Review provided an important platform for experimental literature, famously it was the first to publish James Joyce's novel Ulysses, in serial form until the magazine was forced to discontinue the novel due to obscenity charges.[10] Similarly, the publication that became Poetry magazine (founded 1912 by Harriet Monroe) was instrumental in launching the Imagist and Objectivist poetic movements.[11] T. S. Eliot's first professionally published poem, "The Love Song of J. Alfred Prufrock," appeared in Poetry. Contributors have included Ezra Pound, William Butler Yeats, William Carlos Williams, Langston Hughes and Carl Sandburg, among others.[relevant? ] The magazine also discovered such poets as Gwendolyn Brooks, James Merrill, and John Ashbery.[12] Poetry and the Little Review were "daring" in their editorial championship of the modernist movement. Later editors also made substantial contributions in poetry, as did Chicago's university and performance venues.[13]

Chicago's universities also have a strong reputation for developing literary talent. In the second half of the 20th century, the University of Chicago served as a hub for many emerging postmodern writers such as Saul Bellow, Kurt Vonnegut, Philip Roth, and Robert Coover. Bellow received his Bachelor's from nearby Northwestern University, which has also produced acclaimed authors such as George R.R. Martin, Tina Rosenberg and Kate Walbert.

Today, Chicago is home to the world's largest youth poetry festival, Louder Than a Bomb.[14][15] Since its founding in 2001, Louder Than a Bomb has grown into a multi-week celebration that includes competitions, workshops, and other poetry-related events. By 2018, the festival was drawing over 100 teams for a total of more than 1000 young poets competing in spoken word tournaments. The festival is credited with influencing contemporary Chicago poets like Nate Marshall and José Olivarez.[16]

According to Bill Savage in The Encyclopedia of Chicago, today's Chicago writers are still interested in the same social themes and urban landscapes that compelled earlier Chicago writers: "the fundamental dilemmas presented by city life in general and by the specifics of Chicago's urban spaces, history, and relentless change."[17]


The Encyclopedia of Chicago identifies three periods of works from Chicago which had a major influence on American Literature:[18]

Literature scholar Robert Bone argues for the existence of a fourth period:

Works about Chicago or set in Chicago

Much notable Chicago writing focuses on the city itself, with social criticism keeping exultation in check. Here is a selection of Chicago's most famous works about itself:

Fiction, drama, and poetry


  • Karen Abbott's Sin in the Second City (2007) provides a history of Chicago's vice district, the Levee, and some of the early twentieth-century personalities involved: gangsters, corrupt politicians, crusading reformers, and two sisters who ran the most elite brothel in town.[38]
  • Jane Addams' Twenty Years at Hull-House (1910), written by a social reformer who won the 1931 Nobel Peace prize, is an autobiography combined with firsthand investigation of poverty, immigrant communities, and political activism in turn-of-the-20th-century Chicago.[39]
  • Erik Larson's Devil in the White City (2003) is a best-selling popular history about the 1893 Colombian Exposition; it's also about the serial killer who was stalking the city at the same time. Straight history of the Exposition and also the workers' paradise in Pullman is found in James Gilbert's Perfect Cities: Chicago's Utopias of 1893.
  • Mike Royko's Boss (1971), written by a Chicago Daily News columnist, is a biography of the powerful mayor Richard J. Daley. The book provides a critical look at Daley's rise to power and at Chicago's political culture of "clout."[40] American Pharaoh (Cohen and Taylor) is a scholarly treatment of the same subject.
  • Studs Terkel's Working (1974) is a series of interviews with American workers. Although Terkel interviewed people in other cities, most of his material comes from Chicago, and the book uses interviews to paint a composite portrait of Chicago as a laboring town.[41]

Alternate realities

Alternative versions of Chicago sometimes appear in fantasy and science fiction novels.


Other noted writers, who were from Chicago or who spent a significant amount of their careers in Chicago include, David Mamet, Ernest Hemingway, Ben Hecht, John Dos Passos, Edgar Rice Burroughs, Edgar Lee Masters, Sherwood Anderson, Eugene Field, and Hamlin Garland.

See also


  1. ^ Atlas, James. Bellow. New York: Random House, 2000. 6.
  2. ^ Nugent, Walter. Encyclopedia of Chicago, "Demography."
  3. ^ a b Pinkerton, Jan; Hudson, Randolph H. (2004). "Introduction". Library of American Literature. Encyclopedia of the Chicago Literary Renaissance. New York: Facts on File, Inc. pp. 1–426, iv–v. ISBN 0-8160-4898-3.
  4. ^ Savage, Bill. Encyclopedia of Chicago, "Fiction."
  5. ^ Spears, Timothy B. Encyclopedia of Chicago, "Literary Cultures."
  6. ^ Rotella, Carlo. Encyclopedia of Chicago, "Literary Images of Chicago"
  7. ^ Pinkerton, Jan; Hudson, Randolph H. (2004). "Introduction". Library of American Literature. Encyclopedia of the Chicago Literary Renaissance. New York: Facts on File, Inc. pp. 1–426, iv. ISBN 0-8160-4898-3.
  8. ^ Mencken, Henry L. "The Literary Capital of the United States." HathiTrust Retrieved 5 Feb 2015.
  9. ^ Savage, Bill. Encyclopedia of Chicago, "Fiction."
  10. ^ The Modernist Journals Project Archived 2016-08-30 at the Wayback Machine (searchable database). Brown and Tulsa Universities, ongoing.
  11. ^ Curdy, Averill. "Poetry: A History of the Magazine". Poetry Foundation. Retrieved 2013-05-12.
  12. ^ Goodyear, Dana, "The Moneyed Muse: What can two hundred million dollars do for poetry?", article, The New Yorker, February 19 and February 26 double issue, 2007
  13. ^ Starkey, David and Bill Savage Encyclopedia of Chicago, "Poetry"
  14. ^ Sutton, Rebecca. "A Youth Festival Where Poetry Is Louder than a Bomb". National Endowment for the Arts. Retrieved 26 August 2020.
  15. ^ Julien, MK. "Louder Than A Bomb 2016 General Festival". WBEZ. National Public Radio. Retrieved 27 August 2020.
  16. ^ Sutton, Rebecca. "A Youth Festival Where Poetry Is Louder than a Bomb". National Endowment for the Arts. Retrieved 26 August 2020.
  17. ^ Savage, Bill. The Encyclopedia of Chicago, Fiction.
  18. ^ Rotella, Carlo. Encyclopedia of Chicago History, "Chicago Literary Renaissance."
  19. ^ Bone, Robert. "Richard Wright and the Chicago Renaissance." Callaloo 28 (1986): 448. JSTOR (behind paywall) Accessed 30 Nov 2014.
  20. ^ Hine, Darlene Clark. Encyclopedia of Chicago, "Chicago Black Renaissance."
  21. ^ Savage, Bill. "Devil in the White City vs. Chicago: City on the Make." Chicago Reader 8 Dec 2014.
  22. ^ Weber, Bruce. "A Common Heart and Uncommon Brain." New York Times 24 May 2000. Retrieved 19 Feb 2015.
  23. ^ Amis, Martin. "A Chicago of a Novel." The Atlantic Monthly Oct 1995. 114-115. Behind paywall. Retrieved 20 Jan 2015.
  24. ^ Williams, Kenny Jackson. "Gwendolyn Brooks' Life and Career." 1997.
  25. ^ Battleground, Andrea. "The House on Mango Street vs. The Book of My Lives." Chicago Reader 12 Jan 2015.
  26. ^ Pizer, Donald. "Theodore Dreiser." Dictionary of Literary Biography vol 12 (1982). 146, 164. Behind paywall. Retrieved 20 Jan 2015.
  27. ^ Kakutani, Michiko. "Lyrical Loss and Desolation of Misfits in Chicago." New York Times 20 April 1990.
  28. ^ Gross, Terry. "Poet Eve Ewing Connects 1919 Chicago To Today's Racial Unrest". NPR. National Public Radio. Retrieved 27 August 2020.
  29. ^ Wald, Alan M., "James T. Farrell." American Novelists, 1910-1945 vol 9 (1981). 266-67. Behind paywall. Retrieved 21 Jan 2015.
  30. ^ "A Raisin in the Sun". Encyclopædia Britannica Online. 2015. Retrieved 17 Jan 2015.
  31. ^ Hirsch, Arnold R. "Restrictive Covenants." Encyclopedia of Chicago. 2005.
  32. ^ Shinner, Peggy. "The Time Traveler's Wife vs. Working" Chicago Reader 2 February 2015. Retrieved 20 Feb 2015.
  33. ^ "Frequently Asked Questions about Audrey Niffenegger's The Time Traveler's Wife" The Newberry Library. Retrieved 20 February 2015.
  34. ^ "Frank Norris". Encyclopædia Britannica Online. Encyclopædia Britannica Inc., 2015. Retrieved 20 Feb 2015.
  35. ^ Niven, Penelope. "Carl Sandburg's Life." American National Biography Online 2000. Reproduced at Modern American Poetry.
  36. ^ Diedrick, James. Encyclopedia of Chicago, "The Jungle."
  37. ^ Church, Ellen and Kimberly Mertz. "Richard Wright." Teaching African American Literature: Resources for High School Teachers in Southeastern North Carolina. University of North Carolina-Pembroke, 2009. Retrieved 11 April 2015.
  38. ^ Maslin, Janet. "Sin in the Second City" New York Times 13 July 2007. Retrieved 26 Jan 2015.
  39. ^ Levitt, Aimee. "The Jungle vs. Twenty Years at Hull-House." Chicago Reader 24 Nov 2014.
  40. ^ Chavez, Danette. "Boss vs. I May Be Wrong, But I Doubt It." Chicago Reader 15 Dec 2014.
  41. ^ Austen, Jake. "Building Stories vs. Working: Greatest Chicago Book Tournament, round one." Chicago Reader 29 Dec 2014.

Furthur reading

  • Duffey, Bernard, The Chicago Renaissance in American Letters, Greenwood Press, Westport CT (1972)
  • Gordon, Yvonne (July 31, 2016). "A Literary Storm in the Windy City" (PDF). The Sunday Times. Travel. Retrieved September 21, 2016.
  • Moore, Michelle E., Chicago and the Making of American Modernism: Cather, Hemingway, Faulkner, and Fitzgerald in Conflict, Bloomsbury Academic, London and New York (2019)

External links

This page was last edited on 11 October 2020, at 13:23
Basis of this page is in Wikipedia. Text is available under the CC BY-SA 3.0 Unported License. Non-text media are available under their specified licenses. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc. WIKI 2 is an independent company and has no affiliation with Wikimedia Foundation.