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From Wikipedia, the free encyclopedia

Chang-rae Lee
Chang-rae Lee speaks to a University of Michigan class about his novel On Such a Full Sea.
Chang-rae Lee speaks to a University of Michigan class about his novel On Such a Full Sea.
Born (1965-07-29) July 29, 1965 (age 58)
South Korea
OccupationNovelist
NationalityAmerican (naturalized)
EducationYale University (BA)
University of Oregon (MFA)
Notable worksNative Speaker; Aloft
Notable awardsHemingway Foundation/PEN Award
Asian/Pacific American Award for Literature
Asian American Literary Awards
SpouseMichelle Branca
Korean name
Hangul
이창래
Hanja
Revised RomanizationI Chang-rae
McCune–ReischauerYi Ch'ang-rae

Chang-rae Lee (born July 29, 1965) is a Korean-American novelist and a professor of creative writing at Stanford University.[1] He was previously Professor of Creative Writing at Princeton and director of Princeton's Program in Creative Writing.

YouTube Encyclopedic

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  • Creative writing professor Chang-rae Lee
  • Chang-rae Lee and Viet Thanh Nguyen: National Book Festival 2021
  • Chang-Rae Lee "On Such a Full Sea"
  • Chang-rae Lee: 2010 National Book Festival
  • A Dubiously Correct Analysis of Native Speaker by Chang Rae Lee

Transcription

(music) Student: So what I found interesting was his Student: interaction with Lexie. (music) Chang-rae Lee: Yeah, I like Janet's idea that that could be a way Chang-rae Lee: to get right into the moment. Chang-rae Lee: Because that's what story really is: Chang-rae Lee: character in the moment. (music) Chang-rae Lee: The journey was nearly over. Chang-rae Lee: The night was unusually chilly, the wind sharpened by the Chang-rae Lee: speed of the train as it rolled southward through Chang-rae Lee: the darkened valley. Chang-rae Lee: The cotton blanket June had stolen was large enough to Chang-rae Lee: spread as a tarp and at the same time wrap around her Chang-rae Lee: younger brother and sister and herself, but it was threadbare, Chang-rae Lee: and for brief stretches the train would accelerate and the Chang-rae Lee: wind would cut right through to them. Chang-rae Lee: It had not been a problem the night before, but now they were Chang-rae Lee: riding on top of the boxcar, as there was no more room within Chang-rae Lee: any of them, even as the train was more than Chang-rae Lee: a dozen cars long. (music) Chang-rae Lee: The opening chapter has a basis in a family story. Chang-rae Lee: My father lost two siblings during the Korean War. Chang-rae Lee: His sister died of pneumonia and his brother was Chang-rae Lee: run over by a train. There wasn't any room Chang-rae Lee: inside the train. That's why they were on top. Chang-rae Lee: In the middle of night the train lurched, his brother fell Chang-rae Lee: off, and his leg got caught under the wheels of the Chang-rae Lee: train as it moved forward. Chang-rae Lee: He tried to carry his brother and catch up to the train Chang-rae Lee: as it was rolling away. Chang-rae Lee: I didn't have any intention of writing that story as part of Chang-rae Lee: this book, but once I did, and once I wrote it, I realized Chang-rae Lee: this is a wonderful and perfect overture to Chang-rae Lee: the rest of the novel. (music) Chang-rae Lee: All literature is a record and celebration of trouble. Chang-rae Lee: Stories naturally want to explore what didn't go Chang-rae Lee: right: poor choices, wrong ideas, wrong emotions. Chang-rae Lee: We're fascinated by those things. Chang-rae Lee: What I try to tell my students is that they often want to Chang-rae Lee: celebrate life and in that mode of celebration, I think, forget Chang-rae Lee: that it's very hard to celebrate life, as in a party, in Chang-rae Lee: literature. And the true celebration of life is when -- in Chang-rae Lee: fiction, which is not like life at all -- is about Chang-rae Lee: identifying those moments at which everything has gone Chang-rae Lee: wrong, where the characters are challenged to their core. Chang-rae Lee: So that's what I'm constantly asking my students: to put Chang-rae Lee: their characters in situations in which the exact wrong Chang-rae Lee: thing will happen to them. And what I try to do in Chang-rae Lee: class, I try to unpack all those writerly choices. (music) Chang-rae Lee: What I thought was one of the real interests of the Chang-rae Lee: story was to try to, of course, capture the sense of this Chang-rae Lee: micro-culture of the orchestra, right? Chang-rae Lee: And so that's why I thought Jim was actually a good choice as Chang-rae Lee: someone to tell this story, because he's an outsider. Chang-rae Lee: He's looking at this in the position that we Chang-rae Lee: might look at it. Chang-rae Lee: I don't think an "I" narrator should just be a video camera. Chang-rae Lee: You know it's just -- if that's the case, then it Chang-rae Lee: should be third-person. And then third-person in this Chang-rae Lee: story would be advantageous in another ways. (music) Chang-rae Lee: Yeah, I'm often asked how one teaches writing, and I always Chang-rae Lee: say that I don't teach writing. Chang-rae Lee: I don't think you can. I really believe that Chang-rae Lee: writers are essentially wonderful readers. Chang-rae Lee: They understand how literature happens -- not because they've Chang-rae Lee: written it -- it's because they've read it. (music)

Early life

Lee was born in South Korea in 1965 to Young Yong and Inja Hong Lee. He immigrated to the United States with his family when he was 3 years old [2] to join his father, who was then a psychiatric resident and later established a successful practice in Westchester County, New York.[3] In a 1999 interview with Ferdinand M. De Leon, Lee described his childhood as "a standard suburban American upbringing," in which he attended Phillips Exeter Academy in Exeter, New Hampshire, before earning a B.A. in English at Yale University in 1987.[3] After working as an equities analyst on Wall Street for a year, he enrolled at the University of Oregon. With the manuscript for Native Speaker as his thesis, he received a master of fine arts degree in writing in 1993 and became an assistant professor of creative writing at the university. On 19 June 1993 Lee married architect Michelle Branca, with whom he has two daughters.[3] The success of his debut novel, Native Speaker, led Lee to move to Hunter College of the City University of New York, where he was hired to direct and teach in the prestigious creative-writing program.[3]

Career

Lee's first novel, Native Speaker (1995), won numerous awards including the Hemingway Foundation/PEN Award.[1] Centered on a Korean-American industrial spy, the novel explores themes of alienation and betrayal as experienced by immigrants and first-generation citizens, in their struggle to assimilate in American life.[2] In 1999, he published his second novel, A Gesture Life. This elaborated on his themes of identity and assimilation through the narrative of an elderly Japanese immigrant in the US who was born in Korea but later adopted to a Japanese family and remembers treating Korean comfort women during World War II.[4] For this book, Lee received the Asian-American Literary Award.[5] His 2004 novel Aloft received mixed notices from the critics and featured Lee's first protagonist who is not Asian American, but a disengaged and isolated Italian-American suburbanite forced to deal with his world.[6] It received the 2006 Asian/Pacific American Award for Literature in the Adult Fiction category.[7] His 2010 novel The Surrendered won the 2011 Dayton Literary Peace Prize and was a nominated finalist for the 2011 Pulitzer Prize for Fiction.[8] Lee's next novel, On Such a Full Sea (2014) is set in a dystopian future version of the American city of Baltimore, Maryland called B-Mor where the main character, Fan, is a Chinese-American laborer working as a diver in a fish farm.[9] It was a finalist for the 2014 National Book Critics Circle Award.[10]

In 2016, Lee joined the faculty of Stanford University, where he is the Ward W. and Priscilla B. Woods Professor of English.[11] He previously taught creative writing in the Lewis Center for the Arts at Princeton University.[12] He was also a Shinhan Distinguished Visiting Professor at Yonsei University in South Korea.[12]

Lee has compared his writing process to spelunking. "You kind of create the right path for yourself. But, boy, are there so many points at which you think, absolutely, I'm going down the wrong hole here. And I can't get back to the right hole."[13]

Major themes

Lee explores issues central to the Asian-American experience: the legacy of the past; the encounter of diverse cultures; the challenges of racism and discrimination, and exclusion; dreams achieved and dreams deferred. In the process of developing and defining itself, then, Asian-American literature speaks to the very heart of what it means to be American. The authors of this literature above all concern themselves with identity, with the question of becoming and being American, of being accepted, not "foreign."[14] Lee's writings have addressed these questions of identity, exile and diaspora, assimilation, and alienation.[3]

Awards and honors

  • 1995 Barnes & Noble Discover Great New Writers Award for Native Speaker[15]
  • 1996 Pen/Hemingway Award for Native Speaker[16]
  • NAIBA Book of the Year Award for A Gesture Life[17]
  • 2000 Anisfield-Wolf Book Award for A Gesture Life[18]
  • 2011 Finalist for the Pulitzer Prize in Fiction for The Surrendered[19]
  • 2011 Dayton Literary Peace Prize for The Surrendered[20]
  • 2015 ALA Notable Book of the Year for On Such A Full Sea[21]
  • 2017 John Dos Passos Prize for Literature [22]

Bibliography

Books

Articles

  • "The Faintest Echo of Our Language". The New England Review. 15 (3): 85–93. Summer 1993. doi:10.1056/NEJM183609140150601. JSTOR 40242683.
  • "Coming Home Again". The New Yorker. October 9, 1995.
  • "Gut Course: Manhattan". The New Yorker. 88 (38): 72–73. December 3, 2012.
  • "Sea Urchin". First Tastes. August 19 & 26, 2002. The New Yorker. 97 (27): 39. September 6, 2021.[25]

Screenplays

References

  1. ^ a b Minzesheimer, Bob (March 16, 2010). "Chang-rae Lee's 'Surrendered': Unrelentingly sad yet lovely". USA Today. Retrieved 31 March 2011.
  2. ^ a b Garner, Dwight (September 5, 1999). "Interview: Adopted Voice". The New York Times. Retrieved 31 March 2011.
  3. ^ a b c d e Wu, Yung-Hsing. "Chang-rae Lee." Asian- American Writers. Ed. Deborah L. Madsen. Detroit: Gale, 2005. Dictionary of Literary Biography Vol. 312. Literature Resource Center. Web. 19 Apr. 2014.
  4. ^ Kakutani, Michiko (August 31, 1999). "'A Gesture Life': Fitting In Perfectly on the Outside, but Lost Within". The New York Times. Retrieved 31 March 2011.
  5. ^ The Asian American Writers' Workshop - Awards Archived 2011-07-18 at the Wayback Machine
  6. ^ Dean, Tamsin (June 21, 2004). "High and dry". The Telegraph. Retrieved 31 March 2011.
  7. ^ APALA Past Award Winners Archived February 22, 2011, at the Wayback Machine
  8. ^ The 2011 Pulitzer Prize Winners Fiction
  9. ^ Leyshon, Cressida (January 7, 2014). "'The Chorus of "We": An Interview With Chang-rae Lee". The New Yorker. Retrieved 7 January 2014.
  10. ^ "National Book Critics Circle Announces Finalists for Publishing Year 2014". National Book Critics Circle. January 19, 2015. Archived from the original on January 22, 2015. Retrieved January 29, 2015.
  11. ^ "Chang-rae Lee | Department of English". english.stanford.edu. Retrieved 2018-05-12.
  12. ^ a b "Chang-rae Lee | Penguin Random House". www.penguinrandomhouse.com. Retrieved 2018-05-12.
  13. ^ Fassler, Joe. "Why Novel-Writing Is Like Spelunking: An Interview with Chang-rae Lee". The Atlantic. Retrieved 2018-05-12.
  14. ^ Matibag, E.(2010). Asian american art and literature. In Encyclopedia of American Studies. Retrieved from http://0-search.credoreference.com.library.simmons.edu/content/entry/jhueas/asian_american_art_and_literature/0
  15. ^ "Barnes & Noble Names Winners of the 27th Annual Discover Awards". Authorlink. Retrieved 2018-05-12.
  16. ^ "List of PEN/Hemingway Winners | The Hemingway Society". www.hemingwaysociety.org. Retrieved 2018-05-12.
  17. ^ "NAIBA Book of the Year Awards - New Atlantic Independent Booksellers Association". www.naiba.com. Archived from the original on 2013-11-13. Retrieved 2018-05-12.
  18. ^ "A Gesture Life". Anisfield-Wolf Book Awards. Retrieved 2018-05-12.
  19. ^ "Finalist: The Surrendered, by Chang-rae Lee (Riverhead Books)". www.pulitzer.org. Retrieved 2018-05-12.
  20. ^ LLC, D. Verne Morland, Digital Stationery International. "Dayton Literary Peace Prize - Chang-rae Lee, 2011 Fiction Winner". daytonliterarypeaceprize.org. Retrieved 2018-05-12.{{cite web}}: CS1 maint: multiple names: authors list (link)
  21. ^ LWOOD (2015-02-01). "2015 Notable Books announced: Year's best in fiction, nonfiction and poetry". News and Press Center. Retrieved 2018-05-12.
  22. ^ "The John Dos Passos Prize for Literature: Past Recipients and Select Works". Longwood University. Retrieved 2021-11-04.
  23. ^ Wood, James (15 March 2010). "A Critic at Large: Keeping it Real". The New Yorker. Vol. 86, no. 4. pp. 71–75. Retrieved 16 January 2011.
  24. ^ "'My Year Abroad' Is A Fun Excursion — Just A Little Light On Substance". NPR.org. Retrieved 2021-02-02.
  25. ^ Online version is titled "How Sea Urchin Tastes". First published in the August 19&26, 2002 issue.

External links

This page was last edited on 7 April 2024, at 13:13
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