To install click the Add extension button. That's it.

The source code for the WIKI 2 extension is being checked by specialists of the Mozilla Foundation, Google, and Apple. You could also do it yourself at any point in time.

Kelly Slayton
Congratulations on this excellent venture… what a great idea!
Alexander Grigorievskiy
I use WIKI 2 every day and almost forgot how the original Wikipedia looks like.
Live Statistics
English Articles
Improved in 24 Hours
Added in 24 Hours
Show all languages
What we do. Every page goes through several hundred of perfecting techniques; in live mode. Quite the same Wikipedia. Just better.

From Wikipedia, the free encyclopedia

The 1957 Encyclopédie Larousse[1] defines a cell in music as a "small rhythmic and melodic design that can be isolated, or can make up one part of a thematic context". The cell may be distinguished from the figure or motif: the 1958 Encyclopédie Fasquelle[1] defines a cell as "the smallest indivisible unit", unlike the motif, which may be divisible into more than one cell. "A cell can be developed, independent of its context, as a melodic fragment, it can be used as a developmental motif. It can be the source for the whole structure of the work; in that case it is called a generative cell."[2]

Tresillo, a rhythmic cell of the tango and habanera.[3][4] Play (help·info)
Tresillo, a rhythmic cell of the tango and habanera.[3][4] About this soundPlay 

A rhythmic cell is a cell without melodic connotations. It may be entirely percussive or applied to different melodic segments.

YouTube Encyclopedic

  • 1/3
    9 295 055
    48 202
    331 191
  • DBZ - Perfect Cell Theme
  • DNA Repair Music: 528Hz Healing Music, Nerve Regeneration Music, Cell Regeneration 528Hz
  • Cell Regeneration Music for Healing Skin, Hair, Body | Deep Relaxation and Meditation Music



The term "cell" (German: Keim) derives from organic music theorists of the nineteenth century. Arnold Schering adopted the term, along with "melodic kernels" (Melodiekerne) in his analysis of 14th-century madrigal, one of the first uses of Gestalt psychology in music theory.[5]

See also


  1. ^ a b quoted in Nattiez, Jean-Jacques (1990). Music and Discourse: Toward a Semiology of Music (Musicologie générale et sémiologue, 1987). Translated by Carolyn Abbate (1990). ISBN 0-691-02714-5.
  2. ^ Nattiez 1990, p.156.
  3. ^ Garrett, Charles Hiroshi (2008). Struggling to Define a Nation: American Music and the Twentieth Century, p.54. ISBN 9780520254862. Shown in common time and then in cut time with tied sixteenth & eighth note rather than rest.
  4. ^ Sublette, Ned (2007). Cuba and Its Music, p.134. ISBN 978-1-55652-632-9. Shown with tied sixteenth & eighth note rather than rest.
  5. ^ Ian D. Bent, revised by Anthony Pople (2001). "Analysis, §II. History, §4. 1910-1945". Grove Music Online (8th ed.). Oxford University Press.
This page was last edited on 12 January 2021, at 22:57
Basis of this page is in Wikipedia. Text is available under the CC BY-SA 3.0 Unported License. Non-text media are available under their specified licenses. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc. WIKI 2 is an independent company and has no affiliation with Wikimedia Foundation.