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Cats Don't Dance

From Wikipedia, the free encyclopedia

Cats Don't Dance
Cats dont dance poster.jpg
Theatrical release poster by John Alvin
Directed byMark Dindal
Screenplay by
  • Roberts Gannaway
  • Cliff Ruby
  • Elana Lesser
  • Theresa Pettengill
Story by
  • Rick Schneider
  • Robert Lence
  • Mark Dindal
  • Kelvin Yasuda
  • Brian McEntee
  • David Womersley
Produced by
Starring
Edited byDan Molina
Music bySteve Goldstein
Production
companies
Distributed byWarner Bros.
Release date
  • March 26, 1997 (1997-03-26)
Running time
74 minutes
CountryUnited States
LanguageEnglish
Budget$32 million[1]
Box office$3.5 million[1]

Cats Don't Dance is a 1997 American animated musical comedy-drama film directed by Mark Dindal (in his feature directorial debut).[2] It is the only fully animated feature produced by Turner Feature Animation, which was merged during the post-production of Cats Don't Dance into Warner Bros. Feature Animation after the merger of Time Warner with Turner Broadcasting System in 1996. Turner Feature Animation had previously produced the animated portions of The Pagemaster (1994).

The film features the voices of Scott Bakula, Jasmine Guy, Matthew Herried, Ashley Peldon, John Rhys-Davies, Kathy Najimy, Don Knotts, Hal Holbrook, Betty Lou Gerson (in her final film role), René Auberjonois, George Kennedy, and Dindal. Its musical numbers were written by Randy Newman and includes Gene Kelly's contributions as choreographer, before his death in 1996. The film was Kelly's final film project and is dedicated to his memory.

Cats Don't Dance was released theatrically in the United States on March 26, 1997, by distributed by Warner Bros. under its Warner Bros. Family Entertainment label. Similar to other Metro-Goldwyn-Mayer films at the time, it was a box office bomb, grossing $3.5 million domestically due to lack of marketing and promotion. Despite this, the film received generally positive reviews, with praise for its animation, humor, characters, voice performances, and musical numbers.

Plot

In an alternate 1939, in a world where humans and anthropomorphic animals coexist, Danny, an optimistic 18-year-old cat from Kokomo, Indiana, travels to Hollywood in hopes of starting an acting career there. After meeting a young penguin named Pudge, Danny is selected by agent Farley Wink to feature in a film that is in production at Mammoth Pictures called Li'l Ark Angel, alongside Wink's secretary, a beautiful yet cynical female white cat named Sawyer. Upon joining fellow animals; Tillie the hippo, Cranston the goat, Frances the fish, and T.W the tortoise, Danny is dismayed on learning how minor his role is and tries to weasel his way into more time in the spotlight. Danny unwittingly ends up angering Darla Dimple, a popular yet spoiled child actress and star of the film; she promptly assigns her 36-foot tall Frankenstein-like gorilla butler Max to intimidate Danny into no longer trying to enlarge his part.

Danny learns from the studio's mascot Woolie that human actors are normally given more important roles than animals, whereas animals themselves end up getting minor and often thankless roles to the point of having little to no leverage in show business. Longing for the spotlight, Danny tries to make a plan that will encourage humans to provide animal actors with better scenarios; Danny's ideas include assembling a massive cluster of animals and putting on a musical performance for the humans.

Later, Danny is given advice by Darla on how to interest and satisfy audiences. He takes this information to heart and groups the animals for an audition on the Ark, hoping to attract the humans' attention. However, Darla, fearing that the animals will jeopardize her spotlight, has Max help her flood the stage with 100,000 gallons of water while L.B. Mammoth, the head of Mammoth Pictures, and Flanigan, the film's director, are giving an interview, getting the animals blamed and dismissed for the collateral damage. The animals are depressed at being barred from acting in Mammoth Pictures, especially Danny, who was convinced by Darla that she was trying to help the animals. Woolie advises Danny to return to Kokomo. Later that night, everyone is at a diner, upset with Danny for ruining everything for them, while Sawyer sings a song about Danny trying to keep their dreams alive. Overhearing Sawyer singing, Tilly suggests that Sawyer follow Danny. Sawyer arrives to the bus stop, just seconds after Danny left, finding his hat and to-do list behind.

However, after a comment from the bus driver and seeing Pudge wander the streets, Danny stops the bus and comes up with another plan. He secretly invites Sawyer, Woolie, Tillie, Cranston, Frances and T.W. to the premiere of Lil' Ark Angel. After the screening and a battle with Max that sends Max flying away on a Darla Dimple balloon, Danny calls the audience's attention, only to be mocked by Darla. However, upon bringing Sawyer and the others backstage to help him and Pudge and after convincing them not to give up on their dreams no matter what the humans have said or done, the eight animals put on a musical performance that entertains and impresses the viewers. Meanwhile, Darla tries to sabotage the show by tampering with the set and special effects equipment, but her attempts instead cause her to enhance the performance.

Darla furiously yells at the animals for foiling her plan when her voice is amplified over the theater's sound system due to a boom mic she had been tangled up with, unintentionally revealing the truth about the incident to the audience, including L.B. and Flanigan. Darla tries to hide her true colors by kissing and hugging Danny, but Pudge sends her down a trapdoor. The animals achieve their dreams for larger roles, Danny and Sawyer admit their feelings for each other, and Darla is demoted to a janitor.

Voice cast

Production

Development

The film was launched in 1993 as a vehicle for Michael Jackson, who would produce, star, and be a consultant in the music and choreography. It would have been a hybrid live-action/CGI film.[4] However, by 1994, Jackson had ceased to be involved in the film.[5] In its earlier stages, the film concerned less anthropomorphic stray cats that live among the sets and studio backlots. At one point, David Shire and Richard Maltby Jr. composed songs for the film before Randy Newman was hired.[6]

Turner Animation was run by David Kirschner, and had originated as the feature division of Hanna-Barbera, where Kirschner was CEO.[7] The Turner Animation writing department added cat characters based on stories about the filming of Warner Bros. Studios productions like Casablanca (1942), East of Eden (1955), and The Music Man (1962); stagehands would feed feral cats, which dominated the back lot for decades.[7] Producers David Kirschner and Paul Gertz then decided to have dance numbers in the vein of classic musical films like Singin' in the Rain (1952). Kershner felt the style would appeal to a wide audience. The 1930s Hollywood backdrop also inspired the premise of anthropomorphic animals being allegories of those who did not look and/or sound mainstream struggling to gain attention in Hollywood in the late 1930s.[7]

Kirschner contacted Mark Dindal to be director of the project a year after the two met and while Dindal was working on The Rocketeer (1991).[7] Around the same time, Brian McEntee joined as art director, Randy Newman joined as composer, and Gene Kelly joined as dance consultant.[7] Dindal, Kirschner, and McEntee noticed the improving animation technology and were excited to see how it would be incorporated with traditional animation in Cats Don't Dance; McEntee himself worked on the computer-animated ballroom scene in Beauty and the Beast (1991).[7] The team watched old musical films for reference before asking Kelly, who instantly joined due to his interest in the story.[7] One meeting took place at Kelly's house between him and Dindal, and he vividly remembered how the films he starred in were choreographed.[7]

During production, management at Turner Feature Animation changed repeatedly and each head that came in attempted to take drastic revisions, including updating the setting to the 1950s rock-and-roll era. "It's pretty hard to try and keep what you have finished so far, and then suddenly transition into a different period of time or introduce a different character or have a completely different ending that doesn't seem to fit the beginning you have," said Dindal.[6]

Dindal's portrayal of Max was initially a scratch track and was never intended to be heard on the film. Dindal wanted Max to be voiced by a professional actor, but as the film started running out of money, he kept his own vocals in.[6]

Music

Steve Goldstein composed much of the score. For the film, Randy Newman composed songs inspired by the classic songs of the Golden Age of Hollywood, including "Danny's Arrival Song", "Little Boat On The Sea", "Animal Jam Session", "Big and Loud", "Tell Me Lies", and "Nothing's Gonna Stop Us Now", while the opening and ending pop song "Our Time Has Come" was written by Martin Page and the end credits song "I Do Believe" was written by Simon Climie and Will Downing. Goldstein and Newman gathered a couple of nominations at the Annie Awards, with the latter winning the award for the musical numbers written and composed by him.

Original songs performed in the film include:

No.TitlePerformer(s)Length
1."Our Time Has Come"James Ingram & Carnie Wilson 
2."Danny's Arrival Song"Scott Bakula 
3."Little Boat On The Sea"Lindsay Ridgeway 
4."Animal Jam Session"Scott Bakula 
5."Big and Loud"Lindsay Ridgeway 
6."Tell Me Lies"Natalie Cole 
7."Nothing's Gonna Stop Us Now"Scott Bakula & Natalie Cole 

Release

New Line Cinema, which was a sister company to Turner Feature Animation at the time, expressed interest in distributing the film.[8] However, when Turner Broadcasting merged with Time Warner in 1996, the film fell into the ownership of Warner Bros. Pictures. Pullet Surprise, a newly produced Looney Tunes short film featuring Foghorn Leghorn, preceded the film's theatrical release,[9] and "The Big Sister", a Dexter's Laboratory What a Cartoon! short, followed the film in its original home video release.

Home media

Cats Don't Dance had its first home video release on VHS and LaserDisc on August 19, 1997, by Warner Home Video. To promote the release, Warner Home Video partnered with Continental Airlines, in which the buyer received an in-pack coupon worth $125 in savings on a Continental flight.[10]

The film had also its first DVD release on September 3, 2002 in a pan-and-scan format with bonus features.[11] A re-release of the same DVD, but bundled with Quest for Camelot (1998), was released on May 2, 2006. Internationally, in July 2008, Cats Don't Dance was released on DVD in widescreen in Germany, Spain, and the Benelux countries. A widescreen DVD was released for the first time in North America on November 1, 2016 via the Warner Archive Collection.[12] The original widescreen presentation is also available digitally for rental or purchase through Google Play and also through Amazon Video.

Reception

Critical reaction

Cats Don't Dance received a 74% approval rating on Rotten Tomatoes based on 23 reviews, with an average rating of 6.5/10. The site consensus reads, "Cats Don't Dance, but they should easily entertain all-ages audiences thanks to some colorful animation, sharp humor, and a catchy soundtrack."[13]

Todd McCarthy of Variety wrote: "Decked out with sharp and colorful design work, some well-drawn characters and six snappy Randy Newman tunes, this first entry from Turner Feature Animation goes down very easily but lacks a hook."[14] Roger Ebert of the Chicago Sun-Times gave the film three stars out of four. He wrote the film "is not compelling and it's not a breakthrough, but on its own terms, it works well. Whether this will appeal to kids is debatable; the story involves a time and a subject they're not much interested in. But the songs by Randy Newman are catchy, the look is bright, the spirits are high and fans of Hollywood's golden age might find it engaging."[15] John Petrakis, reviewing for the Chicago Tribune, noted Cats Don't Dance would appeal more for adults than children, but provided a good moral lesson on prejudice. He further wrote the film has "the sharp irreverence of the brilliant Who Framed Roger Rabbit. There are plenty of clever asides and witty one-liners, not to mention a few terrific supporting characters".[16]

Lawrence Van Gelder of The New York Times summarized in his review: "While the animated characters, bright colors and an appealing Randy Newman score may keep the children content, Cats Don't Dance is no saccharine fantasy. Its Hollywood references and dark satire constitute its real strengths."[17] Jack Mathews, reviewing for the Los Angeles Times, described the film as a "startling miscalculation." He next wrote: "It has lots of cute animals, some jaunty Randy Newman songs and solid, if uninspired, animation work. But blending parody and nostalgia about an era half a century removed from the lives of the core audience seems a foolish indulgence."[18] Rita Kempley of The Washington Post wrote the film was "colorful, but unimaginatively drawn".[19] Also from The Washington Post, Jane Horwitz felt children "won't get the references to old movies or stars like Bette Davis and Clark Gable. Still, the action (however confusing), the music and the characters should hold even toddlers for a while."[20]

Box office

Cats Don't Dance became a casualty of the merger between Turner and Time Warner. It received a traditional theatrical release on March 26, 1997, but without fanfare and did not draw an audience. The film grossed $3.5 million in the United States and Canada against its $32 million production budget.[1] Dindal and Kirschner told the Los Angeles Times they were both frustrated with Warner Bros. over the lack of advertising and the failed marketing campaign.[6][21]

Accolades

Despite mostly positive reception, the Stinkers filed the film under the Founders Award in 1997 (which lamented the year's biggest studio disgraces), citing it as "loud, unfunny, and completely over the heads of its intended audience."[22] On the other hand, when it comes to positive accolades, although failing in gathering any Oscar nominations, it became historically the first non-Disney animated film to win the Best Animated Feature at the Annie Awards.

Year Award Category Recipients Result
1997 Saturn Award Best Home Video Release Cats Don't Dance Won
Annie Award Best Animated Feature
Music in a Feature Production Randy Newman (songs)
Steve Goldstein (score) Nominated
Directing in a Feature Production Mark Dindal
Producing in a Feature Production David Kirschner
Paul Gertz
Effects Animation John Allan Armstrong
Bob Simmons
Character Animation in a Feature Production Frans Vischer (Darla Dimple and Max)
Awards Circuit Community Awards Best Animated Feature Cats Don't Dance
Blockbuster Entertainment Awards Favorite Animated Family Movie
1998 Golden Reel Awards Best Sound Editing - Animated Feature
Best Sound Editing - Music Animation
2013 Best Sound Editing - Animated Feature Film, Domestic and Foreign Richard Partlow
1998 OFTA Film Award Best Animated Picture Bill Bloom
Paul Gertz
David Kirschner
Young Artist Award[23] Best Performance in a Voiceover - TV or Film - Young Actress Ashley Peldon

References

  1. ^ a b c "Cats Don't Dance". The Numbers. Retrieved August 22, 2011.
  2. ^ Lenburg, Jeff (1999). The Encyclopedia of Animated Cartoons. Checkmark Books. p. 172. ISBN 0-8160-3831-7. Retrieved June 6, 2020.
  3. ^ "Casting". Cats Don't Dance Production Notes. Warner Bros. 1997 – via CDD4ever.com.
  4. ^ "Michael hard at work on 'Cats Don't Dance'". Reading Eagle. June 15, 1993. p. A10. Retrieved March 28, 2016 – via Google News Archives.
  5. ^ Beck, Marilyn; Jenel Smith, Stacy (November 25, 1994). "Mel Gibson expected to star in outer-space 'Treasure Island'". Bangor Daily News. p. C12 – via Google News Archives.
  6. ^ a b c d Mark Dindal (November 2000). "Mark Dindal's Place in the Sun" (Interview). Interviewed by Joe Strike. Animation World Magazine. p. 4. Archived from the original on April 19, 2016. Retrieved March 28, 2016.
  7. ^ a b c d e f g h "About the Production...". Cats Don't Dance Production Notes. Warner Bros. 1997 – via CDD4ever.com.
  8. ^ "Frans Vischer | Animation Guild". The Animation Guild. Retrieved February 4, 2020.
  9. ^ Tatara, Paul (April 5, 1997). "'Cats Don't Dance,' but they sure are funny". CNN. Retrieved February 1, 2022.
  10. ^ Fitzpatrick, Eileen (June 14, 1997). "Fox Picks Up 'Casper'; Fox Lorber Does Reality". Billboard. p. 68. Retrieved February 1, 2022 – via Google Books.
  11. ^ Figueiredo, Rodney (September 27, 2002). "Cats Don't Dance". Animated Views. Retrieved February 1, 2022.
  12. ^ "Cats Don't Dance". Amazon. November 2016.
  13. ^ "Cats Don't Dance (1997)". Rotten Tomatoes. Retrieved January 16, 2023.
  14. ^ McCarthy, Todd (March 21, 1997). "Film Reviews: Cats Don't Dance". Variety.
  15. ^ Ebert, Roger (March 28, 1997). "Cats Don't Dance". Chicago Sun-Times. Retrieved February 1, 2022 – via RogerEbert.com.
  16. ^ Petrakis, John (March 26, 1997). "'Cats Don't Dance' Offers a Timeless Message for Kids, Adults". Chicago Tribune. Retrieved February 1, 2022.
  17. ^ Van Gelder, Lawrence (March 26, 1997). "What Danny the Cat Learns About Hollywood". The New York Times. p. C18. Retrieved February 1, 2022.
  18. ^ Mathews, Jack (March 16, 1997). "'Cats' Tries to Mix Parody and Nostalgia". Los Angeles Times. Retrieved February 1, 2022.
  19. ^ Kempley, Rita (March 1997). "'Cats Don't Dance". The Washington Post. Retrieved February 1, 2022.
  20. ^ Horwitz, Jane (March 28, 1997). "The Family Filmgoer". The Washington Post. Retrieved February 1, 2022.
  21. ^ Horn, John (June 1, 1997). "Can Anyone Dethrone Disney?". Los Angeles Times. ISSN 0458-3035. Retrieved February 17, 2019.
  22. ^ "1997's Biggest Studio Disgraces". The Stinkers. Archived from the original on October 10, 1999. Retrieved October 6, 2019.
  23. ^ "19th Youth In Film Awards". YoungArtistAwards.org. Archived from the original on December 22, 2016. Retrieved March 31, 2011.

Subtitles

Cats Don't Dance.srt (DOWNLOAD SUBTITLES)

Once upon a time, there was a princess and a peasant.

She lived atop a hill in a glittering castle.

There she had a servant who kept her castle in order...

... selected and pressed her robes for the day...

... prepared her royal breakfast and served it to her in her chambers.

Continue reading...

External links

This page was last edited on 1 February 2023, at 16:09
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