| Casanova | |
|---|---|
 | |
| Genre | Comedy Romance |
| Written by | George MacDonald Fraser |
| Directed by | Simon Langton |
| Starring | Richard Chamberlain Faye Dunaway Sylvia Kristel Ornella Muti Hanna Schygulla |
| Music by | Michel Legrand |
| Country of origin | United States |
| Original language | English |
| Production | |
| Executive producer | Larry Sanitsky |
| Producer | Sam Manners |
| Cinematography | José Luis Alcaine |
| Running time | 122 minutes |
| Production companies | Hessischer Rundfunk Königsberg/Sanitsky Company |
| Original release | |
| Network | ABC |
| Release | March 1, 1987 |
Casanova is a 1987 American made-for-television biographical romantic comedy film directed by Simon Langton. It depicts real life events of Giacomo Casanova.[1][2]
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Transcription
Plot
Giacomo Casanova has to give up law studies because he sleeps with his teacher's daughters. He tries the priesthood but seduces a young widow. He feuds with an Austrian noble, Razetta, after stealing the latter's mistress.
He is thrown into prison but escapes. He later helps the French king establish a lotto.
Cast
- Richard Chamberlain: Giacomo Casanova
- Faye Dunaway: Madame D'Urfe
- Sylvia Kristel: Maddalena
- Ornella Muti: Henriette
- Hanna Schygulla: Casanova's Mother
- Sophie Ward: Jacqueline
- Frank Finlay: Razetta
- Roy Kinnear: Balbi
- Kenneth Colley: Le Duc
- Richard Griffiths: Cardinal
- Patrick Ryecart
- Jean-Pierre Cassel: Louis XV
- Toby Rolt: Young Giacomo Casanova
- Bruce Purchase: Major Grandi
- Traci Lind: Heidi
- Janis Lee Burns: Louison
- Christopher Benjamin: Massimo
- John Wells: Judge
- Michael Balfour: Jailer
- John Boswell: Prosecutor
- Marina Baker: Lucretia
- Jessica Moore: Angelique (as Gilda Germano)
- Aitana Sánchez-Gijón: Therese
- Fernando Hilbeck: Grimani
Production
The project was announced in May 1985 with Chamberlain attached.[3]
Filming began in October 1986 and went until December.[4] The film was shot in Spain and Italy. There were two versions – one of American television and one for European television, which was longer and contained more nudity.[5]
"We have the classic American and European dichotomy", said Chamberlain. "For the American version the women are covered up, and then when we switch to the European version, blouses come ripping off and there is considerably more flesh."[6]
"I think you have to be very careful about excess in television", said Chamberlain. "There were a lot of seduction scenes. But those are sort of the same the world over through the centuries. Then there were court scenes with people in fantastic court dress and lots of bowing and little comments and asides and fans fluttering. I wasn't particularly aware of being on the edge of a precipice, but I felt that one's concentration had to be very sharp to keep it real."[7]
Chamberlain said he enjoyed playing the role "because he believed in grasping every moment of life and making the most out of it. He wasn't a tremendously high-principled man, but he lived in a time when there weren't a whole lot of highly principled people around. It was a time for fun. It was a time for frolic."[8]
Reception
The film screened on US TV opposite I'll Take Manhattan and The Dirty Dozen: The Next Mission.
The critic from the Chicago Tribune said "broadly and clumsily directed by Simon Langton from a disappointing script by George MacDonald Fraser (there is also a longer, European version with nude sequences), it is consistently stolid and curiously lacking in sensuality--tepid Tom Jones."[9]
The Los Angeles Times said "the film suffers for its identity crisis" and the filmmakers lacked "a clear point of view about their subject" and were "unable to establish a sustaining tone. Chamberlain's scenes with Faye Dunaway... are played as farce, while those with Ornella Muti... are played for pathos. In between are long, tedious passages... Chamberlain exudes his usual charm, but even that is put to poor use... There is little evidence of his seduction skills here. Women fling themselves at him and apparently want nothing more than his sexual favors... [the film] doesn't want to be taken very seriously, but it's too muddled and drawn out to be taken for fun, either."[10]
References
- ^ Michael Klossner (2002). The Europe of 1500–1815 on film and television. McFarland & Co., 2002. ISBN 0786412232.
- ^ Mick Martin, Marsha Porter (1994). Video Movie Guide 1995. Ballantine Books, 1994. ISBN 034539027X.
- ^ Shister, G., & David Walstad (May 11, 1985). "CAVETT'S FIGHT WITH DEPRESSION". Philadelphia Inquirer. ProQuest 1823068138.
{{cite news}}: CS1 maint: multiple names: authors list (link) - ^ "ABC'S 'CASANOVA' BEGINS SHOOTING". Los Angeles Times. Oct 17, 1986. ProQuest 292453605.
- ^ Shales, T. (Feb 28, 1987). "The rake's progress;charming 'Casanova,' with chamberlain". The Washington Post. ProQuest 306854863.
- ^ Jerry Kobrin (Dec 21, 1986). "Off beat". Orange County Register. ProQuest 272144301.
- ^ Luaine Lee, K. (Feb 25, 1987). "MINISERIES KING ACCEPTS NEW CHALLENGE". Orlando Sentinel. News Service. ProQuest 277003925.
- ^ Henry Mietkiewicz, T. S. (Feb 25, 1987). "Chamberlain relished lusty libertine role". Toronto Star. ProQuest 435541417.
- ^ Clifford Terry, T. c. (Feb 27, 1987). "DREARY TACKINESS SINKS 'MANHATTAN'". Chicago Tribune. ProQuest 290993816.
- ^ Margulies, L. (Feb 28, 1987). "ABC BURNS BOTH ENDS IN 'CASANOVA'". Los Angeles Times. ProQuest 292604423.
External links
This page was last edited on 3 September 2023, at 16:17