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From Wikipedia, the free encyclopedia

Bonifacio Parabuac Ilagan, often known just as Boni Ilagan,[1] is a Filipino playwright, screenwriter, filmmaker, journalist, and editor best known for numerous socially-conscious, critically-acclaimed works in theater, film and television, most notably the films The Flor Contemplacion Story (1995), Dukot (Desaparecidos, 2009), Sigwa (Rage, 2010), and Deadline (The Reign of Impunity, 2011); as well as his first play, Pagsambang Bayan (1976), which portrayed the human rights violations of the Marcoses. He is also one of the prominent torture victims who survived the Marcos dictatorship.[2]

Biography

Ilagan is co-convenor of the Campaign Against the Return of the Marcoses and Martial Law[3] and was vice chair of the organization Samahan ng Ex-Detainees Laban sa Detensyon at Aresto (SELDA) in 2017 when it was working to get compensation for the martial law human rights violations victims.[4] As the founding director of the activist theater organization Panday Sining,[5] he is acknowledged to have had a significant impact on the development of protest street theater in the Philippines.[6]

He is the elder brother of disappeared anti-martial law activist Rizalina Ilagan,[2] one of the Southern Tagalog 10 activists who were abducted in late July 1977 at the Makati Medical Center in Makati, Metro Manila, and never seen again.[7]

Major award giving bodies that have recognized Ilagan's work over the years include the Catholic Mass Media Awards, the Cultural Center of the Philippines Centennial Honors for the Arts, the Don Carlos Palanca Memorial Awards for Literature, the Filipino Academy of Movie Arts and Sciences awards, the Film Academy of the Philippines' Luna Award, the Gawad Balagtas, the Gawad Plaridel, the Palihang Aurelio V. Tolentino, and the Philippine Movie Press Club Star Awards for Television.[1]

Imprisonment and torture

As an activist during the Marcos dictatorship, Ilagan was caught and imprisoned by forces loyal to Ferdinand Marcos in 1974, alongside Journalist Pete Lacaba.[1] He was brought to Camp Crame and tortured.[1] He was eventually conditionally released in 1976, after which he resumed his studies at the University of the Philippines.[1]

Pagsambang Bayan

Ilagan wrote the play Pagsambang Bayan and dedicated it to his sister Rizalina and other members of the Southern Tagalog 10.[8] It was first staged in September 1977 by director Behn Cervantes and the University of the Philippines Repertory Company.[9] The United Church of Christ in the Philippines sponsored the production.[10] The play's structure revolved around a Christian liturgical Mass.[10] The staging of the play led to the arrest of Cervantes and the play's musical director Susan Tagle.[11]

According to Bulatlat, Pagsambang Bayan "was the first play during martial law that challenged the military regime in a way that no theater piece had dared to do then."[11]

The play has been restaged multiple times around the Philippines.[12] A musical adaptation of the play directed by Joel Lamangan was staged in 2017 at the Polytechnic University of the Philippines and the Cultural Center of the Philippines.[10]

In popular media

He was portrayed by Alden Richards in the GMA Television Network's commemorative documentary Alaala, marking the 45th anniversary of Ferdinand Marcos' declaration of martial law.[13] Alaala won the Gold Camera Award in the docudrama category of the 2018 U.S. International Film and Video Festival.[14]

See also

References

  1. ^ a b c d e Llaneta, Celeste Ann Castillo (November 26, 2019). "Gawad Plaridel 2019 awardee Bonifacio Ilagan—in the spirit of Plaridel". University of the Philippines. Retrieved September 7, 2021.
  2. ^ a b Abadicio, Camille (September 17, 2017). "Martial law's dark days remembered online". CNN. Archived from the original on September 21, 2017. Retrieved September 6, 2021.
  3. ^ Pasion, Patty (September 4, 2017). "Iconic Martial Law play revived to counter historical revisionism". Rappler. Retrieved February 12, 2022.
  4. ^ "4,000 Martial Law victims to get partial compensation in 2017". Rappler. January 20, 2017. Retrieved September 7, 2021.
  5. ^ "WATCH: Philippine Protest Theater Through the Decades". TheaterFansManila.com. June 12, 2020. Retrieved September 7, 2021.
  6. ^ Maranan, Ed. "Film as advocacy (or truth-telling, the Lamangan/Ilagan way)". Philstar.com. Retrieved September 7, 2021.
  7. ^ "The Cruelty of Enforced Disappearances: An Abhorrent Crime Against Humanity - Bulatlat". Bulatlat. September 20, 2008. Retrieved April 2, 2018.
  8. ^ Ilagan, Bonifacio (December 5, 2016). "Resonance: The Southern Tagalog 10". Manila Today. Retrieved September 7, 2021.
  9. ^ Doyo, Ma Ceres P. (September 14, 2017). "'Pagsambang Bayan, the musical': liturgy of the masses". Inquirer. Archived from the original on September 14, 2017. Retrieved September 7, 2021.
  10. ^ a b c Guerrero, Amadís Ma. (July 14, 2017). "Landmark martial law play 'Pagsambang Bayan' now a musical". Inquirer Lifestyle. Archived from the original on July 14, 2017. Retrieved September 7, 2021.
  11. ^ a b Agbayani, Susan Claire (September 7, 2017). "CCP launches Pista Rizalina: A Festival of Arts and Ideas". Rappler. Retrieved September 7, 2021.
  12. ^ "The REProductions". The UP Repertory Company. June 10, 2014. Archived from the original on September 11, 2014. Retrieved September 7, 2021.
  13. ^ News, G. M. A. (September 23, 2017). "WATCH: Alden Richards tortured as Boni Ilagan in GMA's martial law docu 'Alaala'". GMA News Online. Retrieved September 7, 2021. {{cite web}}: |last= has generic name (help)
  14. ^ "GMA Network triumphs with 4 Golds, 3 Silvers at 2018 USIFVF". GMA News Online. May 28, 2018. Archived from the original on February 17, 2019. Retrieved September 6, 2021.
This page was last edited on 21 March 2024, at 04:32
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