Bedros Tourian

Bedros Tourian
A posthumous drawing of Tourian by M. Barsamian and D. Chakrian (1893) based on the features of his family members and the recollections of his family and friends
Born	1 June 1851 Üsküdar, Ottoman Empire
Died	2 February 1872(1872-02-02) (aged 20) Constantinople, Ottoman Empire
Occupation(s)	Writer, poet, playwright, actor

Bedros Tourian (also spelled Petros Duryan, Turian, Armenian: Պետրոս Դուրեան;^[a] 1 June [O.S. 20 May] 1851 – 2 February [O.S. January 21] 1872) was a Western Armenian poet, playwright and actor.

Biography

Early life and education

Bedros Tourian, born Zmbayan (Armenian: Զըմպայեան), was born on 1 June [O.S. 20 May] 1851^[1] in Scutari (Üsküdar), on the Asian side of the Bosporus, across from Istanbul. His father, Abraham,^[2] was a poor blacksmith with a large family.^[3] He had two sisters, Elbis and Ardem, both of whom died at a young age, and three brothers: Harutiun, who died a year after him), Agrippas, and Mehran, who was also a writer and later took the name Yeghishe and became the Armenian Patriarch of Jerusalem.^[4] Despite his family's difficult financial situation, he was able to begin his education from an early age, starting his formal schooling at the age of six.^[5] He attended the Armenian academy (jemaran) in Scutari, where he was taught by the satirist Hagop Baronian^[3] and the playwright Srabion Tghlian.^[6] At the academy, he was taught Classical Armenian (still used as a literary language by Armenians at the time), the Bible, the works of old Armenian historians, arithmetic, Turkish, French, music, and painting, among other subjects.^[5] At first, he was a sickly child and did not excel especially in school, but he performed excellently on his end-of-the-year exams in 1865, receiving a volume of Alphonse de Lamartine's poetry as a reward; Lamartine's work greatly influenced Tourian.^[2]

Tourian read widely in Armenian and French.^[6] He read the works of foreign authors such as Lord Byron, William Shakespeare, Goethe, and Friedrich Schiller. He took interest in theater and read the romantic dramas of Victor Hugo and Alexandre Dumas. At this time, the Armenian theater of Istanbul was flourishing. Tourian attended plays secretly, against the wishes of his father, who considered it a waste of time and sometimes beat his son for attending the theater. However, Tourian continued to attend the theater and later became a playwright and actor himself.^[7] He was encouraged by the theater director Hagop Vartovian (also known as Güllü Agop), who brought French plays to be translated into Armenian by students of the Armenian academy. Tourian translated eight plays from French for Vartovian in his last year at school. None of these translations have survived, although it is known that one of them was a translation of Hugo's Le roi s'amuse. He also translated Shakespeare's Macbeth into Armenian; this translation, too, is considered lost.^[8] Tourian wrote his first poem at the age of thirteen^[b] and his first play, a partly sung^[7] pastoral melodrama titled Vart yev Shushan gam hovivk Masyats (Rose and Lily or the shepherds of Ararat, 1867),^[9] at fifteen.^[3] This first play, which depicts an intensely emotional story of love and hate, has been described as "lacking artistic merit."^[3] In 1867, finding his original surname unsuitable for a poet,^[10] he adopted the surname Tourian, formed by translating the Turkish word zımba in his birth name to Armenian tur/dur, both meaning 'chisel'.^[2]

Literary and theatrical career

Tourian's talent for poetry was met with indifference by his family and teachers. Before graduating from school, he was briefly sent by his family to become a pharmacist's student, but he remained in this role for only two days before returning to the academy to continue his education. Tourian graduated from the academy in 1867. He worked for free as an Armenian language teacher in 1868, then began working as a secretary for an Armenian merchant. However, his main interest remained the theater and literature. He performed poorly at work, writing poems on business documents. He left his job as a secretary after nine months. Against the wishes of his parents and relatives, he continued his activities in the world of theater, translating plays and writing his own, some of which were performed and brought him fame, but only negligible remuneration. He also became an assistant of the editor of the Armenian newspaper Orakir dziln Avarayrvo (Sprout of Avarayr daily), where he published some articles and poems under his real name or a pen name for small sums of money. Eventually, he was forced to leave this position as well for financial reasons. The highly sensitive Tourian was deeply affected by the hardships of poverty, mockery by relatives and others, and rejection by women. He was constantly urged by his relatives to leave behind art and writing. The bishop and author Khoren Kalfayan (Narbey Lusinian), who valued Tourian's literary talent and promised to print his works, helped him find a job as a private Armenian tutor, but he soon left this job after his employer cut his salary.^[11]

After this, Tourian joined Hagop Vartovian's Osmanlı Tiyatrosu (Ottoman theater) as an actor.^[12] He wrote a historical tragedy titled Ardashes Ashkharhagal (Artashes the Conqueror), which was first performed in 1870. The premiere attracted more than a thousand people, an unprecedented number for the time.^[13] After the success of this play, he wrote several more: Angumn Arshagunyats harsdutyan (The fall of the Arshakuni dynasty, 1870), Asbadagutyunk Parsgats i Hays gam gordzanumn Ani mayrakaghakin Pakradunyats (Persian invasions of Armenia or the destruction of Ani, capital of the Bagratunis, staged in 1908), Gordzanumn Hrovma ishkhanutyan (The destruction of Roman rule, 1870), Shushanig, Dikran II (Tigranes II), and Tadron gam tshvarner (Theater or the wretched, 1878). All of these, save for the last one, are historical tragedies. Tadron gam tshvarner is a social drama about inequality in contemporary Armenian life, the protagonist of which is thought to be a self-insertion by Tourian.^[14] It has been called the first Western Armenian social drama.^[15] Tourian's most performed play is Sev hogher, another historical tragedy set during the fourteenth-century invasions of Timur.^[16] Several of Tourian's historical plays were performed with music composed by Tigran Chukhajian.^[12] Tourian also wrote a play titled Darakir i Siberia (Exiled in Siberia), an allegory about the Russian Armenian author Mikayel Nalbandian's exile; this play was found after Tourian's death.^[14] Eventually, Tourian felt that he was being treated unjustly by Vartovian and left the theater.^[12]

Illness, death and aftermath

The first symptoms of Tourian's tuberculosis appeared in January 1871. In May 1871, Tourian's close friend Vartan Lutfian died of tuberculosis. Tourian wrote an elegiac poem for his friend's funeral.^[c] After this, he fell into a state of physical weakness and depression, feeling that death was near. When he felt well enough, he wrote letters and poems. Tourian died on 2 February [O.S. January 21] 1872. His funeral was held the next day^[17] and was attended by an unprecedented 4,000 people, accompanied by a choir and band.^[18] An artist declined to draw Tourian's face after his death, disfigured as it was by his illness. Another artist, Mgrdich Barsamian, began drawing Tourian's portrait on the basis of descriptions of people who knew him and the features of his family members, but Barsamian died before completing it. This portrait was finally completed by Diran Chrakian in 1893.^[19] Tourian was buried in the Armenian cemetery in Üsküdar. In 1957, when the Istanbul municipality was planning to build a road through the Üsküdar cemetery, the Armenian Patriarch of Constantinople Karekin Khachadourian had some of the graves, including Bedros Tourian's, removed to be later relocated to a different part of the cemetery. Fragments of Bedros Tourian's skull were disinterred and kept for more than ten years at the Patriarchate's headquarters.^[20] Karekin's successor Shenork Kaloustian brought Tourian's skull fragments to Soviet Armenia. These fragments were kept for many years at the Charents Museum of Literature and Arts in Yerevan and were used by anthropologist Andranik Chagharian to reconstruct Tourian's likeness.^[21] Tourian's skull fragments were interred in the Komitas Pantheon in Yerevan on 2 February 2011.^[20] As of 1993, his grave in Üsküdar was reportedly in good condition and had been moved only a few meters from its original site.^[21]

Notes

References

Citations

Sources

• Avagyan, Sona (2 May 2011). "The Skull of Bedros Tourian Remains Unburied for 42 Years". Hetq. Archived from the original on 28 March 2024. Retrieved 28 March 2024.
• Bardakjian, Kevork B. (2000). A Reference Guide to Modern Armenian Literature 1500-1920. Detroit: Wayne State University Press. ISBN 0-8143-2747-8.
• Chobanian, Arshag (1894). Petros Durean: Kensagrakan ew kʻnnadatakan usumnasirutʻiwn [Bedros Tourian: Biographical and critical study] (PDF) (in Armenian). Tiflis.{{cite book}}: CS1 maint: location missing publisher (link)
• Hacikyan, Agop Jack; Basmajian, Gabriel; Franchuk, Edward S.; Ouzounian, Nourhan (2005). The Heritage of Armenian Literature, Volume III: From the Eighteenth Century to Modern Times. Detroit, Michigan: Wayne State University Press. ISBN 0-8143-3221-8.
• Muradyan, Samvel (2021). Hay nor grakanutʻyan patmutʻyun: Usumnakan dzeṛnark [History of modern Armenian literature: Educational guide] (PDF) (in Armenian). Vol. 1. Yerevan State University Publishing House. ISBN 978-5-8084-2500-2.
• Oshagan, Vahé (1997). "Modern Armenian Literature and Intellectual History from 1700 to 1915". In Hovannisian, Richard G. (ed.). The Armenian People from Ancient to Modern Times. Vol. 2. Basingstoke: Macmillan. pp. 139–174. ISBN 0-333-61974-9.
• "Petros Duryani masunkʻn ampʻopʻvetsʻ Pantʻeonum" [Bedros Tourian's remains were interred in the Pantheon]. Armenpress (in Armenian). 2 February 2012. Archived from the original on 28 March 2024. Retrieved 28 March 2024.
• Sharurian, A. (1977). "Petros Duryan". Armenian Soviet Encyclopedia (in Armenian). Vol. 3. Yerevan. pp. 462-463.{{cite book}}: CS1 maint: location missing publisher (link)
• Terzibashian, V. V. (1962). "Petros Duryan". In Asatrian, A. A.; et al. (eds.). Hay nor grakanutʻyan patmutʻyun [History of modern Armenian literature] (PDF) (in Armenian). Vol. 2. Yerevan: Armenian SSR Academy of Sciences Publishing House. OCLC 23118542.
• Tourian, Bedros (2005). Bosphorus Nights: The Complete Lyric Poems of Bedros Tourian. Translation, introduction, and commentary by James R. Russell. Armenian Heritage Press.
• Tourian, Bedros (1971). Erkeri zhoghovatsu [Collected works] (in Armenian). Vol. 1. Yerevan: Armenian SSR Academy of Sciences Publishing House.

Further reading

• Nazariantz, Hrand (1915). Bedros Tourian, Poeta armeno: dalla sua vita e dalle sue pagine migliori, con un cenno sull'arte armena, in collaborazione con Franco Nitti Valentini, con una presentazione di Enrico Cardile (in Italian). Bari: Laterza.
• Tourian, Bedros (1916). I Miserabili: dramma in Cinque atti (in Italian). Translated into Italian by Hrand Nazariantz, preface by Alfredo Violante. Milano: Sonzogno.

External links

English Wikisource has original text related to this article:

Bedros Tourian

Armenian Wikisource has original text related to this article:

Պետրոս Դուրյան

• Petros Duryan, Biography by Ruth Bedevian, at ArmenianHouse.org
• "Why we should read 'Collected Works' by Bedros Tourian" by Eddie Arnavoudian, at Armenian News Network/Groong
• "Complaints" by Parsegh Habeckian on YouTube (recitation of Tourian's poetry set to music)

This page was last edited on 28 March 2024, at 20:47