To install click the Add extension button. That's it.

The source code for the WIKI 2 extension is being checked by specialists of the Mozilla Foundation, Google, and Apple. You could also do it yourself at any point in time.

4,5
Kelly Slayton
Congratulations on this excellent venture… what a great idea!
Alexander Grigorievskiy
I use WIKI 2 every day and almost forgot how the original Wikipedia looks like.
Live Statistics
English Articles
Improved in 24 Hours
Added in 24 Hours
What we do. Every page goes through several hundred of perfecting techniques; in live mode. Quite the same Wikipedia. Just better.
.
Leo
Newton
Brights
Milds

Ballade (classical music)

From Wikipedia, the free encyclopedia

A ballade (from French ballade, French pronunciation: [baˈlad], and German Ballade, German pronunciation: [baˈlaːdə], both being words for "ballad"), in classical music since the late 18th century, refers to a setting of a literary ballad, a narrative poem, in the musical tradition of the Lied, or to a one-movement instrumental piece with lyrical and dramatic narrative qualities reminiscent of such a song setting, especially a piano ballade.

In 19th century romantic music, a piano ballad (or 'ballade') is a genre of solo piano pieces[1][2] written in a balletic narrative style, often with lyrical elements interspersed. This type of work made its first appearance with Chopin's Ballade No. 1 in G minor, Op. 23 of 1831–35, closely followed by the ballad included in Clara Schumann's Soirées musicales Op. 6 published in the same year.

YouTube Encyclopedic

  • 1/5
    Views:
    241 700
    1 549 238
    2 224 915
    8 415 916
    6 354
  • Ballade - Luke Faulkner
  • Bossa Nova Covers Popular Songs
  • Ballade pour Adeline,Song for Anna,Mariage d'Amour,Hungarian Sonata...
  • Chopin - Ballade No. 1 in G Minor (1M special)
  • Ballade in D major - Brahms - Classical Music for Relaxation - Classical Piano

Transcription

Romantic ballades

In late 18th century German literature, the term ballade was used to describe folklike narrative poetry (following Johann Gottfried Herder), some of which was set to music by composers such as Johann Friedrich Reichardt, Carl Friedrich Zelter, and Johann Rudolf Zumsteeg. In the nineteenth century, Robert Schumann and Carl Loewe also composed ballades.

Form

Ballades have often been characterized as "narrative" in style, "[musical] parts [that] succeed one another in a determined order... their succession is governed by the relationships of causing and resulting by necessity or probability."[3]

The ballade of this time varied. In Chopin, for example, the common element throughout his ballads was the metre, commonly 6
8
 time
. Brahms's ballades often relied on a three-part song form.[4]

Ballades sometimes alluded to their literary predecessors. Some had obvious or supposed literary associations. For example, the four ballads of Chopin were supposedly inspired by Ballads and Romances (Ballady i romanse), poetry of his friend Adam Mickiewicz. However, no such evidence directly from the composer exists. There was, in fact, no concrete association to literature until Brahms debuted his four ballads (Op. 10), which bear the title "After the Scottish ballad 'Edward' ".[4] However, that claim does not acknowledge the fact that in 1841, 13 years earlier than Brahms, Robert Schumann acknowledged in the Neue Zeitschrift für Musik (pp. 141–142)[full citation needed] that Chopin told him that Chopin was inspired by poems of Mickiewicz.

Piano ballades have been written since the 19th century; several have been composed in the 20th century (see below).

Collaborative piano ballades

The piano has also been used in works featuring other instruments, as well as voice. For example, Robert Schumann, a romantic composer and husband of Clara Schumann, wrote a set of two songs, Balladen, Op. 122 (1852–53) which were written for piano and voice. Claude Debussy, a later composer, also wrote for piano and voice with his Trois ballades de François Villon (L. 119, 1910).

Works for piano and orchestra also bearing the title "ballade" have been published. These include Fauré's Ballade, Op. 19, which was written in 1881 together with its version for solo piano, Charles Koechlin's Ballade for piano and orchestra, Op. 50, conceived between 1911 and 1919, and Germaine Tailleferre's Ballade, composed in 1920.

Instrumental ballades

In the 19th century, the title was given by Frédéric Chopin to four important, large-scale piano pieces, the Ballades Nos. 1 to 4, Opp. 23, 38, 47, 52, the first significant application of the term to instrumental music. A number of other composers subsequently used the title for piano pieces, including Johannes Brahms (the third of his Klavierstücke, Op. 118, and the set of four Ballades, Op. 10), Edvard Grieg (Ballade in the Form of Variations, Op. 24, a set of variations), Claude Debussy, Friedrich Baumfelder (for example his Two Ballades, Op. 47, and No. 2 from his Op. 285), Franz Liszt (who wrote two) and Gabriel Fauré (Op. 19, later arranged for piano and orchestra). Ballades for instruments other than the piano have also been written. 20th-century examples of the form include the three ballades of Manolis Kalomiris, the six ballades of Frank Martin (composed for instruments such as the cello, viola, flute, and saxophone), and Einojuhani Rautavaara's Ballade for Harp and Strings. Henry Cowell wrote a ballad for string orchestra. There are also ballads for orchestra by Grace Williams, Gottfried von Einem, Alexander Glazunov, and Kurt Atterberg, and for solo instruments and orchestra: piano: Ture Rangström, Germaine Tailleferre, Darius Milhaud, Ludomir Różycki, and Norman Dello Joio; cello: Heino Eller, Reinhold Glière, and Frederic d'Erlanger; Julius Röntgen (violin), Benjamin Britten (two pianos), Hermann Haller (horn), and Hendrik Andriessen (oboe); as well as ballads for various other combinations of instruments and voices by György Ligeti, Eric Ewazen, Spike Milligan and Larry Stephens, Sergei Prokofiev, Ottorino Respighi, and Kurt Weill.

Examples of piano ballades

References

  1. ^ Zakrzewska, Dorota (2000). "Alienation and Powerlessness: Adam Mickiewicz's 'Ballady' and Chopin's Ballades". Music Research Forum. 15–16. University of Cincinnati College-Conservatory of Music: 31–87 (85). Snippet view at Google Books
  2. ^ Jim Samson, "Chopin and Genre", Music Analysis 8, no. 3 (October 1989): 213–231. Reference on 216–17.
  3. ^ Berger, Karol, "The Form of Chopin's Ballade, Op. 23". 19th-Century Music, vol. 20, no. 1 (1996). p. 46
  4. ^ a b Brown, Maurice J. E. (2001). "Ballade (ii)". Grove Music Online (8th ed.). Oxford University Press. doi:10.1093/gmo/9781561592630.article.01885. ISBN 978-1-56159-263-0.

External links

This page was last edited on 25 March 2024, at 06:52
Basis of this page is in Wikipedia. Text is available under the CC BY-SA 3.0 Unported License. Non-text media are available under their specified licenses. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc. WIKI 2 is an independent company and has no affiliation with Wikimedia Foundation.