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Back with a Heart is the sixteenth studio album by British-Australian singer Olivia Newton-John. It was released by MCA Nashville on 12 May 1998 in the United States. Her first album in four years, it marked her return to country music after two decades.
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Transcription
Production and release
Back with a Heart was recorded in Nashville and marked Newton-John's return to the US Country chart after an absence of almost twenty years.
Singles
Back with a Heart was preceded by the single "I Honestly Love You", a re-recording of Newton-John's 1974 number-one hit. MCA Nashville initially intended to release "Precious Love" as the album's lead single to country radio but eventually settled on the updated version of "I Honestly Love You".[1] Selected by Newton-John, David Foster agreed to produce the remake, who in turn asked Babyface to contribute backing vocals to the song.[1] "I Honestly Love You" was released in two versions; the album version for pop and adult contemporary radio, and a remix for country radio. "Precious Love" was eventually released as the album's second single, while title track "Back with a Heart" was issued as a vinyl 45 RPM single in the United States. Album cut "Love Is a Gift" won a 1999 Daytime Emmy Award for Outstanding Original Song after appearing on the American television soap opera As the World Turns.[2]
AllMusic editor Stephen Thomas Erlewine rated the album three stars out of five and found that Newton-John "put a great deal of effort into the making of Back with a Heart – the record is her best in years. It's much slicker than even her polished country-pop from the '70s, but a team of producers [...] have created an appealingly smooth sound that gives her a platform to showcase her mature craftsmanship. None of the songs immediately stand out, but the album has a consistent quality that is thoroughly winning."[3]
Producers – Don Cook (tracks 1, 3 and 7); John Farrar (tracks 2 and 5); Gary Burr (tracks 4 and 10); Tony Brown (tracks 6 and 9); Chris Farren (track 8); David Foster (track 11)
Production assistance on tracks 1, 3 and 7 – Scott Johnson
Project coordinators – Patty Nichols (tracks 2 and 5); Jessie Noble (tracks 2, 5, 6 and 9); Bill Nemuth (Tracks 4 and 10); Kelly Giedt (Track 8); Felipe Elgueta (track 11)
Executive producers – Rory S. Kaplan and Bill Neighbors
Recording – Mike Bradley (tracks 1, 3 and 7); Chuck Ainlay (tracks 2, 5, 6 and 9); Greg Kane (tracks 4 and 10); Steve Marcantonio (track 8); Felipe Elgueta (track 11)
Assistant recording – Mark Capps (tracks 1, 3 and 7); Tim Roberts (tracks 1, 3 and 7); Aaron Swihart (tracks 1–3, 5–7 and 9); Mark Ralston (tracks 2, 5, 6 and 9); King Williams (tracks 4 and 10); John Saylor (track 8); Chris Davie (track 8);
Additional recording – Mike Bradley (tracks 1, 3 and 7); Mark Capps (tracks 1, 3 and 7); Tim Roberts (tracks 1, 3 and 7); Pat McMakin (tracks 1, 3 and 7); Al Grassmick (tracks 4 and 10); John Saylor (track 8); Shawn Allan (track 8); Steve Marcantonio (track 8); Tom Harding (track 8); Alejandro Rodriguez (track 8); Dan Shike (track 10)
Overdub tracking – Steve McMillan (tracks 2 and 5); Al Grassmick and Steve Marcantonio (tracks 6 and 9)
Additional overdub recording on tracks 6 and 9 – Tony Green and Russ Martin
Mixed by Chuck Ainlay at Masterfonics (tracks 1, 3 and 6–11) and Moonee Pond Studios (tracks 2 and 5), assisted by Mark Ralston
Editing – Don Cobb
Encoding by Jeff Levinson and Ric Wilson
Technical support – H.G. Hollans and John Saylor
Mastered by Denny Purcell at Georgetown Masters (Nashville, TN), assisted by Jonathan Russell
Art direction – Gabrielle Raumberger
Design – Joseph Kiely
Photography – Michelle Day, Caroline Greyshock and Patrick McDermott
This page was last edited on 8 January 2024, at 13:37