Arthur DeWitt Ripley (January 12, 1897 – February 13, 1961) was an American film screenwriter, editor, producer, and director.
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Transcription
You told Walcott l cheated. l know you did it. Just tell me why. Look, cut the crap, Hunter. l live with you. l know how much you study, or don't study. And you do better than me ? Give me a break. You arrogant, pompous prick ! Who appointed you custodian of the medical profession ? ls it because your father and his father was a doctor, some sort of genetic thing ? - You're damn right. - Really ? l grew up with it. l know what it takes to look in the eyes of dying people day after day... and come home for dinner at night. - l know what it takes. You don't have it. - Oh, really. And you do ? lf you don't like me, just say it. l don't like you ! Why don't you like me ? You're a prick, and l like you. Because you make my effort a joke ! l want to be a doctor ! This isn't a game to me ! This isn't playtime ! This is serious business ! l have it in me to be a great doctor... but in order to do that l have to sacrifice if l want to be better. ''Better.'' Better than me, hmm ? [ Sighs ] l will save lives that could have otherwise not been saved. Now, l could be like you and go around Iaughing and have a good time, ha ha, but l prefer to learn, because the more l learn, the more likely l will have the right answer at the crucial moment and save a life. And you say l'm a prick ? You say l'm a prick ? You know, maybe l am, but you ask the average person, when death comes knocking at their door... whether they want a prick on their side or some kindergarten teacher... who's gonna kiss their ass ! Because when that day comes l want the prick... and so will you. You know, l forget how young you are, Mitch... that you think you have to be a prick to get things done... and that you actually think that that's a new idea. [ Sighs ] [ Pen Falls To Desk ]
Biography
In 1923, he joined the Mack Sennett studio as a comedy writer. In the 1920s, he worked closely with Frank Capra churning out screenplays for many movies. After breaking with Capra and the Sennett studio, Ripley again returned to being a gag-writer, screenwriter, and occasional director, making short films with such comedians as W. C. Fields and Edgar Kennedy. His directorial work in the 1940s, Voice in the Wind (1944) and The Chase (1946), were both critical successes, but neither film was a box office hit.
Ripley entered the world of academia, helping to establish the Film Center at U.C.L.A. while also working occasionally on TV. Ripley returned to directing one more time, at the request of Robert Mitchum, for Thunder Road (1958) before returning to U.C.L.A. and working until his death in 1961.
Selected filmography
- Alias Jimmy Valentine (1920) starring Bert Lytell
- Life's Darn Funny (1921)
- A Lady of Quality (1924)
- Hooked at the Altar (1926) short
- Heart Trouble (1928)
- Barnum Was Right (1929)
- Captain of the Guard (1930)
- Crimes Square (1931) short
- A Wrestler's Bride (1933) short
- The Pharmacist (1933) short with W. C. Fields
- The Barber Shop (1933) short with W. C. Fields
- Counsel on De Fence (1934) short
- In the Dog House (1934) short
- Shivers (1934) short
- South Seasickness (1935) short
- The Leather Necker (1935) short
- Edgar Hamlet (1935) short
- In Love at 40 (1935) short
- Happy Tho' Married (1935) short
- Gasoloons (1936) short
- Will Power (1936) short
- How to Behave (1936) short
- How to Train a Dog (1936) short
- I Met My Love Again (1938)
- Scrappily Married (1940) short
- Twincuplets (1940) short
- The Last Command (1942)
- Voice in the Wind (1944)
- The Chase (1946)
- Thunder Road (1958)
References
- Starman, Ray "Arthur Ripley" Films In Review magazine, March 1987, p. 164-167
External links