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From Wikipedia, the free encyclopedia

Self-portrait, 1939
Self-portrait, 1939

Arkady Alexandrovich Rylov (Russian: Аркадий Александрович Рылов; 29 January [O.S. 17 January] 1870 – 22 June 1939) was a Russian and Soviet Symbolist painter.

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Transcription

Contents

Biography

Rylov was born in the village of Istobensk, in the Vyatka Governorate of the Russian Empire (present-day Kirov Oblast, Russia). He was brought into the family of his stepfather, a notary (Rylov's father had a psychiatric illness). He moved to Saint Petersburg and studied at the Technical Design School of Baron Schtiglitz (1888–1891), then at the Imperial Academy of Arts under Arkhip Kuindzhi (1894–1897).

Rylov was a member of the Mir iskusstva movement and its spin-off Union of Russian Artists, and also a member of the Association of Artists of the Revolutionary Russia. He was a chairman of the Kuindzhi Society.

He started as a historical painter (his graduation work in the Imperial Academy of Arts was Assault of Pechenegs on a Slav village) but became a predominately landscape painter, though many of his paintings have some allusions with Russian history.

Many of his landscapes painted after the October Revolution were seen as symbols of revolutionary freedom. At that time he also painted some typical Socialist Realism compositions like Lenin in Razliv. He taught in the Academy of Arts. In his studio he created what could almost be described as a small nature reserve, with squirrels, rabbits, a monkey named Manka, many wild birds (without cages) and two anthills. According to Mikhail Nesterov wild animals and birds loved Rylov and often came to his studio.

Notable works

Rylov's most renowned works are the Green Noise of 1904 showing a spring landscape with some early Slavic ships on the background and In the Blue Expanse of 1918 showing wild geese flying in the sky over a sea with some sailing ship in the bottom.

See also

References

This page was last edited on 1 November 2018, at 11:16
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