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Appointment with Venus (film)

From Wikipedia, the free encyclopedia

Appointment with Venus
Theatrical release poster
Directed byRalph Thomas
Written byNicholas Phipps
Based onAppointment with Venus by Jerrard Tickell
Produced byBetty Box
Peter Rogers (associate)
StarringDavid Niven
Glynis Johns
George Coulouris
Barry Jones
Kenneth More
CinematographyErnest Steward
Edited byGerald Thomas
Music byBenjamin Frankel
Production
company
British Film Makers Ltd
Distributed byGeneral Film Distributors
Release date
  • 8 October 1951 (1951-10-08)
Running time
90 minutes
CountryUnited Kingdom
LanguageEnglish
Box office£144,000[1]

Appointment with Venus is a 1951 British war drama film, a film adaptation of the 1951 Jerrard Tickell novel of the same name. It was directed by Ralph Thomas, produced by Betty E. Box and its screenplay was written by the novelist Nicholas Phipps. The film was based on the evacuation of Alderney cattle from the Channel Island during World War II.[2]

In the United States the film was re-titled Island Rescue.

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Transcription

Plot

In 1940, after the fall of France, the fictitious Channel Island of Armorel is occupied by a small garrison of German troops under the benign command of Hauptmann Weiss. The hereditary ruler, the Suzerain, is away in the British Army, leaving the Provost in charge.

Back in London, the Ministry of Agriculture realise that during the evacuation of the island, Venus, a prize pedigree pregnant cow, was left behind. They petition the War Office to do something urgently due to the value of the cow's bloodline, and Major Morland is assigned the task of rescuing Venus. The Suzerain's sister, Nicola Fallaize, is in Wales, serving as an Auxiliary Territorial Service army cook. She is quickly posted to the War Office so she can tell them about the island. However, when Morland finds out that Venus is practically a member of her family, he obtains permission to ask her to go along. They, radio operator Sergeant Forbes and naval officer "Trawler" Langley, who knows the local waters, are taken to the island by submarine.

They contact the Provost and discover that Weiss, a cattle breeder in civilian life, is about to have the cow shipped to Germany. Nicola persuades her pacifist cousin and painter Lionel Fallaize to disguise another cow as Venus, so they can switch them. Weiss detects the deception, and the chase is on. They are captured by Sergeant Vogel, but manage to overpower him (after Venus gives birth). They spirit the cow and her calf onto a Royal Navy Motor Torpedo Boat which takes them to Britain, sinking a pursuing German E-boat in the process.[3]

Cast

Basis

The story is based on a real incident told to Tickell after the war by an army officer who had been involved.

The film follows the original novel closely with the exception of the fate of Lionel.

The fictitious island of Armorel may be based on Sark, one of the locations where the film was shot. Sark, inhabited by 500 people, had a feudal ruler, the Seigneur until 2008, as depicted in the play The Dame of Sark.[4] Like all the other Channel Islands, it was occupied by German troops 1940–1945. British commandos made two unsuccessful raids in 1942–43.

Production

The film was based on a novel. Much of the film was shot on the island of Sark.[5] The island did not allow motorised traffic. The filmmakers were allowed one Land Rover and trailer to transport their equipment. Otherwise they had to walk or use boats and horse-drawn carriages.[6] The rushes were transported to the nearby island of Guernsey where they were seen weekly.[7] Kenneth More's casting meant he had to turn down a role in Angels One Five.[8]

Director Ralph Thomas later said they used twelve plain coloured cows to play the lead cow, painting them with a patch on the side. He said this "was a sod because we shot mainly on location, and every time it rained, which it did regularly, the colours would run, and you would think the cow was milking itself because drops of paint were falling on the grass. It was a difficult picture but it was fun."[9]

See also

Notes

  1. ^ BFI Collections: Michael Balcon Papers H3 reprinted in British Cinema of the 1950s: The Decline of Deference By Sue Harper, Vincent Porter p 41
  2. ^ Alderneysociety.org Archived 29 September 2007 at the Wayback Machine
  3. ^ "Appointment With Venus". The Australian Women's Weekly. 25 June 1952. p. 29. Retrieved 17 December 2015 – via National Library of Australia.
  4. ^ The Dame of Sark a play by William Douglas Home.
  5. ^ "Round the studios". The Mail. Vol. 41, no. 2, 061. Adelaide. 1 December 1951. p. 9 (SUNDAY MAGAZINE). Retrieved 22 July 2016 – via National Library of Australia.
  6. ^ Box p 59
  7. ^ Box p 61
  8. ^ Vagg, Stephen (16 April 2023). "Surviving Cold Streaks: Kenneth More". Filmink.
  9. ^ McFarlane, Brian (1997). An Autobiography of British Cinema By the Actors and Filmmakers Who Made It. Methuen. p. 558.
  • Box, Betty E. (2000). Lifting the Lid. The Book Guild.

External links

This page was last edited on 19 December 2023, at 03:37
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