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Anne Bohnenkamp-Renken

From Wikipedia, the free encyclopedia

Bohnenkamp-Renken speaks at the opening of the German Romantic Museums in 2021

Anne Bohnenkamp-Renken (born 17 November 1960) is a German academic who has served as the director of the Freies Deutsches Hochstift since 2003. She received the 2022 Hessian Cultural Prize for both her direction of the Hochstift and her personal academic work.[1]

Life

Bohnenkamp-Renken was born in Hilden.[2] Bohnenkamp-Renken's father was a physicist and mathematician who worked at a Max Planck Institute, and her mother was an infant nurse.[3] Her grandfather was Hans Bohnenkamp [de], a professor who influenced Helmut Schmidt.

Bohnenkamp-Renken studied German literature, philosophy, and journalism at the universities of Göttingen and Florence between 1980 and 1987.[4][5] In 1992, she received her PhD from Göttingen with a dissertation about Goethe's Faust.[3] Bohnenkamp-Renken habilitated in 2000, and she became the director of the Freies Deutsches Hochstift in June 2003.[4][6]

As director, Bohnenkamp-Renken has led the Hochstift's work on a historical critical edition of Clemens Brentano. She directed the historical-critical edition of Goethe's Faust which the Hochstift created between 2009 and 2015 in conjunction with the Klassik Stiftung Weimar.[7]

Bohnenkamp-Renken was an honorary professor of Goethe University Frankfurt from 2004 to 2012,[3] when she became a full professor, teaching modern German literature.[8]

Bohnenkamp-Renken is married and has two adult children.[3]

Memberships

Selected works

  • Bohnenkamp-Renken, Anne (2013). Medienwandel/Medienwechsel in der Editionswissenschaft (in German). Berlin/Boston. ISBN 978-3-11-030043-7. OCLC 824668736.{{cite book}}: CS1 maint: location missing publisher (link)
  • Bohnenkamp, Anne; Richter, Elke (2013). Brief-Edition im digitalen Zeitalter (in German). Berlin/Boston. ISBN 978-3-11-028935-0. OCLC 865141152.{{cite book}}: CS1 maint: location missing publisher (link)
  • Bohnenkamp, Anne; Möbus, Frank; Lüthje, Ulla (2012). Mit Gunst und Verlaub! wandernde Handwerker: Tradition und Alternative (in German). Göttingen. ISBN 978-3-8353-1190-9. OCLC 835295808.{{cite book}}: CS1 maint: location missing publisher (link)
  • Bohnenkamp, Anne (2010). Konjektur und Krux zur Methodenpolitik der Philologie (in German). Göttingen. ISBN 978-3-8353-0604-2. OCLC 649519351.{{cite book}}: CS1 maint: location missing publisher (link)
  • Bohnenkamp-Renken, Anne (1994). " ... das Hauptgeschäft nicht außer Augen lassend" : die Paralipomena zu Goethes Faust (in German). Frankfurt am Main u.a.: Insel-Verl. ISBN 3-458-16643-2. OCLC 243794346.

References

  1. ^ "Prof. Dr. Anne Bohnenkamp-Renken erhält den Hessischen Kulturpreis 2022". hessen.de. 18 March 2023. Retrieved 22 April 2023.
  2. ^ a b "Anne Bohnenkamp-Renken". De Gruyter. 29 August 2022. Retrieved 29 August 2022.
  3. ^ a b c d "Anne Bohnenkamp-Renken: Die Beherzte". Frankfurt Neue Presse. Retrieved 29 August 2022.
  4. ^ a b "Prof. Dr. Anne Bohnenkamp-Renken". Goethe Universität Frankfurt am Main (in German). Archived from the original on 21 October 2021. Retrieved 29 August 2022.
  5. ^ a b "Prof. Dr. Anne Bohnenkamp-Renken : Akademie der Wissenschaften und der Literatur". Mainz (in German). Retrieved 29 August 2022.
  6. ^ "Geschichte". Freies Deutsches Hochstift (in German). Archived from the original on 17 August 2022. Retrieved 29 August 2022.
  7. ^ "Historisch-kritische Edition von Goethes Faust". Freies Deutsches Hochstift. Archived from the original on 17 August 2022. Retrieved 29 August 2022.
  8. ^ "Anne Bohnenkamp-Renken". De Gruyter (in German). Archived from the original on 29 August 2022. Retrieved 29 August 2022.
  9. ^ "Mitglieder: Akademie der Wissenschaften zu Göttingen (AdW)". Akademie der Wissenschaften (in German). Retrieved 29 August 2022.
  10. ^ "Academy - Members - Anne Bohnenkamp-Renken - Selbstvorstellung". Deutsche Akademie für Sprache und Dichtung. Retrieved 29 August 2022.

Further reading

External links

This page was last edited on 17 May 2024, at 14:49
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