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Anastasia (musical)

From Wikipedia, the free encyclopedia

Anastasia
Vocal Selections artwork
MusicStephen Flaherty
LyricsLynn Ahrens
BookTerrence McNally
BasisAnastasia
by Susan Gauthier
Bruce Graham
Bob Tzudiker
Noni White
Eric Tuchman
PremiereMay 27, 2016: Hartford Stage, Hartford
Productions2016 Hartford (tryout)
2017 Broadway
2018 North America tour

Anastasia is a musical play with music and lyrics by Lynn Ahrens and Stephen Flaherty, and a book by Terrence McNally. Based on the 20th Century Fox Animation 1997 film of the same name, the musical adapts the legend of the Grand Duchess Anastasia Nikolaevna of Russia, who was rumored to have escaped and survived the execution of her family. Many years later, an amnesiac young woman named Anya hopes to find some trace of her past by siding with two con men, who wish to take advantage of her resemblance to Anastasia by presenting her to the Grand Duchess' paternal grandmother, Dowager Empress Maria Feodorovna.

After completing a pre-Broadway run in Hartford, Connecticut, the show premiered on Broadway at the Broadhurst Theatre in April 2017, and since then it has spawned multiple productions worldwide and has also become a popular choice for high school and college productions.[1][2]

YouTube Encyclopedic

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  • “In a Crowd of Thousands” Music Video | ANASTASIA The Musical
  • “At The Beginning” from the 1997 ANASTASIA film | ANASTASIA The Musical
  • FIRST LOOK: Anastasia on Broadway
  • Anastasia El Musical
  • 20th Anniversary "Journey To The Past" Performance | ANASTASIA The Musical

Transcription

Background

A reading was held in 2012, featuring Kelli Barret as Anya (Anastasia), Aaron Tveit as Dmitry, Patrick Page as Vladimir, Aaron Lazar as Gleb, Julie Halston as Countess Lily and Angela Lansbury as the Dowager Empress.[3] A workshop was held on June 12, 2015, in New York City, and included Elena Shaddow as Anya, Ramin Karimloo as Gleb Vaganov, Mark Evans as Dmitry, Douglas Sills as Vlad and Mary Beth Peil as the Dowager Empress.[4]

The original stage production of Anastasia premiered at the Hartford Stage in Hartford, Connecticut for previews on May 13, 2016. The show was directed by Darko Tresnjak and choreography by Peggy Hickey, with Christy Altomare and Derek Klena starring as Anya and Dmitry, respectively.[5][6]

Director Tresnjak explained that the musical contains six songs from the film and 16 new numbers.[4] The musical also adds characters not seen in the film.[7] Additionally, Act 1 is set in Russia and Act 2 in Paris, "which was everything modern Soviet Russia was not: free, expressive, creative, no barriers", according to McNally.[8]

The musical also omits the supernatural elements from the original film, including the character of Rasputin and his musical number "In the Dark of the Night," and instead introduces a new villain called Gleb, a general for the Bolsheviks who receives orders to kill Anya, if she was truly Anastasia.

Plot

Prologue

During 1906, in St. Petersburg, Russia, Dowager Empress Maria Feodorovna comforts her youngest granddaughter, Grand Duchess Anastasia Nikolaevna of Russia, who is saddened that her grandmother is moving away to Paris, France. Before departing, the Dowager Empress gives her a music box, which plays their lullaby, as a parting gift ("Prologue: Once Upon a December"). Twelve years later, in 1918, a teenage Anastasia is attending a ball with her family when Bolsheviks revolutionaries, led by Vladimir Lenin, invade their palace. As the Imperial family tries to escape the siege, Anastasia attempts to retrieve her music box. However, she is shot and captured alongside the rest of her family ("The Last Dance of the Romanovs"). Later, while in Paris, the Dowager Empress receives word that they had been executed.

Act I

In 1927, Gleb Vaganov, a general for the Bolsheviks who now control Russia, announces to the gloomy Russians that the now-poor Saint Petersburg has been renamed Leningrad; he promises a bright and peaceful future. The Russians angrily protest this change, but are uplifted by a rumor that Anastasia may have somehow survived and escaped the royal family's execution. Two wanted con men, the handsome and young Dmitry and an ex-member of the Imperial Court, Vlad Popov, hear the rumors and begin to brainstorm "the biggest con in history": they will train a naive girl to pretend to be Anastasia in the hopes of extracting money from the Dowager Empress ("A Rumor in St. Petersburg").

Dmitry and Vlad hold unsuccessful auditions for the scheme at the theater in the abandoned palace. Just as they are about to give up hope of finding a suitable person to impersonate Anastasia, a street sweeper named Anya walks in to ask Dmitry about travel paperwork to get tickets for Paris. Dmitry and Vlad become fascinated with her as she explains that Anya isn't her real name, that she was told that, due to amnesia, she has very few memories of her past, but believes that her family may be in Paris ("In My Dreams"). Impressed by her memory loss and striking resemblance to the Grand Duchess, Dmitry and Vlad select Anya as their imposter.

At the capital, government workers sort through rumors and reports for any that require further action. Three bitter actresses report Anya, Dmitry, and Vlad's plot to Gleb, but he dismisses them and files a case for Anya ("The Rumors Never End"). Back at the palace, Vlad and Dmitry begin to train a feisty Anya to become Anastasia through history, dining, and dancing lessons ("Learn to Do It").

Gleb orders Anya's arrest, and she is brought to his office in the Nevsky Prospect. He interrogates her and warns Anya about the consequences of impersonating the Grand Duchess. He tries to convince Anya that Anastasia is dead. He reveals that his father was one of the soldiers who killed the Romanovs and, as a boy, Gleb heard the gunshots and the family's screams. However, Gleb notices that Anya has the "Romanov eyes" and realizes that she could be Anastasia. As he harbors feelings for her, he lets her off with a warning ("The Neva Flows").

Anya reunites with Dmitry and they are teased and attacked by his old con partners, whom they must fight off ("The Neva Flows Reprise"). Impressed by Anya's fighting skills, Dmitry opens up to her for the first time and tells her about his childhood in the streets of St. Petersburg and how he had to take care of himself as an orphan ("My Petersburg"). Dmitry begins to trust her enough to show her Anastasia's music box that he had bought earlier and was unable to open, unaware that it had belonged to the Grand Duchess. Anya easily winds and opens the box and begins to have a memory from her past, including an imperial ball that had been held many years earlier ("Once Upon a December"). After this, Anya is more determined than ever in her desire to get to Paris, but Dmitry admits to her that they don't have enough money to buy the train tickets. Anya then gives Dimitry her most prized possession, a diamond that was found sewn to her dress when she was discovered years earlier ("A Secret She Kept").

At the train station, Count Ipolitov recognizes Anya as Anastasia and kisses her hand. As they board the train to Paris, Count Ipolitov leads everyone in a prayer of farewell to Russia ("Stay, I Pray You"). During the train ride, Anya, Dmitry, and Vlad reflect on what they hope to accomplish while in Paris: Anya hoping to discover that she is Anastasia, Dmitry's desire for the reward money, and Vlad hoping to win back Countess Lily Malevsky-Malevitch ("Sophie" in the 1997 animated film), the Dowager Empress's lady-in-waiting, with whom he had an affair ("We'll Go From There"). Count Ipolitov is fatally shot by the police for illegally boarding the train. The police officers then go after Anya, Dmitry, and Vlad since they are wanted criminals in Russia, but they all jump off the train, narrowly avoiding capture.

As they travel across Russia by foot, Gleb receives orders to follow Anya and kill her if she is the real Anastasia ("Traveling Sequence"). Gleb agrees to the task, but he realizes that he is in love with Anya and questions his heart ("Still"). Anya, Vlad, and Dmitry finally arrive in France, and as they travel to Paris, Anya summons the courage to continue on with the hope that she will finally discover who she truly is ("Journey to the Past").

Act II

Anya, Vlad, and Dmitry arrive in Paris and are swept up by the sights and sounds of the city ("Paris Holds the Key (to Your Heart)"). When Vlad and Dmitry go off on their own, Anya visits the Pont Alexandre III bridge, which had been named after Anastasia's grandfather, and she feels a sudden, strong connection to it ("Crossing a Bridge").

Now a bitter, elderly woman, the Dowager Empress reads the letters from various women claiming to be Anastasia and, heartbroken, gives up hope of finding her granddaughter ("Close the Door"). As Gleb arrives in Paris, Lily parties at the Neva Club, where rich and noble Russian exiles reminisce about the old Russia ("Land of Yesterday"). Lily is reunited with Vlad, with whom she is angry for stealing her jewelry when they were lovers. The two rekindle their scandalous romance and Vlad convinces her to let Anya meet the Dowager Empress at the ballet the next week ("The Countess and the Common Man"). However, Vlad accidentally drops the ballet tickets and Gleb, overhearing their plans, picks up their tickets ("Land of Yesterday Reprise").

At their hotel, Anya has a nightmare about the Romanov execution ("A Nightmare"). Dmitry comforts her and recounts a story of how he bowed to Anastasia at a parade as a young boy. Anya vaguely remembers this, and the two realize that Anya could be Anastasia ("In a Crowd of Thousands").

At the ballet, Vlad suspects that Anya and Dmitry are falling in love and is heartbroken on their behalf that the two can never be together ("Meant to Be"). During the performance of Swan Lake, Anya sees the Dowager Empress and remembers her. The Dowager Empress also sees Anya and recognizes her, but clings to denial. Dmitry and Gleb (who is conflicted about whether or not to shoot Anya) reflect on their romantic feelings ("Quartet at the Ballet").

After the ballet, Lily also recognizes Anya as Anastasia and immediately takes her to the Dowager Empress. Dmitry is anxious about the meeting and realizes that he is in love with Anya, but knows he must let her go to her family ("Everything to Win"). Anya leaves the meeting enraged, upon learning from the Dowager Empress that Vlad and Dmitry intended to use her in their scheme for falsely claiming the reward money. As she storms off, Dmitry waits for the Dowager Empress. Marie coldly dismisses him, but Dmitry disrespectfully stops her. He begs her to see Anya, but she refuses again.

Back at the hotel, Anya begins to pack, but she is interrupted by the Dowager Empress who, impressed by Dmitry's courage, has come reluctantly to give Anya an opportunity. She is shocked by the Dowager Empress' cruelty, asserting that she isn't the nana that Anya remembered. The Dowager Empress angrily questions Anya about her past and the history of the Romanov family, but Anya convinces her to reflect on the person Anastasia could have become over last twenty years. Anya suddenly remembers the night that the Dowager Empress left for Paris. When Anya produces the music box and sings the lullaby, the Dowager Empress finally realizes that Anya really is Anastasia and the two embrace, now reunited after two decades apart ("Once Upon a December Reprise").

A press conference is held the next morning, where Vlad and Lily try to fend off the hungry reporters ("The Press Conference"). Before appearing to the public, the Dowager Empress tells Anya that Dmitry did not take the reward after all and reveals her respect for him. Anya expresses misgivings about her future life as a princess and the Dowager Empress insists that no matter what she chooses, they'll always be together. Anya runs off to think; she realizes that she is in love with Dmitry, and decides that she must go after him ("Everything to Win Reprise"). As she turns to leave, Anya sees that Gleb has slipped in and locked them in the room. She realizes why he is there. Gleb then says that he must kill her to complete his father's unfinished mission. Anya, clearly remembering the day her family was killed, without fear, taunts Gleb to kill her so that she can be with her family in Yekaterinburg all over again. Overcome with emotion and not willing to bear the shame of his father, Gleb is unable to kill Anya ("Still/The Neva Flows Reprise"). Anya comforts Gleb and they call a truce.

Vlad, Lily, and the palace staff search for Anya, while the Dowager Empress is joyful, knowing that Anya is where she belongs. She and Gleb announce to the people that the rumors of Anastasia will now cease; the reward for finding her will be donated to charity. Anya discovers Dmitry at Pont Alexandre III, where they embrace. The couple leaves Paris as the spirits of the Romanovs celebrate the life that Anya and Dmitry will now have together ("Finale").

Productions

Broadway

The musical opened on Broadway at the Broadhurst Theatre on March 23, 2017, in previews, later officially on April 24, featuring most of the original Hartford principal cast, the exception being Ramin Karimloo taking over the role of Gleb.[7][9][10]

The production was met with mixed reviews by critics, citing uneven subplots and an overly long running time as primary issues.[11] The show closed on March 31, 2019 after 808 regular and 34 preview performances.[12][13]

Madrid

Branding as seen on the Coliseum Theatre in Madrid.

The first European staging opened on October 3, 2018 (officially on October 10) at the Coliseum Theatre in Madrid, Spain, starring Jana Gómez as Anya, Íñigo Etayo as Dmitry, Carlos Salgado as Gleb, Javier Navares as Vlad, Silvia Luchetti as Countess Lily, and Angels Jiménez as Dowager Empress.[14][15]

The production played 556 performances, ending on March 7, 2020, when performances were suspended due to the COVID-19 pandemic. The same year on September 28, Stage Entertainment announced that Anastasia would not reopen in Madrid following the pandemic.[16]

North America tours

The first North America tour began on October 9, 2018 (officially on October 12) at the Proctor's Theatre in Schenectady, New York, with Lila Coogan as Anya, Stephen Brower as Dmitry, Jason Michael Evans as Gleb, Edward Staudenmayer as Vlad, Tari Kelly as Countess Lily, and Joy Franz as Dowager Empress,[17][18][19] and closed on March 12, 2020 at the Walton Arts Center in Fayetteville, when performances were suspended due to the COVID-19 pandemic.[20]

A non-equity U.S. tour kicked off on October 15, 2021 at the Columbia County Performing Arts Center in Evans, Georgia, starring Kyla Stone as Anya, Sam McLellan as Dmitry, Brandon Delgado as Gleb, Bryan Seastrom as Vlad, Madeline Raube as Countess Lily, and Gerri Weagraff as Dowager Empress.[21] The non-equity tour played its final performance on May 21, 2023 at the Pioneer Center for the Performing Arts in Reno, Nevada.

Early international productions

Anastasia at the Circustheater in The Hague, 2020.

A German production ran from November 15, 2018 to October 13, 2019 at the Stage Palladium Theater in Stuttgart, starring Judith Caspari as Anya and Milan van Waardenburg as Dmitry.[22]

A Dutch production opened on September 22, 2019 at the AFAS Circustheater in The Hague, The Netherlands.[23] Tessa Sunniva van Tol played the role of Anya with Milan van Waardenburg as Dmitry transferring from the German production to the Dutch production. Other principal roles were played by René van Kooten, Gerrie van der Klei, Ellen Evers and Ad Knippels.[24][25] From March 23, 2020 onwards, performances were suspended due to the COVID-19 pandemic, and the production did not reopen following the pandemic.[26]

A Japanese production at the Theatre Orb in Tokyo opened on March 9, 2020, but closed on March 27,after 14 performances, due to the pandemic. The cast was led by Wakana Aoi and Haruka Kinoshita as Anya, Naoto Kaiho, Hiroki Aiba and Akiyoshi Utsumi as Dmitry, Koji Yamamoto, Yoshikuni Dochin and Yusuke Tohyama as Gleb, Kenya Osumi and Zen Ishikawa as Vlad, Hikaru Asami, Marcia and Keiko Horiuchi as Countess Lily, and Rei Asami as Dowager Empress.[27] The production was revived in 2023, with engagements at the Theatre Orb (from September 12 to October 7) and Osaka's Umeda Arts Theater (from October 19 to 31).[28]

The all-female Takarazuka Revue staged Anastasia in Takarazuka and Tokyo during the summer of 2020. This version included the new song "She Walks In", written by the original creative team for the character of Dmitry and played by Cosmos Troupe top star Suzuho Makaze.[29]

Post-pandemic international productions

A Finnish production premiered on September 2, 2022 at the Tampere Theatre, Finland, with Pia Piltz as Anya, Petrus Kähkönen as Dmitry, Joel Mäkinen as Gleb, Ville Majamaa as Vlad, Kaisa Hela as Countess Lily, and Sinikka Sokka as Dowager Empress.[30]

A production opened on September 10, 2022 at the Landestheater in Linz, Austria, starring Hanna Kastner as Anya, Lukas Sandmann as Dmitry, Nikolaj Alexander Brucker as Gleb, Karsten Kenzel as Vlad, Judith Jandl as Countess Lily, and Daniela Dett as Dowager Empress.[31]

A Portuguese-language production ran from November 9, 2022 to May 7, 2023 at the Renault Theatre in São Paulo, Brazil, produced by T4F and Caradiboi. The cast was led by Giovanna Rangel as Anya, Rodrigo Filgueiras as Dmitry, Luciano Andrey as Gleb, Tiago Abravanel as Vlad, Carol Costa as Countess Lily and Edna d'Oliveira as Dowager Empress.[32]

A production using the original Broadway staging premiered on August 3, 2023, at Teatro Telcel in Mexico City, produced by OCESA Teatro. The cast includes Mariana Dávila as Anya, Javier Manente as Dmitry, Manu Corta as Vlad, Carlos Quezada as Gleb, Gloria Toba as Countess Lily and Irasema Terrazas as Dowager Empress.[33][34]

A Greek-language production ran from December 23, 2023 until February 18, 2024, at Pallas Theatre in Athens. The cast includes Demy as Anya, Ian Stratis as Dmitry, Thanasis Tsaltabasis as Vlad, Mirka Papakonstantinou as the Dowager Empress Maria, Katerina Sousoula as Lily, and Vasilis Axiotis as Gleb Vaganov. From March 1, 2024, the musical will be playing at RadioCity Theatre in Thessaloniki, with Fotini Baxevani replacing Mirka Papakonstantinou as the Dowager Empress Maria.[35]

Musical numbers

Titles of songs which appeared in the original 1997 animated film are in bold.
Renamed from the Hartford production (#)
Not featured in the cast recordings (+)[36]
Features the melody of "In the Dark of the Night", the cut song from the film (±)
Replaced by a reprise of "Paris Holds the Key (To Your Heart)" in the US tour and international productions (∞)

Main Characters and Casts

Character Hartford Stage[37] Broadway[38] U.S. National Tour[39]
2016 2017 2018
Anya / Anastasia Christy Altomare Lila Coogan
Dmitry Sudayev Derek Klena Stephen Brower
Vladimir "Vlad" Popov John Bolton Edward Staudenmayer
Deputy Commissioner Gleb Vaganov Manoel Felciano Ramin Karimloo Jason Michael Evans
Countess Lily Malevsky-Malevitch Caroline O’Connor Tari Kelly
Dowager Empress Maria Feodorovna Mary Beth Peil Joy Franz

Notable Broadway cast replacements

Critical response

The Broadway production was met with mixed to positive reviews.[43] The Hollywood Reporter reviewer, David Rooney, wrote: "The seamlessness and storytelling economy of that opening sequence is quite impressive, deftly handling the ambiguity surrounding Anastasia's fate, while her family is murdered by revolutionaries. But the long first act gets bogged down, and while Ahrens and Flaherty certainly know how to craft a narrative-driven song, the music is more often serviceable than inspired. McNally's book dutifully follows the Disney-princess model... The second act picks up considerably with the 1927 move to Paris..."[44]

Ben Brantley, reviewing for The New York Times, wrote: "The show in which she [Christy Altomare] appears trembles nonstop with internal conflicts during its drawn-out two-and-a-half hours. Part of the source of its malaise may be detected in a conspicuous credit below the title in the program that reads, 'Inspired by the 20th Century Fox motion pictures' .... Anastasia may well tap into the dewy-eyed demographic that made Wicked such an indestructible favorite of female adolescents. Those without such nostalgic insulation are likely to find this Anastasia a chore... bloody periods of history, like the Russian Revolution, do not naturally lend themselves to perky song and dance".[43]

Awards and honors

2016 Hartford Stage production

Year Award Category Nominee Result
2016 Connecticut Critics Circle Award[45][46] Outstanding Production of a Musical Won
Outstanding Lead Actress in a Musical Christy Altomare Won
Outstanding Featured Actor in a Musical John Bolton Nominated
Outstanding Featured Actress in a Musical Caroline O'Connor Nominated
Mary Beth Peil Nominated
Outstanding Director of a Musical Darko Tresnjak Won
Outstanding Choreography Peggy Hickey Won
Outstanding Scenic Design Alexander Dodge Nominated
Outstanding Costume Design Linda Cho Won
Outstanding Lighting Design Donald Holder Nominated
Outstanding Sound Design Brian Ronan Nominated
Outstanding Projection Design Aaron Rhyne Won

2017 Broadway production

Year Award Category Nominee Result
2017 Tony Award[47] Best Featured Actress in a Musical Mary Beth Peil Nominated
Best Costume Design in a Musical Linda Cho Nominated
Drama Desk Awards[48] Outstanding Musical Nominated
Outstanding Actress in a Musical Christy Altomare Nominated
Outstanding Featured Actress in a Musical Mary Beth Peil Nominated
Outstanding Book of a Musical Terrence McNally Nominated
Outstanding Music Stephen Flaherty Nominated
Outstanding Costume Design for a Musical Linda Cho Nominated
Outstanding Orchestrations Doug Besterman Nominated
Outstanding Projection Design Aaron Rhyne Won
Outstanding Sound Design in a Musical Peter Hylenski Nominated
Drama League Award[49] Outstanding Production of a Broadway or Off-Broadway Musical Nominated
Distinguished Performance Award Caroline O'Connor Nominated
Outer Critics Circle Award[50] Outstanding New Broadway Musical Nominated
Outstanding Actress in a Musical Christy Altomare Nominated
Outstanding Featured Actor in a Musical John Bolton Nominated
Outstanding Featured Actress in a Musical Caroline O'Connor Nominated
Mary Beth Peil Nominated
Outstanding Book of a Musical Terrence McNally Nominated
Outstanding New Score Stephen Flaherty & Lynn Ahrens Nominated
Outstanding Director of a Musical Darko Tresnjak Nominated
Outstanding Set Design Alexander Dodge Nominated
Outstanding Costume Design Linda Cho Nominated
Outstanding Lighting Design Donald Holder Nominated
Outstanding Projection Design Aaron Rhyne Won
Outstanding Orchestrations Doug Besterman Nominated
Theatre World Award Outstanding Broadway Debut Performance Christy Altomare Honoree
Chita Rivera Awards for Dance and Choreography[51] Outstanding Male Dancer in a Broadway Show John Bolton Nominated

References

  1. ^ https://www.liherald.com/franklinsquare/stories/at-wt-clarke-high-school-anastasia-is-a-smashing-musical-success,206114
  2. ^ https://www.weareteachers.com/musicals-for-high-schools/
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  4. ^ a b Viagas, Robert (1 March 2016). "Tony-Winning Director Says Ahrens and Flaherty's Stage Anastasia Will Be a Whole "New Musical"". playbill.com. Playbill. Retrieved 15 May 2016.
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  14. ^ "Anastasia will make European debut in Madrid". Broadway World. 16 January 2018. Retrieved 19 January 2018.
  15. ^ "El musical Anastasia deslumbra en su estreno en Madrid". El Diario. 11 October 2018. Retrieved 11 October 2018.
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  24. ^ Anastasia ad.nl
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  30. ^ "Anastasia". tampereenteatteri.fi. Retrieved 10 November 2022.
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  32. ^ "Anastasia: T4F anuncia que o musical da Broadway vem para o Brasil" rollingstone.uol.com.br, August 4, 2022
  33. ^ "Anastasia abre convocatoria para musical en México". www.milenio.com. 15 November 2018. Retrieved 2019-01-24.
  34. ^ "OCESA pospone la producción de Anastasia". www.elaquelarre.com.mx. 9 May 2019. Retrieved 2019-06-12.
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External links

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