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Alexander Kokorinov

From Wikipedia, the free encyclopedia

Portrait of Kokorinov, by Dmitry Levitsky.
Portrait of Kokorinov, by Dmitry Levitsky.

Alexander Filippovich Kokorinov (Russian: Александр Филиппович Кокоринов) (July 10, 1726 – March 21, 1772) was a Russian architect and educator of Siberian origin, one of the founders, the first builder, director (1761) and rector (1769) of the Imperial Academy of Arts in Saint Peterburg. Kokorinov has been house architect of the Razumovsky family and Ivan Shuvalov, the first President of the Academy. Kokorinov's surviving architectural legacy, once believed to be substantial,[1] has been reduced by recent research to only two buildings, the Imperial Academy of Arts and Kirill Razumovsky palace in Saint Petersburg.[2] The Academy was designed by Jean-Baptiste Vallin de la Mothe based on an earlier proposal by Jacques-François Blondel, while Kokorinov managed the construction in its early phases (1764–1772).


Alexander Kokorinov was born in Tobolsk in the family of a government clerk. At the age of 14 he began training with Johann Blank (father of Karl Blank), a self-proclaimed architect exiled from Saint Petersburg for his involvement in the alleged conspiracy of Artemy Volynsky (1740). With the ascension of Elisabeth in 1741 survivors of the Volynsky affair were amnestied and the Blanks returned to Moscow, taking Kokorinov with them.

Kokorinov and Karl Blank studied arts and architecture in Moscow under Ivan Korobov, and in 1749 Kokorinov was hired by prince Dmitry Ukhtomsky, then the leading Moscow architect of Elisabethan Baroque and dean of an architectural school based in Moscow Kremlin. He received the degree of Master of Mathematics from Moscow University[3] and in 1754 Kokorinov passed professional examination as a junior architect, joined the staff of Francesco Bartolomeo Rastrelli and relocated to Saint Petersburg where he made contact with count Ivan Shuvalov, founder of Moscow State University (1755) and the Imperial Academy of Arts (1757). Kokorinov joined the staff of the Academy since its first days.

Shuvalov initially proposed to set up the Academy in Moscow and commissioned Jacques-François Blondel to design the new campus there.[4] Empress Elisabeth insisted that the Academy must be based in Saint Petersburg, and the task of adapting Blondel's plans was awarded to Kokorinov, who has already designed Shuvalov's own house in Saint Petersburg.[4] Kokorinov, firmly trained only in Baroque styling, struggled with Blondel's French neoclassical design and in 1759 Shuvalov hired another Frenchman to assist Kokorinov.[4] Jean-Baptiste Vallin de la Mothe, Blondel's cousin and a recent graduate of the Royal Academy of Architecture,[4] became Kokorinov's peer on the Academy project and soon surpassed him. Design of the building is traditionally credited by Kokorinov and de la Mothe,[4] but recent research in French archives indicate that it was de la Mothe's own work, while no drafts by Kokorinov were ever found.[5] The Academy, a complex structure measuring 140 by 125 meters, bears traces of Blondel's style yet, according to Dmitry Shvidkovsky, "is more up to date ... especially noticeable in plan. Where Blondel specified a corinthian order, the stricter Roman Doric was actually used. The cupola too is more laconic than as designed by Blondel. The complete building turned out even more austere than it appears in de la Mothe's drawings."[6]

In 1761 Kokorinov was appointed director of the Academy (subordinate to its President), but it was not until 1765 when he became its professor. He taught elementary architectural theory and history of architecture, while de la Mothe taught advanced architectural subjects.[5]

While the architects finalized their proposal, Russia was shaken by a brief reign (5 January 1762 – 9 July 1762) and murder of emperor Peter III, succeeded by Catherine II. The new empress sent Shuvalov to a de facto exile in his country estate and installed Ivan Betskoy as the new President of the Academy.[5] March 18, 1764 she authorized financing for construction in earnest and set up construction board, headed by Kokorinov.[7] De la Mothe, who always shied away from practical construction, was not actively involved on site; for the first time in Russian history, architectural profession was split into architectural design and construction management.[7]

During Russian-Turkish war of 1768–1774 financing of the project virtually stopped, while Betskoy initiated a criminal case against alleged fraud on the site.[8] Kokorinov, blamed with cost overruns, died in 1772; unofficial opinion held it that he committed suicide.[8] De la Mothe left Russia in 1775, the building was completed by Yury Felten in 1788.[8]


  1. ^ Shuisky, p.41
  2. ^ Shuisky, p. 41
  3. ^ Lisovsky, p. 23
  4. ^ a b c d e Shvidkovsky 2007, p. 232
  5. ^ a b c Shuisky, p. 43
  6. ^ Shvidkovsky 2007, pp. 232-233
  7. ^ a b Shuisky, p. 45
  8. ^ a b c Shuisky, p. 46


  • Lisovsky, Vladimir (2006). Leonty Benua i peterburgskaya shkola ("Леонтий Бенуа и петербургская школа художников-архитекторов") (in Russian). Saint Petersburg: Kolo. ISBN 5-901841-44-1.
  • Shvidkovsky, D. S. (2007). Russian architecture and the West. Yale University Press. ISBN 0300109121, ISBN 978-0-300-10912-2.
  • Shuisky, V. K. (2008). Zolotoy vek barocco i classicizma v Sankt-Peterburge (Золотой век барокко и классицизма в Санкт-Петербургу) (in Russian). Centrpoligraph. ISBN 978-5-9524-3777-7.
This page was last edited on 28 February 2018, at 01:55
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