To install click the Add extension button. That's it.

The source code for the WIKI 2 extension is being checked by specialists of the Mozilla Foundation, Google, and Apple. You could also do it yourself at any point in time.

4,5
Kelly Slayton
Congratulations on this excellent venture… what a great idea!
Alexander Grigorievskiy
I use WIKI 2 every day and almost forgot how the original Wikipedia looks like.
Live Statistics
English Articles
Improved in 24 Hours
Added in 24 Hours
What we do. Every page goes through several hundred of perfecting techniques; in live mode. Quite the same Wikipedia. Just better.
.
Leo
Newton
Brights
Milds

Alberto Giacometti à la Galerie Maeght, Paris, France, 1961

From Wikipedia, the free encyclopedia

Alberto Giacometti à la Galerie Maeght, Paris, France, 1961 (1961) by Henri Cartier-Bresson

Alberto Giacometti à la Galerie Maeght, Paris, France, 1961, or, in English, Alberto Giacometti at the Galerie Maeght, Paris, France, 1961, is a black and white photograph by French photographer Henri Cartier-Bresson, taken in 1961. The picture depicts his old friend of two decades, the Swiss sculptor Alberto Giacometti, as he appears to be setting up his own exhibition at the Galerie Maeght, in Paris.[1]

History and description

Cartier-Bresson had a longtime friendship with Giacometti and the two shared many of the same interests and beliefs about artistic creation. The French photographer said about him: "I was overjoyed to learn that Alberto had the same three passions that I have: Cézanne, Van Eyck, and Uccello. He has said things that are so right about photography and the attitude one needs to have...”[2]

This photograph is one of the most famous that Cartier-Bresson did of Giacometti. The Swiss sculptor appears blurred, walking in the set of one of his exhibitions, curved and smoking a cigarette, while carrying one of his sculptures on his hands. At the right, there is one of his high and white slender standing sculptures, while at the left, one of his walking sculptures of men, dark and slender, seems to be mirroring his own walk. Paintings and other of his sculptures, of smaller size, lie in the ground.[3]

An article of the Huxley-Parlour Gallery states: "Much as Giacometti’s sculpture capitalises on the disjunct between movement and stillness, here, Cartier-Bresson’s photograph plays with temporality. Giacometti’s figure is perfectly mirrored by the sculpture to his left that steps into the frame of the picture with equal purpose to the artist. The blank wall behind him features paintings leaning expectantly. The scene before the camera is therefore one of liminality: finished art works in an unfinished interior."[4]

Public collections

There are prints of this photograph at the Henri Cartier-Bresson Foundation, in Paris, the Musée National d'Art Moderne, in Paris, and the Victoria and Albert Museum, in London.[3][5][6]

References

  1. ^ "Alberto Giacometti à la ..., 1973, Henri Cartier Bresson". Pinault Collection.
  2. ^ Henri Cartier-Bresson, The Mind’s Eye, Aperture, 1999, p. 79
  3. ^ a b Henri Cartier-Bresson et Alberto Giacometti, a Likeness of Vision, January 13 - March 26, 2005, Fondation Henri Cartier-Bresson
  4. ^ "Alberto Giacometti , Galerie Maeght , Paris , 1961 – Viewing Room | Huxley-Parlour". viewingroom.huxleyparlour.com.
  5. ^ Centre Pompidou
  6. ^ Museum, Victoria and Albert. "Alberto Giacometti 1961 | Cartier-Bresson, Henri | V&A Explore The Collections". Victoria and Albert Museum: Explore the Collections.
This page was last edited on 17 March 2024, at 01:27
Basis of this page is in Wikipedia. Text is available under the CC BY-SA 3.0 Unported License. Non-text media are available under their specified licenses. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc. WIKI 2 is an independent company and has no affiliation with Wikimedia Foundation.