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Alan M. Frieze

From Wikipedia, the free encyclopedia

Alan M. Frieze (born 25 October 1945 in London, England) is a professor in the Department of Mathematical Sciences at Carnegie Mellon University, Pittsburgh, United States. He graduated from the University of Oxford in 1966, and obtained his PhD from the University of London in 1975. His research interests lie in combinatorics, discrete optimisation and theoretical computer science. Currently, he focuses on the probabilistic aspects of these areas; in particular, the study of the asymptotic properties of random graphs, the average case analysis of algorithms, and randomised algorithms. His recent work has included approximate counting and volume computation via random walks; finding edge disjoint paths in expander graphs, and exploring anti-Ramsey theory and the stability of routing algorithms.

YouTube Encyclopedic

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Transcription

(piano music playing) Man: We're in the antique collection in Munich, and we're looking at a small drinking cup by an artist whose name is Exekias from ancient Greece. Woman: It's funny that you called it a small drinking cup because I imagine if you drank all the wine that you could put into this bowl, you would be quite drunk. Man: It's true. Actually, in terms of our wine glasses now, it's pretty big. The shape is a kylix. You'll notice that it's quite shallow. It's got a little bit of a base, a little bit of a pedestal, and it's got two handles that you're meant to hook your thumb around. Woman: It seems to me as you drank down your wine, the decoration at the bottom of the bowl would be revealed. Man: Well, that's right. It's a little bit unusual, but the bowl itself is a canvas for this cup, and we have this marvelous scene that shows an ancient Greek boat occupied by the god Dionysus, the god of wine. When you just look at it, you can see a few unusual things. First of all, you've got all of these playful dolphins that seem to be swimming around the boat. We can imagine the fields that would be the water and the sky. It's all red. There's no differentiation, but I've always liked to think that the dolphins on either side of the boat are jumping out of the water. Woman: There's a sense of joyousness, and this is a cup by the great Greek vase painter, Exekias, who we have about 35 vases from by this artist, so this is a really special object. Man: He both painted and potted, and he often signed his work, and that's the case here. If you look closely, you can see another unusual element, which is that there's a grapevine that's growing right beside the mast, and there's all these wonderful bunches of grapes and grape leaves that almost function as a kind of arbor over the boat. Woman: And the story was that Dionysus was fleeing pirates, and in order to hide from them, he made a grapevine grow from the boat itself. Man: And turned the pirates into the dolphins. Woman: That's right. I see how Exekias is trying to fill that circular space of the kylix by making the vines grow out horizontally, and the dolphins jumping all around, so he's using that whole space. It's not an easy space as an artist to fill. Man: No, that's right, and actually, there's a gentle curve to almost every element in this composition that seems to be responding to the curvature of the cup itself. There's the arc of the vine, there's the elegant and beautiful arc that's created by the wind-filled sail, and you can just see it billowing, pushing the boat forward, and, of course, the arcs of the dolphins, and of the hull of the ship. Woman: And then those circular forms of the grapes that mirror the circular shape of the bowl. Man: I love Dionysus. He's lying back as if he's at a dinner party. Perhaps he's speaking, but there's a wonderful sense of relaxation. Woman: And I like the stars on the cloak that he wears and the leaf shapes on the crown. Man: This is attic black-figure painting. It's a style of painting from the Archaic period. The artist would paint with slipware and then would scratch into it with a kind of needle to incise the lines and create those very delicate patterns that we can see in the woodwork of the ship, for example. Woman: Or in the grapes above Dionysus. Man: You can see in the ship, there's quite a bit of ornamentation. Not only does the prow of the ship have a face carved into it, but you can see a sort of swan's head by its stern. Really, my favorite part, you had mentioned before, is that if your thumb was hooked over the upper handle and this was filled with red wine, it would obscure the boat until you raised it and began to drink, and at one point, at least, the boat would seem as if it was floating on a sea of red wine. Woman: And you might feel as relaxed as Dionysus. (piano music playing)

Key contributions

Two key contributions made by Alan Frieze are:

(1) polynomial time algorithm for approximating the volume of convex bodies

(2) algorithmic version for Szemerédi regularity lemma

Both these algorithms will be described briefly here.

Polynomial time algorithm for approximating the volume of convex bodies

The paper [1] is a joint work by Martin Dyer, Alan Frieze and Ravindran Kannan.

The main result of the paper is a randomised algorithm for finding an approximation to the volume of a convex body in -dimensional Euclidean space by assume the existence of a membership oracle. The algorithm takes time bounded by a polynomial in , the dimension of and .

The algorithm is a sophisticated usage of the so-called Markov chain Monte Carlo (MCMC) method. The basic scheme of the algorithm is a nearly uniform sampling from within by placing a grid consisting n-dimensional cubes and doing a random walk over these cubes. By using the theory of rapidly mixing Markov chains, they show that it takes a polynomial time for the random walk to settle down to being a nearly uniform distribution.

Algorithmic version for Szemerédi regularity partition

This paper [2] is a combined work by Alan Frieze and Ravindran Kannan. They use two lemmas to derive the algorithmic version of the Szemerédi regularity lemma to find an -regular partition.


Lemma 1:
Fix k and and let be a graph with vertices. Let be an equitable partition of in classes . Assume and . Given proofs that more than pairs are not -regular, it is possible to find in O(n) time an equitable partition (which is a refinement of ) into classes, with an exceptional class of cardinality at most and such that


Lemma 2:
Let be a matrix with , and and be a positive real.
(a) If there exist , such that , and then
(b) If , then there exist , such that , and where . Furthermore, , can be constructed in polynomial time.


These two lemmas are combined in the following algorithmic construction of the Szemerédi regularity lemma.


[Step 1] Arbitrarily divide the vertices of into an equitable partition with classes where and hence . denote .
[Step 2] For every pair of , compute . If the pair are not regular then by Lemma 2 we obtain a proof that they are not regular.
[Step 3] If there are at most pairs that produce proofs of non regularity that halt. is regular.
[Step 4] Apply Lemma 1 where , , and obtain with classes
[Step 5] Let , , and go to Step 2.

Awards and honours

Personal life

Frieze is married to Carol Frieze, who directs two outreach efforts for the computer science department at Carnegie Mellon University.[5]

References

  1. ^ M.Dyer, A.Frieze and R.Kannan (1991). "A random polynomial-time algorithm for approximating the volume of convex bodies". Journal of the ACM. Vol. 38, no. 1. pp. 1–17.
  2. ^ A.Frieze and R.Kannan (1999). "A Simple Algorithm for Constructing Szemere'di's Regularity Partition" (PDF). Electron. J. Comb. Vol. 6.
  3. ^ Siam Fellows Class of 2011
  4. ^ List of Fellows of the American Mathematical Society, retrieved 29 December 2012.
  5. ^ Frieze, Carol, Personal, Carnegie Mellon University, retrieved 20 January 2019

External links

This page was last edited on 14 October 2023, at 12:13
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