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4 Little Girls

From Wikipedia, the free encyclopedia

4 Little Girls
DVD release cover
Directed by Spike Lee
Produced by Spike Lee
Samuel D. Pollard
Music by Terence Blanchard
Cinematography Ellen Kuras
Edited by Samuel D. Pollard
Distributed by HBO Documentary
Release date
July 9, 1997 (U.S.)
September 6, 1997 (Canada)
Running time
102 minutes
Country United States
Language English
Box office $130,146 (U.S. sub-total)

4 Little Girls is a 1997 American historical documentary film about the 15 September 1963 murder of four African-American girls (Addie May Collins, Carol Denise McNair, Cynthia Wesley, Carole Rosamond Robertson) in the 16th Street Baptist Church bombing in Birmingham, Alabama. It was directed by Spike Lee and nominated for an Academy Award for Best Documentary.[1]

The events inspired the 1964 song "Birmingham Sunday" by Richard and Mimi Fariña. The song was used in the opening sequence of the film, as sung by Joan Baez, Mimi's sister.

4 Little Girls premiered Wednesday, June 25, 1997 at the Guild 50th Street Theatre in New York City. It was produced by 40 Acres & A Mule Filmworks, Lee's production company, and Home Box Office (HBO).[2]

In 2017, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".[3]


Lee first became interested in making a film about the Birmingham bombing as a student at New York University in 1983. After reading a New York Times Magazine article about the incident, he was moved to write to Chris McNair, the father of Denise, one of the victims, asking for permission to tell her story on film. McNair turned down the young, aspiring filmmaker's offer.[4] "I was entering my first semester at N.Y.U. So my skills as a filmmaker were nonexistent, and at that time, Chris McNair was still hesitant to talk about it," Lee said in a 1997 interview with Industry Central's The Director's Chair. "I believe timing is everything. So it took ten years of Chris thinking about this and ten years of myself making movies for this to come together."[citation needed]

According to McNair, he changed his mind about supporting Lee's film idea due to learning about the depth and precision of Lee's research. McNair said, "[I]t's very important that this be done accurately and correctly. In all his research, he [Lee] showed that he was objective and seeking a broad section of opinion. I'm a stickler for the facts."[2]

Lee had first intended to create a dramatic reproduction of the incident, but decided that would not be the best approach. He shifted to a documentary.[4] Once he secured funding, Lee went to Birmingham with a small skeleton film crew. He wanted to have the families be as comfortable as possible. Ellen Kuras was the Director of Photography and Sam Pollard the producer/editor. (Lee developed a relationship with Ellen Kuras on an HBO project called Subway Stories, an anthology of short films compiled by Jonathan Demme. Lee's film never made the final cut due in part to conflict between Lee and Demme, however, the working partnership between Lee and Kuras was born.)[5]

Kuras said of her desire to shoot 4 Little Girls, "I was really interested because my background is in political documentaries...I always felt that one of the reasons that I had got into filmmaking was that I wanted to use my craft to be able to say something about the human condition, however I could, in my own humble way. For me this was an opportunity to make a small contribution."[5]

Lee's partnership with Sam Pollard began on Mo' Better Blues. Pollard was recommended to Spike as a replacement for his longtime collaborator Barry Brown, who was directing his own film. Busy working on his segments of Eyes on the Prize, Pollard originally refused Lee's overture, but then agreed to work with him. He has since become one of Lee's most prolific collaborators. Their first few films working together were fiction, but Pollard's background was in documentary.

He was key to guiding the structure of 4 Little Girls.

Basically it was to help with the conception of the structure, to edit it ... We spent a lot of time screening dailies together. We could come to 40 Acres at 7a.m., and we would spend three hours a day screening dailies for two weeks straight ... We talked, selected all the material that we liked, and I started working on the structure in the editing room. Spike was asking if he needed narration and what the structure should be. I basically said the structure should be that there are parallels-the family, the history of the community—and then they come together on the explosion.[5]


A local chapter of the Ku Klux Klan placed bombs at the 16th Street Baptist Church and set them off on Sunday morning 15 September 1963. Four young girls were killed in the explosion ranging from ages 11-14. The deaths provoked national outrage and that summer the US Congress passed the Civil Rights Act of 1964, which was signed by President Lyndon B. Johnson. The bombing is marked in history as a critical and pivotal moment in the Civil Rights Movement.

The film covered the events in Birmingham, Alabama in 1963 related to civil rights demonstrations and the movement to end racial discrimination in local stores and facilities. In 1963 Rev. Dr. Martin Luther King arrived in the town to help with their strategy and to speak at the funeral of the four young girls. People of the community met at the 16th Street Baptist Church while organizing their events. The demonstrations were covered by national media, and the use by police of police dogs and pressured water from hoses on young people, shocked the nation. So many demonstrators were arrested that they filled the jails.

The film ends with trial and conviction of Robert Edward Chambliss [also known as Dynamite Bob] in 1977 as the main person responsible for bombing though he is said to be only one of the four Klan members involved. The film also delves into black churches being set on fire in Birmingham in 1993, giving the impression that while progress has been made, there are some aspects that still have not changed.

Lee uses interviews with friends, family, government officials, and civil rights activists, as well as home movies and archival footage to not only tell the story of the four girls' lives, but also to provide a greater historical and political context of the times.[6][7]


Critics and public

The film was nominated for an Academy Award for Best Documentary.[1]

Box office

The film was planned to air first on HBO but, after seeing the final product, the production team decided it was important to release the film in theatres before running it on television.[2] 4 Little Girls opened in American theaters on July 9, 1997, and closed on October 2, 1997. It grossed $130,146 from a total of four theaters. In its opening weekend, it earned $13,528 from a single theater, which was 10.4% of its total gross.[8] It cost approximately $1 million to make, funded by HBO.[4]

See also


  1. ^ a b "4 Little Girls (1997)", The New York Times, The New York Times Company, retrieved November 21, 2008
  2. ^ a b c Thomas, Chandra R. (June 23, 1997), "McNair Will See Lee Film on Bomb", Birmingham Post-Herald, E. W. Scripps Company, archived from the original on November 12, 2010, retrieved December 2, 2010
  3. ^ "2017 National Film Registry Is More Than a 'Field of Dreams'". Retrieved December 13, 2017.
  4. ^ a b c Susman, Gary, "Spike Lee (4 Little Girls)", IndustryCentral, Simon & Associates, retrieved December 2, 2010
  5. ^ a b c Aftab & Lee
  6. ^
  7. ^ Home Box Office (Firm), and Films Media Group. 4 little girls. Place of publication not identified: Home Box Office (Firm).
  8. ^ "4 Little Girls", Box Office Mojo,, retrieved May 17, 2007

External links

This page was last edited on 25 September 2018, at 23:33
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