 Title page of the second edition of La coscienza di Zeno (1930) | |
| Author | Italo Svevo |
|---|---|
| Original title | La coscienza di Zeno |
| Genre | modernist novel |
| Published | 1923 |
Zeno's Conscience (Italian: La coscienza di Zeno [la koʃˈʃɛntsa di dˈdzɛːno]) is a novel by Italian writer Italo Svevo. The main character is Zeno Cosini, and the book is the fictional character's memoirs that he keeps because his psychoanalyst recommended to do so in order to overcome his illness. He writes about his father, his business, his wife, and his tobacco habit. The original English translation was published under the title Confessions of Zeno.
After two novels, Una vita and Senilità, were ignored by critics and public, and after a long period of literary silence, entirely devoted to work, in 1923 Svevo self-published this novel, quite different in style. It was appreciated by a close friend of Svevo's, James Joyce, who presented the book to two French critics, Valéry Larbaud and Benjamin Crémieux. The success of the novel expanded to Italy, thanks to the poet Eugenio Montale.
The previous novels follow a naturalistic model; Zeno's Conscience, instead, is narrated in the first person, and is focused entirely on the character's thoughts and feelings. Moreover, Zeno is an unreliable narrator, since in the very first page his doctor, publishing the diary, says that it is made of truths and lies. However, there are important similarities among Svevo's three novels. Even in the third-person narrative of Una vita and Senilità, the reader knows only the point of view of the main characters; and these are, or feel, unfit to live. The titles are revealing: Una vita had previously the title Un inetto (An unfit); Senilità (literally Senility) is a state of mind, a feeling of weakness in front of everyday life events and encounters. As to La coscienza di Zeno, the title's ambiguity causes the different ways it is translated not only into English, but also into German (Zenos Gewissen, Zenos Bewusstsein). Zeno talks of his various failures, of his feeling ill and looking for a cure he'll never find. In the end, however, he recognizes that life itself is an illness, and it always brings to death.
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Transcription
This is Zeno of Elea, an ancient Greek philosopher famous for inventing a number of paradoxes, arguments that seem logical, but whose conclusion is absurd or contradictory. For more than 2,000 years, Zeno's mind-bending riddles have inspired mathematicians and philosophers to better understand the nature of infinity. One of the best known of Zeno's problems is called the dichotomy paradox, which means, "the paradox of cutting in two" in ancient Greek. It goes something like this: After a long day of sitting around, thinking, Zeno decides to walk from his house to the park. The fresh air clears his mind and help him think better. In order to get to the park, he first has to get half way to the park. This portion of his journey takes some finite amount of time. Once he gets to the halfway point, he needs to walk half the remaining distance. Again, this takes a finite amount of time. Once he gets there, he still needs to walk half the distance that's left, which takes another finite amount of time. This happens again and again and again. You can see that we can keep going like this forever, dividing whatever distance is left into smaller and smaller pieces, each of which takes some finite time to traverse. So, how long does it take Zeno to get to the park? Well, to find out, you need to add the times of each of the pieces of the journey. The problem is, there are infinitely many of these finite-sized pieces. So, shouldn't the total time be infinity? This argument, by the way, is completely general. It says that traveling from any location to any other location should take an infinite amount of time. In other words, it says that all motion is impossible. This conclusion is clearly absurd, but where is the flaw in the logic? To resolve the paradox, it helps to turn the story into a math problem. Let's supposed that Zeno's house is one mile from the park and that Zeno walks at one mile per hour. Common sense tells us that the time for the journey should be one hour. But, let's look at things from Zeno's point of view and divide up the journey into pieces. The first half of the journey takes half an hour, the next part takes quarter of an hour, the third part takes an eighth of an hour, and so on. Summing up all these times, we get a series that looks like this. "Now", Zeno might say, "since there are infinitely many of terms on the right side of the equation, and each individual term is finite, the sum should equal infinity, right?" This is the problem with Zeno's argument. As mathematicians have since realized, it is possible to add up infinitely many finite-sized terms and still get a finite answer. "How?" you ask. Well, let's think of it this way. Let's start with a square that has area of one meter. Now let's chop the square in half, and then chop the remaining half in half, and so on. While we're doing this, let's keep track of the areas of the pieces. The first slice makes two parts, each with an area of one-half The next slice divides one of those halves in half, and so on. But, no matter how many times we slice up the boxes, the total area is still the sum of the areas of all the pieces. Now you can see why we choose this particular way of cutting up the square. We've obtained the same infinite series as we had for the time of Zeno's journey. As we construct more and more blue pieces, to use the math jargon, as we take the limit as n tends to infinity, the entire square becomes covered with blue. But the area of the square is just one unit, and so the infinite sum must equal one. Going back to Zeno's journey, we can now see how how the paradox is resolved. Not only does the infinite series sum to a finite answer, but that finite answer is the same one that common sense tells us is true. Zeno's journey takes one hour.
Plot summary
The novel is presented as a diary written by Zeno, published by his doctor (who claims that it is full of lies). The doctor has left a little note in the beginning, saying he had Zeno write an autobiography to help him in his psychoanalysis. The doctor has published the work as revenge for Zeno discontinuing his visits.
The diary, however, does not follow chronological order; instead, it is structured in large chapters, each developing a particular theme (tobacco addiction, his father's death, the story of his marriage, and so on). Only the last chapter is a real diary, with pages referring to specific dates at the time of the First World War.
Zeno first writes about his cigarette addiction and cites the first times he smoked. In his first few paragraphs, he remembers his life as a child. One of his friends bought cigarettes for his brother and him. Soon, he steals money from his father to buy tobacco, but finally decides not to do this out of shame. Eventually, he starts to smoke his father's half-smoked cigars instead.
The problem with his "last cigarette" starts when he is twenty. He contracts a fever and his doctor tells him that to heal he must abstain from smoking. He decides smoking is bad for him and smokes his "last cigarette" so he can quit. However, this is not his last and he soon becomes plagued with "last cigarettes." He attempts to quit on days of important events in his life and soon obsessively attempts to quit on the basis of the harmony in the numbers of dates. Each time, the cigarette fails to truly be the last. He goes to doctors and asks friends to help him give up the habit, but to no avail. He even commits himself into a clinic, but escapes. The whole theme, while objectively serious, is often treated in a humorous way.
When Zeno reaches his thirties, his father's health begins to deteriorate. He starts to live closer to his father in case he passes away. Zeno is very different from his father, who is a serious man, while Zeno likes to joke. For instance, when his father states that Zeno is crazy, Zeno goes to the doctor and gets an official certification that he is sane. He shows this to his father who is hurt by this joke and becomes even more convinced that Zeno must be crazy. His father is also afraid of death, being very uncomfortable with the drafting of his will. One night, his father falls gravely ill and loses consciousness. The doctor comes and works on the patient, who is brought out of the clutches of death momentarily. Over the next few days, his father is able to get up and regains a bit of his self. He is restless and shifts positions for comfort often, even though the doctor says that staying in bed would be good for his circulation. One night, as his father tries to roll out of bed, Zeno blocks him from moving, to do as the doctor wished. His angry father then stands up and accidentally slaps Zeno in the face before dying. His last action will haunt Zeno until he reaches his sixties, as he is not able to tell if it was a final punishment or just his illness taking over his body.
His memoirs then trace how he meets his wife. When he is starting to learn about the business world, he meets his future father-in-law Giovanni Malfenti, an intelligent and successful businessman, whom Zeno admires. Malfenti has four daughters, Ada, Augusta, Alberta, and Anna, and when Zeno meets them, he decides that he wants to court Ada because of her beauty and since Alberta is quite young, while he regards Augusta as too plain, and Anna is only a little girl. He is unsuccessful and the Malfentis think that he is actually trying to court Augusta, who had fallen in love with him. He soon meets his rival for Ada's love, who is Guido Speier. Guido speaks perfect Tuscan (while Zeno speaks the dialect of Trieste), is handsome, and has a full head of hair (compared with Zeno's bald head). That evening, while Guido and Zeno both visit the Malfentis, Zeno proposes to Ada and she rejects him for Guido. Zeno then proposes to Alberta, who is not interested in marrying, and he is rejected by her also. Finally, he proposes to Augusta (who knows that Zeno first proposed to the other two) and she accepts, because she loves him.
Very soon, the couples get married and Zeno starts to realize that he can love Augusta. This surprises him as his love for her does not diminish. However, he meets Carla, a poor aspiring singer, and they start an affair, with Carla thinking that Zeno does not love his wife. Meanwhile, Ada and Guido marry and Mr. Malfenti gets sick. Zeno's affection for both Augusta and Carla increases and he has a daughter named Antonia around the time Giovanni passes away. Finally, one day, Carla expresses a sudden whim to see Augusta. Zeno deceives Carla and causes her to meet Ada instead. Carla misrepresents Ada as Zeno's wife, and moved by her beauty and sadness, breaks off the affair.
Zeno goes on to relate the business partnership between him and Guido. The two men set up a merchant business together in Trieste. They hire two workers named Luciano and Carmen (who becomes Guido's mistress) and they attempt to make as much profit as possible. However, due to Guido's obsession with debts and credit as well as with the notion of profit, the company does poorly. Guido and Ada's marriage begins to crumble as does Ada's health and beauty, due to Morbus Basedowii (Basedow's disease).[1] Guido fakes a suicide attempt to gain Ada's compassion and she asks Zeno to help Guido's failing company. Guido starts playing on the Bourse (stock exchange) and loses even more money. On a fishing trip, he asks Zeno about the differences in effects between sodium veronal and veronal and Zeno answers that sodium veronal is fatal while veronal is not. Guido's gambling on the Bourse becomes very destructive and he finally tries to fake another suicide to gain Ada's compassion. However, he is not believed by his doctor and his wife and dies. Soon thereafter, Zeno misses Guido's funeral because he himself gambles Guido's money on the Bourse and recovers three quarters of the losses.
Zeno describes his current life during the Great War. His daughter Antonia (who greatly resembles Ada) and son Alfio have grown up. He spends his time visiting doctors, looking for a cure to his imagined sickness. One of the doctors claims he is suffering from the Oedipus complex, but Zeno does not believe it to be true. Not a single doctor is able to treat him.
In May 1915, while Italy is still neutral, as Zeno wants it to be, he and his family spend a vacation on the green banks of the Isonzo. Zeno does not yet guess that area will soon become a major battlefield. Renting a house in the village of Lucinico, he sets out on a casual morning stroll without his hat and jacket – when the outbreak of the war between Italy and Austro-Hungary turns the area into a war zone and Zeno is separated from his wife and children by the frontline. Forced to go back to Trieste alone, only much later does he find out that Augusta and the children reached Turin safely.
The final entry is from March 1916, after Zeno, alone in wartorn Trieste, has become wealthy by speculating and hoarding, though money has not made him happy or pleased with life. He comes to a realization that life itself resembles sickness because it has advancements and setbacks and always ends in death. Human advancement has given mankind not more able bodies, but weapons that can be sold, bought, stolen to prolong life. This deviation from natural selection causes more sickness and weakness in humans. Zeno imagines a time when a person will invent a new, powerful weapon of mass destruction, just like the modern atomic bomb, that wasn't invented yet at the time, and another will steal it and destroy the world, setting it free of sickness.
See also
References
- ^ Svevo, Italo (2003). Zeno's Conscience: A Novel. Translated by Weaver, William. Vintage. pp. 315–321. ISBN 0-375-72776-0.
External links
- e-text of La coscienza di Zeno on Liberliber (the Italian analogue of Project Gutenberg)
- Listen to some chapters of La coscienza di Zeno on audio mp3 – free download
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This page was last edited on 22 February 2024, at 04:34