Sleeping with the Enemy: Coco Chanel's Secret War

Sleeping with the Enemy: Coco Chanel's Secret War

Author	Hal Vaughan
Country	United States
Language	English
Publisher	Knopf Doubleday Publishing Group
Publication date	2011
Pages	336
ISBN	978-0-3074-7591-6

Sleeping with the Enemy: Coco Chanel's Secret War is a 2011 book by journalist Hal Vaughan, it was published by Knopf Doubleday Publishing Group, now part of Penguin Random House.^[1][2] The book is a biography of French fashion designer Coco Chanel, detailing her life from humble beginnings growing up in relative poverty, to her meteoric rise in French and British society and emergence as a fashion icon.

The book also details her active collaboration with the Nazi intelligence service, the Sicherheitsdienst, during the second World War. Although it had been known that Chanel was a mistress of a Nazi officer, the extent of her Nazi collaboration during the war had previously been unknown prior to the publication of the book.

Narrative

The biography details Chanel's life, beginning in her early childhood, where she was born into poverty. She was born Gabrielle Chanel in 1883, in the Loire Valley of France. She lived in a home for the poor until the age of 12, where upon her mother's death, she moved to a Catholic orphanage. At the age of 18, she took the name "Coco" and worked as a singer at a cabaret and as a seamstress. The book then explains her rise among the French and British aristocracy, first by forming a relationship with former cavalry officer and French socialite Etienne Balsan and then her relationship with English polo player Arthur Edward Capel who financed her first fashion boutiques in Paris. Chanel continued her rise in British society by befriending Winston Churchill and becoming the mistress of the Duke of Westminster Hugh Grosvenor. After the start of the Second World War, Chanel engaged in a romantic relationship with Nazi intelligence officer Baron Hans Gunther von Dincklage (known as "Spatz"). During the war, Chanel became a spy, and an active collaborator for Nazi Germany. In 1943, Chanel was an instrumental part of operation Modelhut (Model Hat), in which Nazi intelligence officers, using Chanel's position of prestige among the British aristocracy, attempted to get a message to Winston Churchill stating that some SS officers, operating independently of Adolf Hitler and the rest of Nazi Germany, wished to broker a cease fire. After the war Chanel was able to keep her Nazi past hidden from French society, and the world. She paid off General Walter Schellenberg, who was her commander during operation Modelhut, to keep her out of his memoirs. After the war, Chanel was able to cunningly re-integrate into French society and continued her rise as a style icon.

The book also documents Chanel's fervent antisemitism, including her attempts to use contemporary Nazi laws to wrestle control of the perfume division, Chanel No 5, from her Jewish co-investors Pierre Wertheimer and his brother Jacques.

Reception

In a negative review, in the New York Times, writer Judith Warner criticized Vaughan for relying to much on the primary source material without further analysis or elaboration. She states: "Vaughan seems to have felt as though his rich source materials could speak for themselves, but they don't - and he doesn't succeed in lending authority to the accounts of contemporary witnesses who were, undoubtedly, unreliable".^[3] Warner further criticized Vaughan for failing to provide the context in which Chanel was able to seamlessly integrate back into French society after the war.^[3] Warner concludes: "Despite all he knows about Chanel, Vaughan often appears to be as beguiled, disarmed and charmed by Coco as were the men in her life".^[3]

In a mixed review, in The Washington Post, author and journalist Marie Arana states "It's an astonishing story. And yet, its telling is far from perfect", further criticized Vaughan's writing style, stating "Vaughan's clichés and non-sequiturs abound - some of his phrases are simply not English".^[4] But regarding the book's drawbacks, Arana states: "But mid-book, the story is so gripping, the questions so provocative that, like his publisher, we no longer care".^[4]

With regard to her collaborationist past, Michael Korda applauded Vaughan stating: "Hal Vaughan has done a stupendous job of research", and Korda further praised Vaughan for his detailed and nuanced portrait of Chanel, stating: "What is of interest is Chanel herself, and on the subject Vaughan draws a brilliant portrait".^[5]

References

This page was last edited on 24 May 2024, at 18:50