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Judith Lowry (artist)

From Wikipedia, the free encyclopedia

Judith Lowry
Born1948
Washington, D.C., United States
NationalityPit River Tribe
EducationHumboldt State University
Alma materChico State University

Judith Lowry (born 1948 in Washington, DC) is a Native American artist. Based in Northern California, she is Maidu and Achomawi[1] and enrolled in the Pit River Tribe. Lowry primarily works in acrylics on canvas.[2]

YouTube Encyclopedic

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Transcription

[Speaking in French] [Louis Couturier] We started in 1991 to work together in Montreal. We didn't know it would continue. It is just we started with a project and another project arrive and then another and another and we're still working together. When we do a project we go somewhere together. We don't work in our studio [Jacky Georges Lafargue] but here it's different. We came here by invitation. [Evelyne Leblanc-Roberge] This art residency program at the U of R, it's a new thing. The idea behind this program is is to bring artists on campus so that the student can interact with professional artists. It's also a really interesting opportunity for artists to come to an institution and and produce some work and also inviting people who are like working with many disciplines. And it's also the idea behind this building, Rettner Hall to kind of bring together the art and the science. [Jacky] When we arrive somewhere for exhibition the work is done, it's done. So for this time it's a little bit different and interesting too because we work on on the spot. [Louis] We make an exhibition in France and Germany, in Belgium. [Jacky] So for us it's very interesting to have this experience in America. [Evelyne] Sometimes, being on the campus, its a little bubble and bringing people from outside, this time from even another country can only be a rich experience for student to like talk with them and see what's the life after after university, after graduation. [Jacky] It's rich when you travel when you meet different people, you make exhibition somewhere. That's the goal. [Speaking in French] [Evelyne] The work of Louis and Jacky is definitely, they are thinking a lot about location and site and each time they install their work it's different. [Jacky] We use video and photo and drawing and installation so for us it's like a natural to follow the the evolution of a new media. It's interesting for artists to try different way to show the images. [Evelyne] They want to keep it kind of open mind like not having always not like the same structure, but the idea would be to invite an artist or collective for one week every semester. The idea of play, experimentation, dialogue, collaboration is are the key words here. I think every everyone will be unique in that sense because like the artist who come will be different and will bring something different to the space.

Life

Leonard Lowry, Maidu and Achomawi, a member of the Pit River Tribe was Judith Lowry's father.[3] She has stated, "My paternal family heritage is Mountain Maidu with blood ties to the Paiute, Washo, Modoc, Pit River tribes."[4] Her mother, June Shirley Harrison, is Australian. Her parents met during World War II when her father was stationed in her mother's native Sydney, Australia. He was one of the most decorated Native American soldiers.[5]

Initially Lowry didn't attend college; she got married, raised children, and worked as a hairdresser. She also took photographs at weddings and community events. She settled in her father's hometown of Susanville, California. Eventually, in her thirties Lowry did go back to school, and attended Humboldt State University.[3]

Art career

"There is one distinction I have to make. I am not a painter.
I paint. I am a storyteller."[6]

Lowry won her first competition at the age of six for a drawing of a Hieronymus Bosch-esque world with strange vibrant creatures.

Lowry earned a Bachelor of Fine Arts degree from Humboldt State University and a Master of Fine Arts in painting and drawing from Chico State University.[7] Lowry's work is influenced by Frank Day, Harry Fonseca, Fra Angelico, Giotto, and Sandro Botticelli.[5] Her works frequently reference themes including consumerism, fashion, relationships, death, and the representation of Native American people in contemporary culture.[8] Her work is influenced by early Renaissance painting and the tradition of native California story-telling. Lowry frequently works in oil and acrylics creating "larger-than-life" images that favour "allegorical sensibilit[ies]."[6]

Lowry's studio is in Nevada City, California.[9]

Exhibitions

Lowry's paintings have been exhibited at the Crocker Art Museum, the Wheelwright Museum, the Carl M. Gorman Museum, the Heard Museum, and the George Gustav Heye Center.[7] In 2012, she showed at the Pence Gallery.[10]

Lowry's work was part of Stretching the Canvas: Eight Decades of Native Painting (2019–21), a survey at the National Museum of the American Indian George Gustav Heye Center in New York.[1]

Collections

Lowry's paintings are in the collections of the National Museum of the American Indian and Peabody Essex Museum.[11][12]

References

  1. ^ a b "Stretching the Canvas: Eight Decades of Native Painting". National Museum of the American Indian. Retrieved 7 March 2021.
  2. ^ https://s3.amazonaws.com/PEM_artscape/pdf/judith_lowry_reference-03.pdf [bare URL PDF]
  3. ^ a b Indyke, Dottie (September 29, 2005). "Native Arts | Judith Lowry".
  4. ^ Let us not forget the Nisenan people, Judith Lowry, 2012
  5. ^ a b "Full Disclosure: Autobiographical paintings continue a storytelling tradition". PEM Connections. November–December 2008.
  6. ^ a b "Judith Lowry". Images of Identity. University Library Gallery, at CSU Sacramento. 2004.
  7. ^ a b Evans, Lara. "Judith Lowry". Institute of America Indian Art.
  8. ^ Lowry, Judith; Lippard, Lucy R.; Harlan, Theresa (1999). Illuminations: Paintings by Judith Lowry. Santa Fe: Wheelwright Museum of the American Indian. p. 9.
  9. ^ "Nevada City artist".
  10. ^ Victoria Dalkey: Judith Lowry's show at Pence Gallery depicts aspects of Native California - Theater - The Sacramento Bee Archived 2014-03-23 at the Wayback Machine
  11. ^ "Collections Search". National Museum of the American Indian. Smithsonian Institution. Retrieved 28 June 2014.
  12. ^ "My Aunt Viola". Native American Art. Peabody Essex Museum. Retrieved 28 June 2014.

Further reading

  • Bigfeather, Joanna (2004). Native Views: Influences of Modern Culture. Ann Arbor: Arttrain USA. ISBN 9780934351478. OCLC 54969559.
  • Lowry, Judith; Lippard, Lucy R.; Harlan, Theresa (1999). Illuminations: Paintings by Judith Lowry. Santa Fe: Wheelwright Museum of the American Indian.
  • Ortel, Jo (Spring 2005). "Exhibition Review of Continuum: 12 Artists at the George Gustav Heye Center, Part 2". American Indian Art Magazine. 30 (2): 63–64.
  • Russell, Karen K. (2011). Shapeshifting: Transformations in Native American Art. New Haven: Yale University Press.
This page was last edited on 5 August 2023, at 13:25
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