Das Gesicht im Spiegel

Das Gesicht im Spiegel
Opera by Jörg Widmann
The composer in 2006
Translation	The Face in the Mirror
Librettist	Roland Schimmelpfennig
Language	German
Premiere	17 July 2003 (2003-07-17) Cuvilliés Theatre, Munich

Das Gesicht im Spiegel (The Face in the Mirror) is an opera in 16 scenes by Jörg Widmann, with a libretto in German by Roland Schimmelpfennig. The opera is about the emotional consequences and ethical issues of human cloning. The opera was premiered at the Cuvilliés Theatre in Munich on 17 July 2003, conducted by Peter Rundel.

Background and performance history

Jörg Widmann received in 2000 a commission from the Bavarian State Opera for the 2003 Munich Opera Festival.^[1][2][3] Sir Peter Jonas, manager of the Bavarian State Opera, commissioned an opera that would address a contemporary issue.^[1] The libretto by Roland Schimmelpfennig^[4] deals with the emotional consequences and ethical issues of human cloning.^[5] The stage work was composed from 2002 to 2003 and finished in Freiburg on 11 June 2003.^[6]

The opera was premiered at the Cuvilliés Theatre Munich on 17 July 2003, with the Orchestra of the Bavarian State Opera conducted by Peter Rundel and Tölzer Knabenchor.^[1][5][7] Das Gesicht im Spiegel, Widmann's first full-length work, was chosen by critics of the Opernwelt as the most important premiere of the season 2003–2004.^[8] The opera was also performed two years later in Theater Krefeld und Mönchengladbach conducted by Kenneth Duryea.^[6] In March 2010 a revised version of the opera was premiered in Opernhaus Düsseldorf conducted by Axel Kober.^[1]

In September 2022, the opera would be performed at the Neue Oper Wien, with Walter Kobéra [de] conducting, and Carlos Wagner directing the stage.^[9] This production would go on to give the Hungarian premiere at Müpa Budapest.^[10]

Roles

Instrumentation

The opera uses a small orchestra, with only 23 players.^[11][6]

• Woodwinds: 2 flutes, 2 clarinets (A, B♭), 2 bassoons
• Brass: 2 horns (F), trumpet (C), trombone
• Strings: 4 violins, 3 cellos, double bass
• Percussion: 2 players
• piano, guitar, accordion

Synopsis

The opera in sixteen scenes can be divided in three parts:^[a][13]

Scene 1–5

• The dependence of the biotech company owner on stock-market fluctuations

Scene 6–10

• Exposure of the clone to the outside world

Scene 11–16

• Problems that arise from a love triangle

Notes

References

Citations

Bibliography

• Balk, Georgine Maria-Magdalena (2007). Zwischen Tradition und Innovation – "Das Gesicht im Spiegel" von Jörg Widmann und Roland Schimmelpfennig (in German). München: GRIN Verlag. ISBN 978-3-638-72776-1.
• Bruhn, Siglind (2013). Die Musik von Jörg Widmann (in German). Waldkirch: Edition Gorz. pp. 145–168. ISBN 978-3-938095-16-4.
• Besthorn, Florian Henri (2014). "Geräusch- und Klangwelten bei Jörg Widmann: zwei Einblicke". Geräusch – das Andere der Musik: Untersuchungen an den Grenzen des Musikalischen (in German). Bielefeld: transcript Verlag. pp. 75–90. ISBN 978-3-8376-2868-5.

Further reading

• Schmitz, Richard. "Das Gesicht im Spiegel". Radio Klassik (in German). Retrieved 13 September 2022.
• Wagner, Renate (13 September 2022). "Wien / Neue Oper Wien: Das Gesicht im Spiegel". Online Merker (in German). Retrieved 13 September 2022.
• Roniger, Moritz (13 September 2022). "Das Gesicht im Spiegel". Bühne – Wiener Zeitung Online (in German). Retrieved 14 September 2022.
• "Die Oper "Das Gesicht im Spiegel" von Jörg Widmann. ~ radio klassik Stephansdom Podcast". podcast.de (in German). 13 September 2022. Retrieved 4 August 2023.

This page was last edited on 18 September 2023, at 13:52