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Czesław Dźwigaj

From Wikipedia, the free encyclopedia

Czesław Dźwigaj during festivities of Kraków's Hunter's Guild in 2008

Czesław Dźwigaj (born 18 June 1950 in Nowy Wiśnicz) is a Polish artist, sculptor, and professor. Creator of numerous monuments, he is most often associated with monuments of Pope John Paul II, almost 50 of which have left his workshop.

Artistic career

A student of Antoni Hajdecki, Dźwigaj completed his studies at the Academy of Fine Arts in Kraków in the years 1972-77, where he now directs the studio of Ceramic Sculpture in addition to lecturing on sacred art at the Pontifical Academy of Theology in Kraków.

He began his artistic career working with the Roman Catholic Church. In the 1980s he completed a series of bronze casts for the cathedral in Tarnów, Poland. This work established his reputation, and he became known and popular as an artist of sacred art in other areas of Poland.

He has also designed numerous church interiors along with monumental bas-relief doors. Professor Dźwigaj is also the laureate of many prestigious awards from exhibitions and art competitions such as the Gold medal at the Biennale in Ravenna.

Notable works

Detail of the Memorial to Cyprian Kamil Norwid by Czesław Dźwigaj in the Crypt of Bards in Wawel Cathedral, Kraków

Sites outside Poland with monuments to Pope John Paul II by Professor Dźwigaj (partial list)

Monument of Stefan Cardinal Wyszyński, in Szczecin, Poland.

References

  1. ^ The Jerusalem Post Grapevine: More than just an olive branch retrieved on April 11, 2007 [1][permanent dead link]
  2. ^ "Płaskorzeźba w darze" (in Polish). Dziennik Polski. 13 May 2009. Retrieved May 15, 2009.
  3. ^ "The sculpture as a gift" Dziennik Polski 13 May 2009 Retrieved 26 January 2011 Google Translate version

Further reading:

  • (kar), Papież na placu Sapera, "Gazeta Współczesna" 2000, nr 61. +
  • Annusiewicz Małgorzata, Trzy pytania do prof. Czesława Dźwigaja, "Głos Szczeciński" 2005, nr 12.
  • Bogacz Jerzy, Rozmowa o pomniku z jego twórcą prof. Czesławem Dźwigajem, "Echo Limanowskie" 1998, nr 54.
  • Czesław Dźwigaj, red. Krzysztof Kozłowski, Kraków 2004.
  • Dańko Ireneusz, Pamięć, która dzieli, "Gazeta Wyborcza Kraków" 2005, nr 59.
  • Jankowski Stanisław M., W soli jeszcze nie pracowałem... - rozm. z Czesławem Dźwigajem, "AWS" 1999, nr 26.
  • Ochwat Renata, O pomnikach profesora Czesława Dźwigaja, "Gazeta Zachodnia" 2002, nr 146.
  • Ożóg Kazimierz S., Rzeźba jest trudna. O najciekawszych pomnikach Jana Pawła II, "Ethos" 2004, nr 3, s. 299-314, fot.
  • Ożóg Kazimierz S., Pomniki Jana Pawła II – kilka problemów zjawiska, [w:] Prolegomena. Materiały Spotkania Doktorantów Historyków Sztuki, Kraków 13-15 X 2003, Kraków 2005, s. 183-192, fot.
  • Ożóg Kazimierz S., Opowieści rzeźby, "Nawias" 2006, s. 98-107.
  • Ożóg Kazimierz S., Jan Paweł II jak krasnal. Pomniki na rozdrożu, "Orońsko" 2005, nr 4, s. 52-55, fot.
  • Satała Marian, Papieski rzeźbiarz, "Gazeta Krakowska" 2005, nr 83.
  • Starzak Grażyna, Papież wśród królów - rozm. z Czesławem Dźwigajem, "Dziennik Polski" 2000, nr 63.
  • Trybowski Ignacy, Czesław Dźwigaj, "Krak" 1985, nr 25.
  • Wątróbski Leszek, Pomnik Papieża Jana Pawła II w Policach, rozm. z Czesławem Dźwigajem, "Kurier Szczeciński" 1999, nr 100.
  • Wątróbski Leszek, Siedem rzeźb i pomników, "Nasz Dziennik" 1999, nr 83.
  • Wątróbski Leszek, Ten, który rzeźbi papieża, rozm. z. Czesławem Dźwigajem, "Nowy Dziennik" 1999, nr z dnia 1 VI.

See also

This page was last edited on 12 May 2022, at 10:49
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