When a work's copyright expires, it enters the public domain. The following is a list of works that entered the public domain in 2008. Since laws vary globally, the copyright status of some works are not uniform.
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Why Isn't SUPERMAN a PUBLIC DOMAIN Superhero?? || Comic Misconceptions || NerdSync
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- Copyright laws were initially created as a way to give creators exclusive rights to their creations for a limited time. That way it’s not like you do all this hard work only to have someone immediately steal it away from you. But when a copyright term is up, then like with basically all intellectual property, the work goes into the Public Domain, where anybody can tap into it. I mean, I’m oversimplifying a lot of this, but bear with me because Superman should be a Public Domain character by now. But he’s not. But he was. (rock music) Welcome to Comic Misconceptions. I’m Scott, and Superman his debut in June of 1938 in Action Comics #1. That’s a little over 77 years ago at the time I’m recording this video. According to the Copyright Act of 1976 any works copyrighted before 1978 that haven’t already entered the Public Domain had a term of protection for 75 years. But in 1998 all of that was increased to 95 years. Now I know that’s a lot of numbers and dates thrown at you right at the beginning of a video, but it’s kind of a big deal, because if the Copyright Term Extension Act of 1998 never passed, then comic book characters published before 1940 would be in the Public Domain today. This includes characters like Batman, Namor, Shazam, and of course Superman himself. Plus a few others. They would all be Public Domain characters by now. And when a work is in the Public Domain, it can be used freely, by anyone, without permission. For example, Bill Willingham, writer of the Fables comic series about characters from fairytales and folk lore, once said in an interview quote: “The sole determining factors on whether or not “something will be used are: 1) is the character or story “free for use, meaning in the public domain? “and, 2) do I want to use it? “That’s it. No other considerations apply.” And that seems to be working, because Fables is awesome! Now imagine if we could do that with popular comic book characters like Superman. You could publish your own Superman comic, or even film if you wanted to, without needing to ask first. Sort of; it’s a little more complicated than that. Let me try to explain using The Wizard of Oz as an example. The book ‘The Wonderful Wizard of Oz’ written L. Frank Baum in 1900 is in the Public Domain. There have been many adaptations of the story, including the one we all know, 1939’s The Wizard of Oz starring Judy Garland, which is not in the Public Domain because its copyright hasn’t expired yet. So if you wanted to make a comic book with the characters or elements from The Wizard of Oz, you just have to make sure that you’re pulling inspiration from the book, not the movie. For example: the famous ruby slippers were made specifically for the movie, but were actually silver slippers in the book. So in the Fables comic that’s what’s shown: silver slippers. It’s pulling from the book, not the movie. Once the film officially enters the Public Domain, then you may use ruby slippers. What this means for Superman is that even if copyright laws still only protected published works for 75 years instead of 95, then sure, we would have the freedom to use Superman however we wanted today, however we could only use elements of the character published before 1940, because anything after that would still be protected by copyright. Put simply, we couldn’t use this Superman, we could only use this Superman. Plus, DC still has a ton of trademarks on the character like the name Superman, for example. The “S” symbol is probably another one they have. A lot of other things I’m sure. And trademarks can be infinitely renewed, so that is a super bummer. That was dumb. But believe it or not, there was actually a very brief time when Superman was in the Public Domain, technically. You may recall that way back in the day Superman publisher DC Comics was going out and suing anybody they could for any comic book character that even slightly resembled Superman, and one of those unlucky characters that DC thought infringed on Superman’s copyright was none other than Captain Marvel from Fawcett Comics. Just a quick note here that DC, at this point in time, was called National Comics Publications, but I’m still gonna refer to them as DC, because this is gonna make everything a lot easier. Now if you remember from our Captain Marvel video, the case was settled between DC and Fawcett out of court, but there is a lot more to this story. In the trial it was ruled that Captain Marvel did violate Superman’s copyright, but Fawcett Comics still won anyway. What? Scott, you’re talking crazy words! I know right? It sounds weird. But Fawcett had the best darn avocados at law on their side, who argued that even if they did infringe on Superman’s copyright it doesn’t matter, because DC had abandoned that copyright on Superman and therefore could not enforce it. And if that sounds a bit strange to you, let me explain. Keep in mind that I am not really good when it comes to this legal stuff, but I’ll try to make it as clear as I can knowing full well that I will definitely get something wrong. In the 1940’s DC had licensed the rights to a Superman newspaper comic strip to the McClure Newspaper Syndicate. Together they would publish Superman comic strips for a few years. Unfortunately, the McClure Syndicate kind of screwed up a bit. They neglected to copyright the newspaper strips, and didn’t even put the correct copyright symbol on the comics! Heck, many of the strips were completely devoid of any copyright notices! And since the McClure Syndicate was in business with DC, DC should’ve been on top of the situation. But they weren’t. So the trial court ruled that DC had abandoned their copyright on Superman when they didn’t make sure that the McClure Syndicate was copyrighting the Superman stories properly. And if they didn’t have a copyright then they couldn’t enforce anything against Fawcett and Captain Marvel. More importantly, when a copyright is forfeited it means the work would be in the Public Domain. This was the outcome of the trial. This was a thing that happened. DC no longer had a copyright on Superman. If anyone wanted to at this time, they could’ve published their own Superman comic and there is nothing DC could do about it! But of course DC appealed and the ruling was changed. The judge, Learned Hand, which yeah that was his real name, ruled that Fawcett was absolutely copying Superman with their character Captain Marvel. Which, honestly was not even in question; that’s what the first ruling said too. But he also said that, no, DC didn’t give up their copyright due to some mistake. For a copyright to be abandoned the copyright holder has to clearly and intentionally, that’s the key word, give up the copyright. It was not DC’s intent to abandon Superman. They love Superman! He makes them a lot of money. And they copyrighted all of their comic books, so why would it make sense to punish them for something the McClure Syndicate was responsible for? The judge ruled that DC’s Superman copyright was indeed enforceable, and Fawcett was once again on the losing side of the battle. But, of course, they settled out of court anyway. So for a brief moment in time, Superman was technically a Public Domain character and that is kind of neat. What do you guys think: will Superman or any other major comic book character ever truly be in the Public Domain? Should he be, and what kind of stuff would you do with the character if he was? Let’s talk about it all in the comments below. And also, as I said, I’m not really good with legal stuff, so I’m 100% positive that I got something wrong in this video, and if I did: please let me know in the comments so we can clear it all up. Also, I and the rest of the Nerdsync gang will be at VidCon this weekend! If you are also going I’d love to meet up with you guys and take some pictures, and hang out for a bit. I’m very excited for it. And that also means that there’s not gonna be a tie-in video for this week, but I’ll try to post something, probably from VidCon. If this is your first time hanging out with us here at Nerdsync, we make new videos every week because we believe that asking questions and examining comics beyond the surface can actually enhance your comic book reading experience, and make comics just a little bit more awesome. So make sure you hit that big, sexy subscribe button so you don’t miss out on anything. Once again, I’m Scott. You can find me on Twitter and Instagram and I’ll see you guys on Monday for an episode of the Nerdsync podcast available on iTunes and SoundCloud if I don’t get a video for Friday done. I probably will though. Alright, see ya!
Entered the public domain in countries with life + 70 years
With the exception of Belarus (Life + 50 years) and Spain (Life + 80 years for creators that died before 1987), a work enters the public domain in Europe 70 years after the creator's death, if it was published during the creator's lifetime.[1][2] The list is sorted alphabetically and includes a notable work of the creator that entered the public domain on January 1, 2008.
Names | Country | Birth | Death | Occupation | Notable work |
---|---|---|---|---|---|
J. M. Barrie | United Kingdom | 9 May 1860 | 19 June 1937 | novelist, playwright. | The Little White Bird, Peter and Wendy |
Julian Bell | United Kingdom | 4 February 1908 | 18 July 1937 | poet, book editor. | Winter Movement, Work for the Winter |
Jean de Brunhoff | France | 9 December 1899 | 16 October 1937 | children's writer, illustrator. | The Story of Babar, Babar and Father Christmas |
Ellis Parker Butler | United States | 5 December 1869 | 13 September 1937 | short story writer, essayist. | Pigs Is Pigs, Philo Gubb, The Correspondence School Detective |
Ralph Connor | Canada | 13 September 1860 | 31 October 1937 | novelist. | Black Rock, a Tale of the Selkirks, The Gay Crusader |
Frederic Taber Cooper | United States | 27 May 1864 | 20 May 1937 | magazine editor, historian. | Word formation in the Roman Sermo Plebeius. An historical study of the development of vocabulary in vulgar and late Latin, with special reference to the Romance languages, History of the Nineteenth Century in Caricature |
John Drinkwater | United Kingdom | 1 June 1882 | 25 March 1937 | poet, dramatist. | Abraham Lincoln, The Death of Leander |
Florence Dugdale | United Kingdom | 12 January 1879 | 17 October 1937 | children's writer, biographer. | The Book of Baby Birds, The Later Years of Thomas Hardy, 1892–1928 |
Edward Garnett | United Kingdom | 5 January 1868 | 19 February 1937 | writer, critic, literary editor. | The Breaking Point, a Censured Play. With Preface and a Letter to the Censor, The great war in 1916, a neutral's indictment |
Ivor Gurney | United Kingdom | 28 August 1890 | 26 December 1937 | poet, composer. | Five Elizabethan Songs , The Western Playland |
Elizabeth Haldane | United Kingdom | 27 May 1862 | 24 December 1937 | biographer, philosopher. | From One Century to Another: The Reminiscences of Elizabeth S. Haldane, The Scotland of our Fathers: A Study of Scottish Life in the Nineteenth Century |
W. F. Harvey | United Kingdom | 14 April 1885 | 4 June 1937 | horror fiction writer. | August Heat, Midnight House and Other Tales |
William F. Lloyd | Newfoundland | 17 December 1864 | 13 June 1937 | journalist, newspaper editor. | editor of The Telegram |
H. P. Lovecraft | United States | 20 August 1890 | 15 March 1937 | writer of weird fiction, fantasy, and horror fiction. | The Call of Cthulhu, The Dream-Quest of Unknown Kadath |
Don Marquis | United States | 29 July 1878 | 29 December 1937 | humorist, novelist, poet, newspaper columnist, and playwright. | The Dark Hours, archy and mehitabel |
H. C. McNeile | United Kingdom | 28 September 1888 | 14 August 1937 | writer of thrillers and war stories. | Bulldog Drummond, The Black Gang |
Chūya Nakahara | Japan | 29 April 1907 | 22 October 1937 | poet, translator. | Goat Songs, Songs of Bygone Days |
Tomas O'Crohan | Republic of Ireland | 21 December 1856 | 7 March 1937 | diarist, memoirist. | Island Cross-Talk, The Islandman |
Horacio Quiroga | Uruguay | 31 December 1878 | 19 February 1937 | playwright, poet, short story writer. | Stories of Love, Madness, and Death, Jungle Tales |
Jean-Joseph Rabearivelo | Madagascar | 4 March 1901 | 22 June 1937 | poet, novelist, opera writer, literary critic, journal editor. | The Cup of Ashes, The Red Dawn |
Albert Verwey | Netherlands | 15 May 1865 | 8 March 1937 | poet, translator, literary historian. | Persephone |
Edith Wharton | United States | 24 January 1862 | 11 August 1937 | novelist, short story writer. | The Age of Innocence, The House of Mirth |
Entered the public domain in countries with life + 50 years
In most countries of Africa and Asia, as well as Belarus, Bolivia, Canada, New Zealand, Egypt and Uruguay; a work enters the public domain 50 years after the creator's death.
Names | Country | Birth | Death | Occupation | Notable work |
---|---|---|---|---|---|
Sholem Asch | Poland | 1 November 1880 | 10 July 1957 | dramatist, essayist, novelist. | In a Bad Time, God of Vengeance |
Arturo Barea | Spain | 20 September 1897 | 24 December 1957 | autobiographer, radio broadcaster. | The Forging of a Rebel, Struggle for the Spanish Soul |
Roy Campbell | South Africa | 2 October 1901 | 23 April 1957 | literary critic, poet, satirist, translator. | The Wayzgoose: A South African Satire, The Georgiad – A Satirical Fantasy in Verse |
Joyce Cary | Ireland | 7 December 1888 | 29 March 1957 | poet, short story writer. | Mister Johnson, The Horse's Mouth |
A. E. Coppard | United Kingdom | 4 January 1878 | 13 January 1957 | poet, short story writer. | Fearful Pleasures, Nixey's Harlequin |
William Craigie | United Kingdom | 13 August 1867 | 2 September 1957 | lexicographer, philologist. | editor for the Oxford English Dictionary, founding editor of the Dictionary of the Older Scottish Tongue |
Alfred Döblin | Germany | 10 August 1878 | 26 June 1957 | essayist, novelist. | Berlin Alexanderplatz, The Three Leaps of Wang Lun |
Lord Dunsany | Ireland | 24 July 1878 | 25 October 1957 | short story writer, playwright, novelist, poet. | The King of Elfland's Daughter, The Gods of Pegāna |
May Edginton | United Kingdom | 20 December 1883 | 17 June 1957 | novelist, playwright. | Secrets, The Prude's Fall |
Ernest Elmore | United Kingdom | 4 November 1901 | 8 November 1957 | crime novelist, fantasy writer. | The Lake District Murder, The Cornish Coast Murder |
Rose Fyleman | United Kingdom | 6 March 1877 | 1 August 1957 | children's writer, playwright, poet, translator. | There are fairies at the bottom of our garden, Lift your hidden faces |
Oliver St. John Gogarty | Ireland | 17 August 1878 | 22 September 1957 | playwright, oet. | Blight, As I Was Going Down Sackville Street |
Barbu Lăzăreanu | Romania | 5 October 1881 | 19 January 1957 | bibliographer, literary historian, satirist. | Constantin Radovici, Agatha Bârsescu, Nora Marinescu, Slabs and Debris from Epidaurus' Temple |
José Lins do Rego | Brazil | 3 July 1901 | 12 September 1957 | novelist. | Menino de engenho (Plantation boy), Pureza |
Malcolm Lowry | United Kingdom | 28 July 1909 | 26 June 1957 | novelist, poet. | Under the Volcano, Ultramarine |
Curzio Malaparte | Italy | 9 June 1898 | 19 July 1957 | filmmaker, war correspondent. | Kaputt, The Skin |
Mait Metsanurk | Estonia | 19 November 1879 | 21 August 1957 | novelist, short story writer, playwright. | Ümera jõel (On the Ümera River), Uues korteris |
Gabriela Mistral | Chile | 7 April 1889 | 10 January 1957 | poet. | Sonetos de la Muerte (Sonnets of Death), Despair |
Christopher Morley | United States | 5 May 1890 | 28 March 1957 | essayist, journalist, novelist, poet. | Parnassus on Wheels, The Haunted Bookshop |
Mulshankar Mulani | Gujarat | 1 November 1867 | 14 December 1957 | playwright. | Saubhagya Sundari, Barrister |
John Middleton Murry | United Kingdom | 6 August 1889 | 12 March 1957 | essayist, literary critic. | God: An Introduction to the Science of Metabiology, Katherine Mansfield and Other Literary Portraits |
Leo Perutz | Austria | 2 November 1882 | 25 August 1957 | horror novelist, mathematician. | From Nine to Nine, The Master of the Day of Judgement |
Rhoda Power | United Kingdom | 29 May 1890 | 9 March 1957 | children's writer, historical novelist. | Redcap Runs Away, From the Fury of the Northmen: and Other Stories That Shaped Our Destiny in 18th to 19th Century England |
Dorothy Richardson | United Kingdom | 17 May 1873 | 17 June 1957 | novelist, journalist. | Pilgrimage, Pointed Roofs |
Kenneth Roberts | United States | 8 December 1885 | 21 July 1957 | historical novelist. | Northwest Passage, Lydia Bailey |
Dorothy L. Sayers | United Kingdom | 13 June 1893 | 17 December 1957 | crime novelist, literary critic, playwright, poet, translator. | The Nine Tailors, Whose Body? |
Giuseppe Tomasi di Lampedusa | Italy | 23 December 1896 | 23 July 1957 | historical novelist. | The Leopard, The Professor and the Siren |
Stanley Vestal | United States | 15 August 1887 | 25 December 1957 | biographer, historian, novelist. | Kit Carson, the Happy Warrior of the West, Sitting Bull-Champion of the Sioux-a Biography |
Laura Ingalls Wilder | United States | 7 February 1867 | 10 February 1957 | novelist, journalist. | Little House in the Big Woods, Little House on the Prairie |
Alfred Eckhard Zimmern | United Kingdom | 26 January 1879 | 24 November 1957 | classical scholar, historian, political scientist. | The Greek Commonwealth: Politics and Economics in Fifth Century Athens, The Third British Empire |
Entering the public domain in the United States
In the United States, the copyright status of works extends for the life of the author or artists, plus 70 years.[3][4] If the work is owned by a corporation, then the copyright extends 95 years.[5]
Due to the passing of the Copyright Term Extension Act (Sonny Bono Copyright Term Extension Act) in 1998, no new works would enter the public domain in this jurisdiction until 2019.[6]
See also
- 1937 in literature and 1957 in literature for deaths of writers
- Public Domain Day
- Creative Commons
References
- ^ "EU Extends Copyright Term To 70 Years | Billboard". Billboard.biz. 2011-09-12. Archived from the original on 2013-01-06. Retrieved 2014-01-07.
- ^ Directive 2006/116/EC
- ^ "What Could Have Entered the Public Domain | Duke University School of Law".
- ^ "S.505 - One Hundred Fifth Congress of the United States of America at the Second Session. An act to amend the provisions of title 17, United States Code, with respect to the duration of copyright, and for other purposes" (PDF). U.S. Copyright Office.
- ^ "Copyright Term and the Public Domain in the United States | Copyright Information Center".
- ^ "United States Copyright Law". Archived from the original on 2014-08-01. Retrieved 2012-06-02.