Stephen Walsh (born 6 June 1942)[citation needed] is a British journalist, broadcaster, musicologist, and classical music biographer. He is the author of biographies of Stravinsky, Mussorgsky, and Debussy, as well as books on Schumann, Bartók, and the music of Stravinsky. As of 2021, he is an emeritus professor of Cardiff University.
Biography
Walsh was born in Chipping Norton, Oxfordshire in 1942.[1] He was educated at Kingston Grammar School, St. Paul's School, London, and Gonville and Caius College, Cambridge where he read English. He worked as a music critic for The Times, Financial Times, and the Daily Telegraph, and as a frequent broadcaster for the BBC on classical music topics. From 1966 to 1985, he was deputy music critic of The Observer, overlapping with a senior lectureship at Cardiff University from 1976. He later held a chair at the university.[2] He retired from Cardiff in 2013, since when he has continued his career as a freelance author and biographer.[citation needed]
Walsh is best known for his two-volume biography of Igor Stravinsky (2000 and 2006).[3][4][5][6][7] The first volume, Stravinsky: A Creative Spring, won the Royal Philharmonic Society Prize for best music book of 2000.[8] The second volume, Stravinsky: The Second Exile, was named by the Washington Post as one of the ten best books of 2006.[citation needed] The biography involved Walsh in a controversy with the composer's former assistant, Robert Craft, in the journal, Areté, which published a seventy-five-page interview with Craft consisting largely of an attack on the biography and its author, accusing him, among other things, of plagiarism.[8] Walsh responded by pointing out a large number of errors in Craft's own work and categorically refuting the accusation of plagiarism.[citation needed]
Walsh's Mussorgsky and his Circle (2013) was shortlisted for the 2014 Pushkin House Book Award.[citation needed] His Debussy: a Painter in Sound was published in 2018.[9][10] Walsh is also the translator of Pierre Boulez’s Relevés d'apprenti (as Stocktakings from an Apprenticeship).[citation needed]
References
- ^ "Stephen Walsh". David Higham. Retrieved 26 January 2021.
- ^ "Professor Stephen Walsh". Cardiff University. Retrieved 26 January 2021.
- ^ Allan Kozinn (8 October 2020). "Books of the Times: So Touchy, And Always Recasting Himself". The New York Times. Retrieved 18 October 2020.
- ^ Andrew Clements (4 February 2000). "Chasing the firebird". The Guardian. Retrieved 18 October 2020.
- ^ Neal Ascherson (27 February 2000). "Igor to please". The Guardian. Retrieved 18 October 2020.
- ^ Greg Sandow (28 April 2006). "Review: Stravinsky – The Second Exile". The New York Times. Retrieved 18 October 2020.
- ^ Peter Conrad (9 July 2006). "The uglier side of Igor". The Guardian. Retrieved 18 October 2020.
- ^ a b Vanessa Thorpe (15 March 2008). "Stravinsky experts in plagiarism row". The Observer. Retrieved 18 October 2020.
- ^ Kathryn Hughes (24 March 2018). "Debussy by Stephen Walsh review – a fine biography of a painter in sound". The Guardian. Retrieved 18 October 2020.
- ^ John Adams (19 November 2018). "John Adams on Debussy, the First Modernist". The New York Times. Retrieved 18 October 2020.
External links
- Cardiff University page on emeritus professor Stephen Walsh
- The Guardian profile page on Stephen Walsh
This page was last edited on 11 February 2023, at 21:53