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Queen's Theatre, Adelaide

From Wikipedia, the free encyclopedia

Queen's Theatre, Playhouse Lane

The Queen's Theatre is a building of historic importance in Playhouse Lane, Adelaide, South Australia. It is the oldest intact theatre in mainland Australia, having originally been built in 1840, the only earlier one in Australia being the still-operational Theatre Royal in Hobart, Tasmania (completed in 1836). It was not the first theatre to open in Adelaide however; there were two earlier, less sophisticated earlier venues created in 1838–39.

The Queen's original incarnation only lasted for a couple of years before a recession forced closure, and the building was turned to other uses. The New Queen's Theatre operated in the billiard room of the tavern next door between 1846 and 1850, until the Queen's refurbishment and re-opening as the Royal Victoria Theatre in 1850. "The Victoria", as it was known locally, was Adelaide's only theatre until 1868, when competition from the new Theatre Royal in Hindley Street led to its closure. After a series of other uses, Heritage SA bought the building in the 1980s, and it was eventually restored and reopened as a performance venue in the 1996 Adelaide Festival.

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  • Queen's ASO: Theatre in the Age of Film and Television

Transcription

>> My name is Grahame Renyk. I'm an adjunct instructor in the Department of Drama for Continuing and Distance Studies I'm the instructor for Drama 205: Theatre in the Age of Film and Television. And I wanted to talk a bit about this idea that we often encounter when we are talking about how people interact with fictional story telling, which is the idea of willing suspension of disbelief. And what I like to point out in Drama 205 is that we sometimes don't listen to exactly the wording in that phrase and it's this idea of disbelief that's really important. That when we engage with a fiction we need to on some level realize that it's a fiction and know that it's fake. So actually it's healthier to not believe in what you're watching is a fiction. So here's a little example, just a thought experiment we go through. Imagine you've got an experimental theatre production where you are taken to a prison camp, a manufactured prison camp and it's all actors and it's all props and you know you are dressed up in a costume and you're led through and off in the distance you see you know a guard and a prisoner and something awful happens off in the distance but because you know it's just a show and it's an experimental show, you may be moved by the whole experience but you know on some level it's not real. Now imagine if you will as sort of a Kafkaesque scenario where instead of it being like that you just went to bed one night and while you were asleep somebody picked you up without your knowledge, put the costume on you and you woke up in this performance. But you don't know it's a set, you don't know those are actors and you don't know those are prop guns. Then all of a sudden what was moving and kind of distressing but at least you knew it was fake becomes a real life experience. So on the one hand we need disbelief just to preserve ourselves psychological but on the other hand we need it so we can engage with something poetically. The fact that you know it's fake removes the expectation that it has to be real like real life and it opens doors up to a whole other mode of performance that's very exciting, which is why I always tell students that disbelief is the secret weapon that theatre has at its disposal. [ Music ]

History

Background

By the early 1800s, live performance was increasing in popularity in Australia, although no entertainment venues existed to house performances. In the 1830s, both Sydney and Hobart received two theatres, the first in the Australian colonies.[1] The first theatre to open in Adelaide was the Theatre Royal in 1838, on the first floor of the Adelaide Tavern in Franklin Street, one of Adelaide’s main hotels, just two years after the colony was founded. On 23 November 1839, Samson Cameron, an actor and theatre company manager, opened the Royal Victoria Theatre on North Terrace near Morphett Street in a converted warehouse.[2][3]

First Queen's

Attempts to build a more substantial theatre in an increasingly prosperous Adelaide were made, with a declaration by the South Australian Register stating "...Mr Solomon, of Currie Street, is about to make an important addition to the quarter of Gilles Arcade, by the erection of a spacious and handsome edifice which he ends to fit up as a theatre".[1]

It was built for ex-convicts Emanuel Solomon (1800–1873), who moved to Adelaide in 1837, and his Sydney-based brother Vaiben Solomon (1802–1860)[4] in 1840[5] for £3000[6] with seating for over 1000 people.[7] The project had dire predictions of failure from the press[8] and opened with Othello on 11 January 1841,[9] the manager John Lazar in the title role, to "mixed reviews".[10]

Unfortunately, public appetite for entertainment had waned with a financial recession brought on by Governor Grey's fiscally responsible regime following the prosperity of Governor Gawler's rule, when huge sums were invested in public infrastructure. After months of losing money, Lazar dismissed his company and converted the seating to something more appropriate to public meetings,[11] and some use was made of the theatre for public meetings and lectures, but did not renew his lease. Solomon offered the government use of the theatre gratis if they would prohibit the building of further taverns in the vicinity (his Shakspere Tavern,[12] subsequently named Temple Tavern, was adjacent). This was rejected, but in 1843 the government signed a contract with Solomon for three years' rental at £200 per annum for use as Resident Magistrates Court, Supreme Court and offices for the Registrar General, the Advocate General, the Assistant Crown Solicitor and Assistant to the Bench of Magistrates.[13]

Between 1846 and 1847 Solomon, whose nephew Judah Moss Solomon (1818–1880) was an occasional partner, attempted to sell the theatre and tavern by lottery, but it was never fully subscribed so he refunded to the punters their stakes.[citation needed]

Reopened as Royal Victoria

The building was reopened as a theatre, re-using the name Royal Victoria Theatre, under the management of John Lazar and George Coppin on 23 December 1850.[14]

In 1861 it closed for refurbishment and substantial remodelling, and reopened in July with A.J. Solomon the new lessee and Robert MacGowan the stage manager[15] of what was Adelaide's only theatre until the opening of the Theatre Royal at 28 Hindley Street on 13 April 1868,[16] which spelled the demise of the "Victoria".

Other uses

It then became successively a dance hall designated the "Prado",[17] the headquarters for the City Mission,[18] Formby's Horse Bazaar (1877–c.1900)[3][19] From 1908 until 1928, John Shannon occupied the premises for use as sales yards, livery, stables and forge.[20]

Between 1933 and 1973, it was occupied by McPherson’s Store and Warehouse, Dalgety’s Factory and Store, and McPherson’s Showroom, in that order.[21]

20th–21st centuries

The partially restored interior, now used as a performance space, during a History Month tour in 2014

In the 1980s the building was at risk of demolition, until parts of the original theatre were discovered, which sparked protests from the public (including from Barry Humphries) to conserve the building.[3] These features included dressing rooms and the orchestra pit. The South Australian Government, upon acquiring the property after negotiations in the 1990s, initiated efforts to conserve its surviving heritage architecture. As of 2019 the shell of the original theatre still stands within the 1850s facade of the Royal Victoria Theatre.[21]

Excavation also revealed historically significant remains and numerous artefacts, including clay pipes, bottles, plates, buttons, props and costumes, shoes, candlesticks and stage decorations, the most significant treasure being a gold and ruby earring featuring dangling ivy leaves, which is now in a collection managed by the History Trust of South Australia. Most of the artefacts were transferred to the South Australian Museum in 2016.[22]

The Queen's Theatre was reopened as a performance venue at the 1996 Adelaide Festival of Arts, with a performance of The Magic Flute by Opera Australia. Following essential refurbishments, it was reopened for the launch of the 1998 Festival by Robyn Archer.[citation needed] The theatre is still used as a performance space and function venue, but with stringent conditions intended to preserve as far as possible, the old character of the building.[3]

The Theatre was managed by Arts South Australia from 2010 to 2018, before being taken over by GWB McFarlane Theatres.[21]

New Queen's Theatre (1846−c.1850)

A new theatre was built in 1846 for George Coppin on nearby land on Light Square belonging to Solomon and managed by John Lazar, designed architect Thomas Price.[23] The hall held 700 and had the distinction of prohibiting smoking in the boxes.[24] In January 1850, the New Queen's Theatre was described by the South Australian Register as "a hotbed of demoralization" and that "no man can sit out a performance without being disgusted ; no lady can enter the impure precincts without contamination".[25] This article was the subject of a successful libel case against editor John Stephens in March 1850.[26]

The Adelaide Garrick Club[27] may have been the last company to mount plays there, with productions of three Thomas Morton comedies, the last in September 1850.[28] There is no newspaper reference to this theatre after November 1850.

References

  1. ^ a b Marsden, Susan; Stark, Paul; Sumerling, Patricia (1989). Heritage of the City of Adelaide: an illustrated guide. Corporation of the City of Adelaide and the National Library of Australia. ISBN 0-909866-30-9.
  2. ^ "Royal Victoria Theatre". South Australian Register. Adelaide: National Library of Australia. 16 November 1839. p. 3. Archived from the original on 20 March 2021. Retrieved 10 August 2012.
  3. ^ a b c d "Queen's Theatre". Adelaide Writer. 29 January 2017. Archived from the original on 20 March 2021. Retrieved 3 August 2019.
  4. ^ Two of Vaiben's brothers lived in Adelaide: Emanuel and Isaac. The more famous Vaiben Louis Solomon was his great uncle, son of Judah Moss Solomon, son of Moss Solomon, who was the eldest brother of Emanuel, Vaiben and Isaac.
  5. ^ "Gilles Arcade". South Australian Register. Adelaide: National Library of Australia. 14 March 1840. p. 4. Archived from the original on 20 March 2021. Retrieved 10 August 2012.
  6. ^ "Adelaidenow.com.au | Subscribe to The Advertiser for exclusive stories". www.adelaidenow.com.au. Archived from the original on 20 March 2021. Retrieved 7 April 2018.
  7. ^ "Our Notable Pioneers". The Mail. Adelaide: National Library of Australia. 7 November 1936. p. 4 Section: Magazine. Archived from the original on 20 March 2021. Retrieved 8 August 2012.
  8. ^ "The Queen's Theatre". Southern Australian. Adelaide: National Library of Australia. 29 December 1840. p. 3. Archived from the original on 20 March 2021. Retrieved 8 August 2012.
  9. ^ "The Queen's Theatre". The Australian. Sydney: National Library of Australia. 28 January 1841. p. 2. Archived from the original on 20 March 2021. Retrieved 8 August 2012.
  10. ^ "The Queen's Theatre". Adelaide Chronicle and South Australian Literary Record. Vol. II, no. LVIII. South Australia. 13 January 1841. p. 3. Archived from the original on 20 March 2021. Retrieved 18 June 2017 – via National Library of Australia.
  11. ^ "Theatricals in Adelaide". Southern Australian. Vol. IV, no. 237. South Australia. 27 August 1841. p. 2. Archived from the original on 20 March 2021. Retrieved 18 June 2017 – via National Library of Australia.
  12. ^ "Advertising". South Australian Register. Adelaide: National Library of Australia. 7 February 1849. p. 2. Archived from the original on 20 March 2021. Retrieved 10 August 2012.
  13. ^ "South Australia". The Australian. Sydney: National Library of Australia. 24 July 1843. p. 3. Archived from the original on 20 March 2021. Retrieved 8 August 2012.
  14. ^ "The Theatre". South Australian Register. Adelaide: National Library of Australia. 24 December 1850. p. 3. Archived from the original on 20 March 2021. Retrieved 9 August 2012.
  15. ^ "Victoria Theatre". South Australian Register. Adelaide: National Library of Australia. 15 July 1861. p. 3. Archived from the original on 20 March 2021. Retrieved 30 August 2012.
  16. ^ "Old-Time Theatres". The Register. Adelaide: National Library of Australia. 6 January 1921. p. 5. Archived from the original on 20 March 2021. Retrieved 9 August 2012.
  17. ^ "The Dancing Saloons and Night-Houses". South Australian Register. Adelaide: National Library of Australia. 28 June 1870. p. 6. Archived from the original on 20 March 2021. Retrieved 9 August 2012.
  18. ^ "The City Mission". South Australian Register. Adelaide: National Library of Australia. 15 August 1872. p. 4. Archived from the original on 20 March 2021. Retrieved 9 August 2012.
  19. ^ "Early Experiences on South Australia". The Register. Adelaide: National Library of Australia. 27 March 1901. p. 7. Archived from the original on 20 March 2021. Retrieved 9 August 2012.
  20. ^ "Gilles Arcade". The Register. Adelaide: National Library of Australia. 14 July 1928. p. 13. Archived from the original on 20 March 2021. Retrieved 9 August 2012.
  21. ^ a b c "About". Queens Theatre. Archived from the original on 20 March 2021. Retrieved 3 August 2019.
  22. ^ "Unlocking the heritage of the Queen's Theatre". Government of South Australia. Department for Environment and Water. 20 April 2016. Archived from the original on 20 March 2021. Retrieved 3 August 2019.
  23. ^ "Our Colonial Review". Adelaide Observer. Vol. IV, no. 176. South Australia. 7 November 1846. p. 4. Archived from the original on 20 March 2021. Retrieved 10 February 2018 – via National Library of Australia. Price, active 1845–50, had offices in Hindley Street
  24. ^ "Advertising". The South Australian. Adelaide: National Library of Australia. 23 October 1846. p. 2. Archived from the original on 20 March 2021. Retrieved 8 August 2012.
  25. ^ "A Licentious Stage". South Australian Register. 16 January 1850. Archived from the original on 20 March 2021. Retrieved 2 December 2017.
  26. ^ "Law and Police Courts : Lazar vs Stephens". Adelaide Observer. 9 March 1850. Archived from the original on 20 March 2021. Retrieved 2 December 2017.
  27. ^ "Local Intelligence". South Australian Register. Vol. XIV, no. 1068. South Australia. 14 March 1850. p. 2. Archived from the original on 20 March 2021. Retrieved 19 February 2017 – via National Library of Australia.
  28. ^ "Advertising". Adelaide Times. Vol. II, no. 254. South Australia. 18 September 1850. p. 2. Retrieved 27 October 2023 – via National Library of Australia.

Bibliography

Further reading

External links

34°55′32″S 138°35′44″E / 34.925418°S 138.595549°E / -34.925418; 138.595549

This page was last edited on 27 October 2023, at 03:51
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