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List of Lope de Vega's plays in English translation

From Wikipedia, the free encyclopedia

Lope, Spanish Golden Age playwright and "Monster of Nature"; and Holcroft, his earliest English translator.

Lope de Vega was a Spanish Golden Age poet and playwright. One of the most prolific writers in history, he was said to have written 2,200 plays (an average of nearly one per week for his entire adult life), though fewer than 400 survive today.[1] In addition, he produced volumes of short and epic poems as well as prose works. For this fecundity, Cervantes nicknamed him the "Monster of Nature".[1] His example crystallized the style of Spanish comedias for generations.

Over 50 English translations of Lope's plays have been published, all but three of them after 1900. As multiple translations of several plays have been made, this covers only about two dozen Spanish originals. By far, the most frequently translated play is Fuente Ovejuna (The Sheep Well), followed by The Dog in the Manger, <i>The Knight of Olmedo</i>, The Silly Lady, Peribáñez and the Comendador of Ocaña, and <i>Capulets and Montagues</i>.

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Transcription

Let’s say you want to become pope, head of the Catholic Church and shepherd to over 1 billion faithful. What requirements must you have for this lofty position: 1) Be a catholic and 2) Be a man. Which seems a little thin… and, while it’s technically possible for a regular Sunday Catholic to become pope, the last time this happened was essentially never because becoming pope isn’t like becoming president, you can’t just run for office. Selecting the pope is an inside job and the men who do it are the cardinals, and while in theory they can select any catholic man to become pope, in practice they prefer to elevate one of their own. The last time a non-cardinal become pope was more than 600 years ago. So, while it isn’t an official requirement, it’s an unofficial, official requirement. Thus in order to be pope you’ll first need to be a cardinal and to do that you’ll need to start climbing the catholic corporate ladder.* Step 1: Become a Priest. Unlike some churches where you can fill out a form online and – poof – ordained. The Catholic Church treats becoming a priest as a real, you-need-training profession. So you’re going to require a lot of education: usually a college degree in Catholic Philosophy and then a masters in divinity. In addition to your educational qualifications, you must also be: A man Unmarried, Willing to remain celibate forever.† If you meet these requirements, and have been working with the church, then you can be officially ordained as a priest. Which basically means you get to run a Catholic Church, or work with another priest who does. But, you want onward and to do that you need to take the job of the man who just made you a priest. Step 2: Become a Bishop Bishops are a much more select group: while there are about 400,000 catholic priests world wide, there are only about 5,000 bishops. While priests get churches, bishops get cathedrals, from which they oversee a number of local churches. To advance your career you must wait for a bishop in your area to be forced into retirement at age 75 or die sooner than that – freeing up space for you. But you can’t just apply, because there’s already a secret list of potential bishops that’s updated every three years based on who the current bishops in your area think would make a good replacement for one of their own. To be on that list, in addition to the obvious requirement of being a pious person, you should also: Be least 35 years old Have been priest for at least five years Have a doctorate in theology (or equivalent) Assuming you’re all these things, your name may, or may not be on the secret list. The local bishops then give that list to the pope’s ambassador for your country, known as the Apostolic Nuncio. The Nuncio picks three priests from the list, does in-depth research on them, conducts interviews and selects the one he thinks is best. But it’s not over, because the Nuncio sends his report to Vatican City and the congress of bishops who work there reviewing potential appointments from around the world. If the congress of bishops doesn’t like any of the three candidates, they can tell the Nuncio to start over: returning to the list, picking another three candidates – doing more research, more interviews and sending off the results. When the congress of bishops is happy with one of the Nuncio’s candidates that name is given to the pope, who can reject the candidate and start the whole process over. It shouldn’t be a surprise that from a vacancy to a bishop’s replacement can take months and, on occasion, years. But assuming that a bishop in your area retired (or died) at the right time and you were on the secret list of good priests and the Nuncio picked you and you made it through his interview and the congress of bishops approved you and the pope didn’t veto you – poof now you’re now a bishop. But you’re still not on top. The penultimate promotion is… Step 3: Become a Cardinal. Despite the fancy name and snazzy red outfits to match cardinals are not the bosses of bishops, they are bishops, just with an additional title and additional responsibilities – the most notable of which is electing the new pope.‡ The only way to become a cardinal is to get to current pope to appoint you as one – and of the 5,000 bishops, only about 200 are ever cardinals. But let’s say your ambition doesn’t go unnoticed by the pope and he makes you a cardinal – now it’s time to play the waiting game for his death or retirement – and with popes death is vastly more likely. When either happens the cardinals under the age of 80 are brought to Vatican City where they are isolated from the outside world – presumably by taking away their cell phones and tablets and carrier pigeons. Once sequestered, the election of a new pope can begin. These elections are never exactly the same because the ex-pope leaves instructions on how he wants his replacement to be picked, but in general it works like this: four times a day the cardinals go to the Sistine Chapel to vote – to become pope one of them must get a 2/3rds majority. There’s a big dose of musent-be-too-hasty here as the cardinals don’t just raise their hands, or use a modern preferential voting system, but instead write down one name on a piece of paper stand before the alter and say a long latin phrase, before officially casting the ballot. Once all the cardinals have done this, the votes are counted and then burned. This why TV news stations covering the election of the pope use super-modern-hd-livestreaming cameras to look at a chimney. If the smoke is black, no new pope. The high victory threshold, and tediously slow voting process, is why it takes so long to elect a new pope. It’s usually at least two weeks of voting four times a day six days a week (with one day a week for prayer) but the record length is three years. Assuming you, eventually, win the support of your fellow cardinals, you have one final thing to do before becoming pope: pick yourself a new name. There is no formal rule, you can name yourself anything you like but it’s tradition to take the name of a previous pope. Upon your acceptance of the job, the final ballots are burned clean to make the smoke white and announce to the world that a new pope has been selected. So that’s the career path: be born into the right half of the population, become one of a billion catholics, then one of 400,000 priests, then one of 5,000 bishops, then one of 200 cardinals, wait for the current pope to die or retire, and convince 2/3rds of your fellow cardinals to select you as the one, the only pope.

Translations

Key

  • Spanish Title — The original comedia or auto that serves as the basis of the English text.
  • English Title — The title of the English text, as it appears in the particular translation. Because one Spanish title may suggest alternate English titles (e.g. Fuente Ovejuna, The Sheep Well, All Citizens are Soldiers), sorting by this column is not a reliable way to group all translations of a particular original together; to do so, sort on Spanish Title.
  • Year — The year of the translation's first publication. Some translations may have been written or produced earlier than this date, and some were republished subsequently, but this is not noted here.
  • Publication — The publication in which the translation first appeared. When the publication consisted only of the single named play this information is not repeated, except in cases where the publication title is used as an external link to the work, or when it is matched with an ISBN.
  • Notes — May indicate the style of translation or significant republications; all works are 3-act comedias unless noted.

Table

Spanish Title English Title Year Translator Publication Notes
Castalvines y Monteses Romeo and Juliet. A Comedy 1770 Anonymous OCLC 836729121 "A perversion of Lope's play"[2]
El padre engañado The Father Outwitted 1805 Holcroft, Thomas? The Theatrical Recorder, Vol. II, No. 7. prose; 1-act interlude; reprinted in 1811 as The Father Outwitted at Google Books
Castalvines y Monteses Castalvines y Monteses 1869 Cosens, F. W. Castalvines y Monteses at the Internet Archive blank verse
The Punishment of the Flirtatious Wife 19?? Chambers, Jane OCLC 20927441 prose
El Perro del hortelano The Dog in the Manger 1903 Chambers, W. H. H. In Alfred Bates: The Drama Volume VI: Spanish and Portuguese Drama at Google Books prose
El mayor Alcalde el Rey The King the Greatest Alcalde 1918 Underhill, John Garrett Poet Lore (1918) prose & verse; reprinted in World Drama, ed. Barrett H. Clark (1933) at the Internet Archive and Four Plays by Lope de Vega at the Internet Archive
Lo Cierto por lo dudoso A Certainty for a Doubt 1936 Underhill, John Garrett Four Plays by Lope de Vega at the Internet Archive prose & verse
El Perro del hortelano The Gardener's Dog 1936 Underhill, John Garrett Four Plays by Lope de Vega at the Internet Archive prose & verse
Fuente Ovejuna Fuente Ovejuna (The Sheep Well) 1936 Underhill, John Garrett Four Plays by Lope de Vega at the Internet Archive prose & verse
Peribáñez y el Comendador de Ocaña Peribanez 1937 Price, Eva Rebecca OCLC 551323573
El nuevo mundo descubierto por Cristóbal Colón The discovery of the New World by Christopher Columbus 1950 Fligelman, Frieda OCLC 1131227626 prose
Fuente Ovejuna Fuente Ovejuna 1959 Campbell, Roy Eric Bentley, ed (1959): The Classic Theatre III: Six Spanish Plays at the Internet Archive blank verse; reprinted in Eric Bentley, ed (1985): Life Is A Dream and Other Spanish Classics at the Internet Archive
Peribáñez y el Comendador de Ocaña Peribáñez 1961 Booty, Jill Lope de Vega: Five Plays at the Internet Archive prose
Fuente Ovejuna Fuente Ovejuna 1961 Booty, Jill Lope de Vega: Five Plays at the Internet Archive prose
El Perro del hortelano The Dog in the Manger 1961 Booty, Jill Lope de Vega: Five Plays at the Internet Archive prose
El caballero de Olmedo The Knight from Olmedo 1961 Booty, Jill Lope de Vega: Five Plays at the Internet Archive prose
El castigo sin venganza Justice Without Revenge 1961 Booty, Jill Lope de Vega: Five Plays at the Internet Archive prose
La dama boba The Stupid Lady 1962 Jones, Willis Knapp OCLC 6906774
Fuente Ovejuna Fuente Ovejuna 1962 Flores, Angel & Kittel, Muriel Masterpieces of the Spanish Golden Age at the Internet Archive prose & verse; reprinted in Great Spanish Plays in English Translation (1991) ISBN 0-486-26898-5
Peribáñez y el Comendador de Ocaña Peribáñez and the Comendador of Ocaña 1964 Starkie, Walter Eight Spanish Plays of the Golden Age at the Internet Archive prose & verse
La Fianza Satisfecha A Bond Honored 1966 Osborne, John A Bond Honoured: A Play (from Lope De Vega) reprinted in Lope de Vega: Plays Two ISBN 978-1840021806
Auto sacramental de la circuncisión y sangría de Cristo nuestro bien For our sake 1969 Barnes, R[ichard] G. In Three Spanish sacramental plays: For our sake OCLC 655189012 1-act religious play
Fuente Ovejuna Fuente Ovejuna 1969 Colford, William E. OCLC 640113345
Fuente Ovejuna All Citizens are Soldiers 1969 Fainlight, Ruth & Sillitoe, Alan ISBN 9780802312303
El caballero de Olmedo The Knight of Olmedo 1972 King, Willard F. ISBN 0803205007
La dama boba The Lady Simpleton 1976 Oppenheimer, Max ISBN 0872910784
El mayordomo de la duquesa de Amalfi The Duchess of Amalfi's Steward 1985 Rodriguez-Badendyck, Cynthia The Duchess of Amalfi's Steward at the Internet Archive ISBN 0919473539
Lo fingido verdadero Acting is Believing 1986 McGaha, Michael Acting is Believing : A Tragicomedy in Three Acts at the Internet Archive ISBN 0939980142
El anzuelo de Fenisa Fenisa's Hook, or, Fenisa the Hooker 1988 Gitlitz, David M. ISBN 0939980193
Fuente Ovejuna Fuente Ovejuna 1989 Mitchell, Adrian In Two Plays ISBN 0948230231
El castigo sin venganza Lost in a Mirror (It Serves Them Right) 1989 Mitchell, Adrian In Two Plays ISBN 0948230231
Fuente Ovejuna Fuente Ovejuna 1989 Dixon, Victor Fuente Ovejuna at the Internet Archive ISBN 978-0856683282
Peribáñez y el Comendador de Ocaña Peribáñez and the Comendador of Ocaña 1990 Lloyd, James ISBN 978-0856684395
El Perro del hortelano The Dog in the Manger 1990 Dixon, Victor ISBN 0919473741
Lo fingido verdadero The Great Pretenders 1992 Johnston, David Two Plays ISBN 0948230568
El caballero de Olmedo The Gentleman from Olmedo 1992 Johnston, David Two Plays ISBN 0948230568
Los locos de Valencia Madness in Valencia 1998 Johnston, David ISBN 0948230665
La dama boba Lady Nitwit 1998 Oliver, William I. Lady Nitwit at the Internet Archive ISBN 0927534746
Castalvines y Monteses Castelvins and Monteses 1998 Rodriguez-Badendyck, Cynthia ISBN 9781895537390
Los trabajos de Jacob The Trials of Jacob; or, Sometimes Dreams Come True 1998 McGaha, Michael The Story of Joseph in Spanish Golden Age Drama at the Internet Archive ISBN 978-0838753804 prose & verse
Castelvins y Monteses Castelvins and Monteses 1998 Rodriguez-Badendyck, Cynthia Carleton Renaissance Plays in Translation, 30 ISBN 978-1895537390
Fuente Ovejuna Fuente Ovejuna 1999 Edwards, Gwynne Lope de Vega: Three Major Plays ISBN 978-0-19-954017-4 blank octosyllables
El caballero de Olmedo The Knight from Olmedo 1999 Edwards, Gwynne Lope de Vega: Three Major Plays ISBN 978-0-19-954017-4 blank octosyllables
El castigo sin venganza Punishment Without Revenge 1999 Edwards, Gwynne Lope de Vega: Three Major Plays ISBN 978-0-19-954017-4 blank octosyllables
El mejor mozo de España The Best Boy in Spain 1999 Gitlitz, David M. The Best Boy in Spain at the Internet Archive ISBN 9780927534857
La dama boba Wit's End 2000 Friedman, Edward H. Wit's End; an adaptation of Lope de Vega's La dama boba ISBN 0820445320
El Niño Inocente de la Guardia The Innocent Child 2001 Jacobs, Michael Lope de Vega: Plays One ISBN 978-1840021448
Las paces de los reyes y judía de Toledo(?) The Jewess of Toledo 2001 Jacobs, Michael Lope de Vega: Plays One ISBN 978-1840021448
The Labyrinth of Desire 2001 Jacobs, Michael Lope de Vega: Plays Two ISBN 978-1840021806
El nuevo mundo descubierto por Cristóbal Colón The New World Discovered by Christopher Columbus 2001 Shannon, Robert M. ISBN 978-0820448848
Fuente Ovejuna Fuenteovejuna 2002 Applebaum, Stanley Fuenteovejuna at the Internet Archive ISBN 978-0486420929 linear prose translation, with Spanish text
El Perro del hortelano The Dog in the Manger 2004 Johnston, David ISBN 978-1-84002-435-7
El mayordomo de la duquesa de Amalfi The Duchess of Amalfi's Steward 2005 Edwards, Gwynne Three Spanish Golden Age Plays ISBN 0-413-77475-9 blank octosyllables
Castalvines y Monteses The Capulets and Montagues 2005 Edwards, Gwynne Three Spanish Golden Age Plays ISBN 0-413-77475-9 blank octosyllables
Fuente Ovejuna Fuenteovejuna 2018 Racz, Gregary J. The Golden Age of Spanish Drama ISBN 978-0393923629 verse
El Perro del hortelano The Dog in the Manger 2018 Racz, Gregary J. The Golden Age of Spanish Drama ISBN 978-0393923629 verse
Lo fingido verdadero The Actor and the Emperor or, Make-believe Come True 2020 Matthews, Dakin UCLA: The Comedia In Translation And Performance ISBN 978-1588713438 verse

Related translations

The Star of Seville, previously attributed to Lope but no longer judged to be by him, is not included in this list. English translations include those by Philip M. Hayden (1916) in The Chief European Dramatists at the Internet Archive, Sir Henry Thomas (1935) OCLC 776602053, Elizabeth C. Hullihen (1955) OCLC 1154527390, and Steven Strange (1998) ISBN 9780962877629. Fanny Kemble's five-act 1837 adaptation at the Internet Archive is based on an earlier précis by Lord Holland.[2]

La Dorotea, a genre-bending closet drama or novel in prose dialogue with interspersed poems, is also not included. It was translated by Alan S. Trueblood and Edwin Honig (1985) ISBN 0-674-50590-5.

Notes

  1. ^ a b Edwards 1999, p. x.
  2. ^ a b Matthews 1914, p. 19.

References

External links

Online bibliography
Additional translated texts available online
This page was last edited on 22 October 2023, at 15:00
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