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James Angus (artist)

From Wikipedia, the free encyclopedia

For the Shetland writer, see James Stout Angus.

James Angus (born 1970) is an Australian artist known for 'his engaging and rigorously crafted sculptures'.[1][2][3]

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  • James Angus interviewed during his solo exhibition at MCA in 2006
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Transcription

Biography

James Angus was born in Perth, Western Australia in 1970. Angus holds a degree in Fine Arts from Curtin University of Technology and a Master of Fine Arts (Sculpture) from Yale University School of Art.[4] He has also lectured at University of Technology Sydney.[5]

Selected grants and awards

Angus has received awards during his career. These include Fulbright Postgraduate Award, 1996; Yale University Travelling Fellowship, 1998;[6] Australia Council Professional Development Grant, 1998 and 2001; Studio residency, Cite des Arts, Paris, 2003; Short listed for National Sculpture Prize, National Gallery of Australia, 2005; Basil Sellers Art Prize, Melbourne; 2008 and Australia Council Fellowship, 2009.[4]

Exhibitions

He has exhibited widely at institutions such as the Museum of Contemporary Art, Sydney; Art Gallery of Western Australia, Perth; Art Gallery of South Australia, Adelaide; Perth Institute of Contemporary Arts, Perth; Museum of Contemporary Art, Chicago; Monash University Art Gallery, Melbourne; National Gallery of Victoria, Melbourne; Nationalgalerie im Hamburger Bahnhof, Berlin; Art Gallery of New South Wales, Sydney; National Gallery of Australia, Canberra; Musee d'Art Contemporain, Lyon, France; and Heide Museum of Modern Art, Melbourne.

Public collections

Angus' works are included in numerous public and private collections. These include:

Public commissions

Angus' prominent public commissions have included;

  • Day in Day Out, 1 Bligh Street, Sydney, 2011[7]
  • Grow Your Own, Forrest Place, Perth, 2010[8][9] (The single largest art commission ever undertaken in Western Australia)
  • Lycee Ferdinand Buisson, Voiron, France, 2009
  • Geo Face Distributor, National Portrait Gallery, Canberra, 2009[10][11]
  • Ellipsoidal Freeway Sculpture, Eastlink Freeway, Connect East, Melbourne, 2008[12]
  • Wave Machine, Sydney Theatre Company, Sydney, 2005[13]
  • Public Art Fund, New York, 1999

References

  1. ^ Elizabeth Ann Macgregor, "James Angus", (Sydney: Museum of Contemporary Art, 2006)
  2. ^ Harding, Leslie & Cramer, Sue "Cubism & Australian Art", Carlton, Victoria, Australia, 2009.
  3. ^ Current: Contemporary Art from Australia and New Zealand, 2008, Dott Publishing, University of Michigan, USA, 44.
  4. ^ a b "James Angus – Artist Profile". Roslynoxley9.com.au. Retrieved 10 August 2012.
  5. ^ "James Angus – Biography". Design & Art Australia Online.
  6. ^ "Public Works: James Angus". The Australian. 17 February 2012. Retrieved 10 August 2012.
  7. ^ "James Angus – Day In Day Out, 1 Bligh St, Sydney, 2011 – Roslyn Oxley9 Gallery". roslynoxley9.com.au.
  8. ^ Bannister, Brooke (17 August 2011). "WA's largest artwork nears completion and divides opinion in Perth – ABC Perth". Australian Broadcasting Corporation. Retrieved 10 August 2012.
  9. ^ "James Angus – Grow Your Own, Forrest Place, Perth, 2011 – Roslyn Oxley9 Gallery". roslynoxley9.com.au.
  10. ^ "Orange blob replaces white man on horse". The Australian. 27 October 2009.
  11. ^ "James Angus – Geo Face Distributor, National Portrait Gallery, Canberra, 2009 – Roslyn Oxley9 Gallery". roslynoxley9.com.au.
  12. ^ "James Angus – Geo Face Distributor – Roslyn Oxley9 Gallery". roslynoxley9.com.au.
  13. ^ "James Angus – Wave Machine, Sydney Theatre Company, Sydney, 2005 – Roslyn Oxley9 Gallery". roslynoxley9.com.au.

External links

Further reading

  • Elizabeth Ann Macgregor, "James Angus", (Sydney: Museum of Contemporary Art, 2006)
  • www.theage.com.au/entertainment/art-and-design/a-revolt-in-art-20110114-19rdf.html
  • James Angus at Roslyn Oxley 9
  • James Angus at Gavin Brown's enterprise
  • James Angus at Triple V
  • 'Gallery's new work has many faces', Border Mail, 27 October 2009, p. 9
  • Pryor, Sally, 'Not just another face in the crowd', Canberra Times, 27 October 2010, p. 1
  • Katrina Strickland, 'Mid-City Statement- The evolution of a major new sculpture,' The Australian Financial Review, Thursday 29, July, pp. 44
  • Andrew Taylor, 'Tractor as art', The Sun Herald, 17 October 2010, pp 36
  • Bolland, Michaela, 'Orange blob replaces white man on horse', The Australian, 27 October 2009, p. 6
  • Chapman, Christopher, 'Abstraction and figuration', Portrait34, Summer ed, 2009
  • Strickland, Katrina, 'Mid city statement: the evolution of a major new sculpture’, Financial Review, 29 July 2009, p. 44
  • 'James Angus', To make a work of timeless art-MCA Primavera Acquisitions, 08-09
  • Art and Australia, Current, Contemporary Art from Australia and New Zealand, 2008, p44
  • Christov-Bakargiev, Carolyn. (ed.) 2008 Biennale of Sydney: Revolutions – Forms That Turn, exh.cat. Thames & Hudson: Australia, 2008
  • Scarlett, Ken, ‘No stopping on the freeway!’, Australian Art Review, August–October 2008, pp. 34–36
  • Bevan, Robert ‘art & events’, Vogue Living Australia, January/February 2007, pp. 69 – 72
  • Palmer, Daniel, ‘Looking Back: Retrospectives’, Frieze, mo. 104, December – January 2007, p. 128, p. 130
  • Angus, James, James Angus, Art and Australia, 2006 (published to accompany the exhibition of James Angus curated by Rachel Kent at the Museum of Contemporary Art)
  • Broadsheet interview with Linda Michael for 2006 Adelaide Biennial, Broadsheet, Vol. 35 No. 1, March – May 2006 pp. 24 – 27
  • Boyd, Chris ‘Both literal and figurative’, The Weekend Australian Financial Review, 2 – 3 September 2006, pp. 32 – 33
  • Clement, T. ‘Collision Theory’, in the Metro, The Sydney Morning Herald, 13–19 January 2006 p. 19
  • Cook, Robert, ‘James Angus’, 21st Century Modern, 2006 Adelaide Biennial of Australian Art catalogue, curated by Linda Michael, published by Art Gallery of South Australia, Adelaide, 2006 pp. 18–19
  • Fortescue, Elizabeth ‘Off the Wall – James Angus at the Museum of Contemporary Art’, Daily Telegraph, 18 September 2006, p. 63
  • Jinman, Richard, ‘It’s a shift to the right for this old racer’, The Sydney Morning Herald, Wednesday, 13 September 2006, p. 13
  • Smee, Sebastian, "Watch out for sharp bends", The Australian, Monday 25 September 2006
  • Charles Robb and Wes Hill, ‘James Angus, Museum of Contemporary Art, Sydney,’ Eyeline, number 64, pp56–57
  • "James Angus," National Sculpture Prize and Exhibition (exh. cat.), National Gallery of Australia, Canberra, 2005, p. 13
  • Duncan, Jenepher, "James Angus," Wall Power (exh. cat.), Art Gallery of Western Australia, Perth, Australia, 2005 (unpaginated)
  • Engberg, Juliana, ‘The Body in the Box: Callum Morton and James Angus’, Art and Australia, Vol. 42, No. 4, 2005, pp. 580 – 587
  • Gallerie d’Art & Co, "A Bocca Aperte: In Australia ‘’arte riesce a togliere il fiato," 2005
  • Israel, Glenis artwise contemporary: visual arts 10–12, John Wiley & Sons, Qld. 2005 pp. 7 – 13
  • Margaret Marsh, Michele Watts and Craig Malyon A.R.T. 2 practice, Oxford University Press, Melbourne 2005 p. 212-23
  • MCA Collection: New Acquisitions in Context, exhibition catalogue, Sydney 2005 p 6, 24
  • Sydney Morning Herald, "Stories Revisited: The semiotics of installation," (refers to Lenny Ann Low, 6 August 2004), ed. Matt Buchanan, 7 January 2005, p. 26 (Summer Spectrum)
  • ArtLife, "It’s a Truck!", Monday, 30 August 2004
  • Crone, Bridget, "Face Up: Contemporary Australian Art in Berlin," Art & Australia, vol. 41, no. 3, Autumn 2004, p. 386, 387
  • Grayson, Richard, "The Downside up Show," Broadsheet, vol. 32, no. 4, 2/2003 – 12/2004
  • Higson, Rosalie, "Truckload of meanings squeezed for a tease," The Australian, 6 August 2004
  • Hill, Peter, "Keep on Truckin’," Sydney Morning Herald (Spectrum), 14 – 15 August 2004, p. 8 – 9
  • Hill, Peter, "Join the Red Dots," Spectrum, 25–26 Sept 2004, p. 8
  • Holubizky, Ihor, Truck Corridor, exhibition catalogue, Art Gallery of New South Wales Contemporary Projects, Art Gallery of New South Wales, Sydney, 2004
  • Low, Lenny Ann, "Sculptor becomes truckie in the name of art," Sydney Morning Herald, 6 August 2004
  • Wahjudi, Claudia, "Face up – Xeitgenösshiche Kunst aus Australien," Austellungen, Kunstforum International, Bd. 168, 1 February 2004
  • Angus, James, "On making Manta Ray," Face Up: Contemporary Art from Australia, exhibition catalogue, Museum for the Present, Nationalgalerie im Hamburger Bahnhof, Berlin, 2003, p. 59
  • Carsten Probst, "Face Up – Zeitgenössiche australische Kunst im Hamburger Bahnhof Berlin," DeutschlandFunk – ‘Kultur heute’, 2 October 2003
  • Angus, James, "Manta Ray: In search of perfect ambiguity," Art & Australia, 40th Anniversary Issue, Winter, vol. 40, no. 4, 2003, p. 580, 581
  • Apthorp, Shirley, "Urban work smashes cliches: Berlin is set to experience the cutting edge of Australian art," The Australian, Tuesday, 30 September 2003, p. 15
  • B.R. "Berlin: Opération séduction, L’oeil, Dezember 2003
  • Berlino, A, "Face Up. L’arte australiana va forte," Arte, December 2003
  • Boriani, Glenda "artsaustralia berlin 03," tema celeste, (1), No.100, November/December 2003
  • Dick, T, "Right wavelength keeps career going upwards," Sydney Morning Herald (Metropolitan), Friday, 8 August 2003, p. 12
  • Duncan, Jenepher and Linda Michael, Monash University and Monash University Museum of Art, Victoria, 2003, p. 45 – 51
  • Grayson, Richard, "James Angus," Face Up: Contemporary Art from Australia, exhibition catalogue, Museum for the Present, Nationalgalerie im Hamburger Bahnhof, Berlin, 2003, p. 60, 61
  • Green, Stephanie, "Review: Gulliver’s Travels, Perth Institute of Contemporary Arts," Object, no. 43, 2003, p. 89
  • Meagher, Caroline, "Bridging the Gap," State of the Arts, October – December 2003
  • Rees, Simon, "Still Life: Art Gallery of New South Wales, Sydney," Flash Art, vol. 36 no. 233, November –December 2003, p. 51
  • "Face Up: Contemporary Australian Art," review, Flash Art, October 2003, vol. 36, no. 232, p. 46
  • Shineberg, Susan, "Triumph in the teeth of adversity," The Sydney Morning Herald, 6 October 2003
  • Shineberg, Susan, "In the jaws of Berlin’s Great Whites, a taste of Australia," The Age, Saturday, 4 October 2003, p. 9 (News)
  • Von Thomas Joerdens, "Poppig und gefährlich" Oranienburger Generalanzeiger, 7 October 2003
  • "Face up – Zeitgenössische Kunst aus Australien"[dead link]
  • McKenzie, Dr. Janet, "FACE UP," Studio International, UK, 4 December 2003
  • Palmer, D. "A Surrealist Party Tape", Critical Interventions – Biennale of Sydney 2002, Artspace Visual Arts Centre, Sydney
  • Hynes, V and Pryor L. "James Angus – 2002 Biennale of Sydney" Sydney Morning Herald feature, May 2002
  • Delaney, Max, "Skeletons in the closet: from the monument to the model – sculpture in the Collection," Monash University
This page was last edited on 7 September 2023, at 21:30
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